humans are going to be exterminated, martians take control

martians take control

'Music For Steamed Rocks' appears on 'Commissions I' by @oneohtrix-point-never, exclusive to Record Store Day 2014, learn more at http://bit.ly/commissions-i

Lopatin interpreted Witold Lutoslawski's Preludes in 'Music For Steamed Rocks', a piece composed for Polish Icons at Sacrum Profanum, a Warp staple that's previously hosted Clark & Aphex Twin.

Learn more about the release at <a href="http://bit.ly/commissions-i" target="_blank">warp.net</a>, set for release on 12" vinyl in a black foil print jacket with die-cut view of inner sleeve.

OPN's debut release for Warp 'R Plus Seven' is out now, learn more at http://bit.ly/1aE9CEM

<a href="http://smarturl.it/eb8fi6 " target="_blank">iTunes</a> / <a href="http://smarturl.it/hge9h2" target="_blank">Bleep</a> / <a href="http://smarturl.it/c23n1u" target="_blank">Amazon</a> / <a href="http://smarturl.it/t1zi9e" target="_blank">Google Play</a>

http://www.pointnever.com/
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https://twitter.com/0PN

Commisions I

Learn more at warp.net

Oneohtrix Point Never - Music For Steamed Rocks

End theme of "Traumland". A film by Petra Volpe.

Traumland Endthema

For this year's Record Store Day, the Monkeys offer you a set of tunes released on Monkeytown Records in 2014, however freshly remixed by other Monkeytown artists in 2015:

Alex Banks remixes the brand new Robot Koch track "Let Me", off his Monkeytown debut EP "TSUKI".

Tracklist:

01 / A - Robot Koch "Let Me feat. Curtain Blue & Born In Flamez / Alex Banks Remix"

02 / B1 - Dark Sky "Manuka / Anstam's Saint Seclusive Edit"

03 / B2 - Mouse on Mars & Tyondai Braxton"Off Sea/ Gajek Remix"

Order your 12" on Record Store Day, April 18, 2015 at our webshop at http://bit.ly/1E1E8Li
or visit you trusted record dealer.

Robot Koch "Let Me feat. Curtain Blue & Born In Flamez" / Alex Banks Remix

Taken from the 'Orphaned Deejay Selek 2006-08 E.P'


orphaned deejay selek 2006-2008

simple slamming b 2

Simple Slamming B 2 .wav

live set directly recorded tru the rec outs of my mixer @ massive Dirty Groove party near Nimes, France, may 2008
massive party with Trackerz & Revolt 99 sound systems

Live pa @ Dirty Groove 2008

robotronic

2 works in progress, a pseudo hip hop/dupstep track and a technoid/electro one

works in progress

well i figured seeing as the tribe have the weekend off(officially) i'd savour the occasion and seize the moment by letting all of you who didnt make it to this gig what you missed out on ( by thunder i nearly didnt make it either, waking up in a cold sweating panic in my hotel room at 3am on a saturday feeling highly embarrased by my "lack of faith"), thankfully my family rallied round and saw the night through before i showed up and did THIS! a live set worth recording and posting for once! they don't come every time me being such a snob n all that but when they do , they are for YOUUUUUU!!!
By the way, ARTURIA< if youre listening, SPARK hasnt worked for 2 gigs straight, and i didnt change a damn thing. come on i helped you guys develop this a LOT, i need it to WORK when i PLAY!!!!! another license, ANYTHING so i can keep flying the flag for the best drum machine plugin controller combo Hardtek has ever SEEN!
Please?????

CRYSTAL DISTORTION LIVE AT FUGITIVE FUTURE CAEN 2019

VIPER  KK BeatsForKurdistan 1 02 2020

Playing guitar since i was 13, brainwashed from rock to punk to metal to hip hop, i started to enjoy electronic music listening to some industrial bands like Test Dept, Godflesh, Nine Inch Nails in the first '90s. Suddently i got involved in the first wave of electronica, Future Sound Of London, Orb, AFX etc; after i went to my first free party/festival my mind started to become opened to many new worlds; heavy influeneced by that whole movement, i got a drum machine and started to make some electronic music attempts around '97 and my first autoproduction in '99. Realized another autoproduction in 2000/2001, mainly experimental techno stuff; finally i joined Hydrophonic Records label from Milan, run by my friend Alessandro Skeeme, and started a long and still active collaboration making some techno industrial vynils like the 'connections eps 1 and 2'. The two completely mine 12"  'Masters of legalized Confusion' (2003) and 'Obscure Fairytales' (2007) can be described like this: hard edged drumrolls, variable synth grooves, changing melodies, abstract sounds bleeping in and out. I made a split album with Mechanic Willow on Idroscalo Records, Rome, run by Antonella Pintus, called 'Niente Di Nuovo Sotto Il Sole', a couple of  punching technoid electrobreaks industrial tracks, made in "the spirit of AFX taking a holiday in Italy". While taking the SAE course in Milan i met some good friends that were starting the project of making a sound system; i joined them and the whole thing has been called Untravelled Ground. Emiliano Pilloni (PilloPlex) and me started our indie electronic label Untravelled Ground Records (UNG) in 2007 and made 3 vynils and 1 cd, producing Pilloplex (Changing Doctor ep), Synthe.Labo (Blackened Happy Sheep ep), Intiman (Drug Dealers ep) and a collaboration project of me and Enzo Sarteur called 'Iron Steel Art', all with the support of the Music Lab studio for final mixes and masterings. 
2013: 'Transitions' Lp on Hydrophonic Records: a mixture of techno and electronic infuences, divided into a vinyl Lp (more groovy/acid stuff) and a digital release (more focused on my own thought about electronic mucic).
Since 2000 i developed a particular style that is a mixture of many influences: techno, electro, breakcore, idm and clubbish stuff; i have difficulties to describe my music, anyway i shifted from tekno to more break and experimental to more downtempo techno and electronica. Nowadays i'm both into groovish and mental or more experimental stuff; as some friends of mine say, even if i make an house track it's clear that i have 'warpish electronica' roots....and anyway eclecticity is the keyword.




robotronic

synthe.labo