Chilly SoundCloud Vybz 53

This is my 54th Album ‘Mother’s Love…Vol.5’ which is the music is of an era long forgotten, I have also included some modern renditions and covers the period from 1904 to 2025. 

To every mother who held us close when we trembled, who found strength in our laughter and hope in our tears…this album is yours and a tribute to your boundless compassion, quiet courage, and the countless ways you light our lives. 

‘Mood Medley’ is a medley of 7 German, and 2 English songs complied by musician ‘3 Z’widen’ and recorded and mixed by O’Neill Fernandes for his Album ‘Mother’s Love Vol.5’ (July 2025)

‘Sweet Kisses’ is a song by Jean Drooghaag, released on May 30, 2014, and is featured on her album "Caramia".

‘Buona Sera’ is a song written by Carl Sigman and Peter de Rose and best known for being performed by Louis Prima in 1956. 

‘Calcutta’ is a German pop song. An instrumental version by American bandleader and TV host Lawrence Welk on the 1961 Dot Records album ‘Calcutta’ was a Number One song in the United States.

‘Weekend and Sunshine’ (Wochenend und Sonnenschein) is a song composed by Milton Ager and Charles Amberg, famously performed by James Last & His Orchestra in 1974.

‘Blue Moon Dancing’" is a song by the Dutch musical duo Tol & Tol, released in 1999 on their Album ‘IV’.

‘1000 Dreams’ is a guitar instrumental piece composed and performed by German guitarist Ricky King on his Album ‘Zeitlos’ in 2014

‘Moonlight and Roses’ is a song performed by Billy Vaughn and His Orchestra from his Album ‘The Very Best of Billy Vaughn’ (1982).

‘Fascination’ is a popular waltz song with music (1904) by Fermo Dante Marchetti and lyrics (1905) by Maurice de Féraudy. 

‘I Could Have Danced All Night’ is a song from the musical My Fair Lady, with music written by Frederick Loewe and lyrics by Alan Jay Lerner, published in 1956. 

‘Cheek to Cheek’ is a song written by Irving Berlin in 1934–35, specifically for Fred Astaire, the star of his new musical, Top Hat. 

‘That Old Black Magic’ is a 1942 popular song written by Harold Arlen (music), with the lyrics by Johnny Mercer.  Glenn Miller reached number one on Billboard with his recording on Victor Records in 1943 featuring Skip Nelson on vocals.

‘Mélodie d'amour’ is a 1989 song recorded by French Brazilian band Kaoma. Written by Loalwa Braz and Jean-Claude Bonaventure, it was released in March 1990 as the third single from their 1989 album ‘Worldbeat’.

‘Berlin Melody’ is a song by Billy Vaughn and His Orchestra from the Album of the same name and was released in 1961.

‘Sweet Memories’ (Memory Melody) is a song by Peter Tex from his Album ‘Saxophonträume’ (1992).

‘The Singing Hills’ is a song recorded by Billy Vaughn and his Orchestra and released as a single in 1958. The song charted at No. 56 on the Billboard Hot 100. 

‘My Bonnie Lies over the Ocean’ is a traditional Scottish folk song that is popular in Western culture. The song has been recorded by numerous artists since the beginning of the 20th century. 
‘Are You An Angel To Me’ (Bist du ein Engel für mich) is a song by Dutch artist René Le Blanc and was released on the Album of the same name in 2025.

‘A Thousand Times’ is a song by the Band ‘Picture This’ from their Album ‘Let The Light In’ and was released in 2025.

‘Good Times Music’ is a song by the Band ‘The Lords’ from their Album ‘Ulleogamaxbe’ and was released in 1969.

‘Schützenliesel-Polka’ is a song by James Last from his Album Polka Party and was released in 1971.

‘Come What May’ is a song by Lani Hall and Herb Alpert and was released as a single in 1980.

‘The Lonely Shepherd’ also known as ‘Einsamer Hirte or Der einsame Hirte’ in German or as El pastor solitario in Spanish, is an instrumental piece by James Last.

“Mother’s Love Medley 2025’ is a collection of three songs mixed and recorded by O’Neill Fernandes for his Album ‘Mother’s Love Vol.5’ (July 2025).
1.	Michaela
2.	Ein bißchen Spaß muß sein
3.	Fiesta Mexicana

Enjoy!!!

Buona Sara (O'Neill Fernandes)

We Are Meant To Be

INVISIBLE

A dark techno prayer for evolution, rebellion, and rebirth. "I am the code you can’t decode."

With that line, ETERNAL CODE opens a portal into a world where music becomes memory and rhythm becomes revolution. A frequency transmission, rooted in melodic techno and infused with cinematic tension, the song blends deep synths, ritualistic percussion, and haunting vocal poetry. It's built for desert rituals, midnight headphones, and neon-lit awakenings.

The lyrics trace a journey through sacred mutation, earth consciousness, and the reclaiming of inner power. It’s a soundtrack for those who no longer bow to systems, but instead remember their divine design.

“This flesh is data, this blood is light.
These eyes hold galaxies at night.”

ETERNAL CODE is an anthem for the seekers. The shapeshifters.
The ones who were never broken, but purely waiting to evolve.

🎧 OUT NOW.
Stream it. Feel it.
And ask yourself... what would you evolve?

2. SYNTHTOPIA - ETERNAL CODE (PARALLEL DIMENSION)

Album Title: After The Bat Was Freed ... But Before Metal Died

An Ozzy Requiem

Description:

This is more than an album. This is a requiem. A two-part rock opera epic exploring the complete life, legacy, and psychological journey of a rock and roll icon. Performed by the virtual progressive metal band Adelheide's Wisdom.

LP 1: "After The Bat Was Freed ... But Before Metal Died"
A nine-act narrative that chronicles the rise and reflection of a legend. The journey begins in the industrial haze of 1960s Birmingham, capturing the spark of a Beatles-inspired dream ("The Day The Bat Was Freed"). It crashes through the chaotic birth of a new sound ("Sounds Like a Bunch of Cats Fightin'"), explores the creation of the demonic "Madman" persona ("They Call Me The Madman"), and descends into the self-destructive excesses of the 80s ("Wings of Sin"). The album finds its emotional core in the heartbreaking ballad "I Was Just A Dreamer," before culminating in a final, monumental tribute to the man behind the myth ("Prince of Eternal Fire").

7. I Was Just a Dreamer

The turning point: The album's grand, emotional power ballad. This is the "morning after," the moment of catharsis and vulnerable reflection after all the excess. The loud facade of the "Madman" crumbles, revealing the heartbroken dreamer behind the mask.

Official Song Description: Adelheide's Wisdom – "I Was Just A Dreamer"
What remains when the spotlights fade and the myths begin to crack?

With "I Was Just A Dreamer," the virtual band Adelheide's Wisdom releases the first single and emotional centerpiece from their monumental concept album, "The Laughing Shadow: An Ozzy Requiem."

This epic power ballad is a profound and heartbreaking confession that looks behind the facade of the "Prince of Darkness." It tells a story of deep inner conflict – from the celebrated rock star on the world's biggest stage to the lonely "ghost at home," alienated from his own family and confronted with a lifetime of "scrambled eggs and mistakes."

Beginning with a fragile, intimate piano theme, the song unfolds into a massive, orchestral anthem. The haunting duet vocals of Adelheide and André guide the listener through a landscape of regret, pain, and the faint, almost lost hope for forgiveness.

"I Was Just A Dreamer" is more than just a song; it is the key to understanding the entire requiem. It is a meditation on the price of fame, the walls we build around ourselves, and the tragic search of a man trying to master the one role that always seemed out of reach: that of a father.

We all together worked day and night. As the Godfather of Metal was a musical role model and one of the first albums that our producer bought was 'Paranoid'.

Lyrics (by Frank Talmon l'Armée]

I Was Just a Dreamer

Spotlights burn my face, 
the crowds scream my name 
But it ain't my name, 
just a mask in the game. 
At home there are wrinkled hands and plates, 
Scrambled eggs and a life of mistakes.

Who's the mask, who's the face? 
Am I lost inside this place?

I'm a fading star with a burning heart, 
A joke to them, 
a ghost at home from the start. 
I'm screaming out but it falls apart...

All he ever wanted... was a father

Frozen clocks in an empty room, 
Maps lead nowhere, 
the compass a tomb.

But the wind still carries ancient tunes, 
Of brighter days and kinder moons.

And maybe tomorrow... 
The sun will break through... 

I was just a dreamer 
I dreamt my life anyway 
I was just a dreamer 
missing mostly better days

[Solo]

And the wind still carries ancient tunes, 
Of brighter days and kinder moons.

And maybe tomorrow... 
The sun will break through... 

I was just a dreamer 
I dreamt my life anyway 
I was just a dreamer 
missing mostly better days

They cheer for the beast... 
but my kids...

I Was Just a Dreamer

Born at the intersection of music, culture, and technology, SYNTHTOPIA unites artists, dreamers, and disruptors pushing creative boundaries across every dimension.

With deep roots in underground scenes and global reach across platforms like Netflix Originals, Xbox, Apple Music, and Crypto.com, the collective has earned millions of streams and tokenized over 25,000 digital art collectibles, backed by 2,500+ collectors worldwide.

At the heart of it all lies a decentralized media universe where music isn’t just heard, it’s experienced, traded, and reimagined.

Collaborators include Qvantvm (Netflix, Xbox), Crypto.com (Snoop Dog, UEFA), Scott Page (Pink Floyd, Monty Python, The Rolling Stones), Fracture Labs (Cyberpunk 2077, Batman), Undo Records (BBC, Paramount), and Daemon Engine (Netflix, HBO, Universal). Together, they’re helping shape the future of tech-driven storytelling.

Join the movement. Build what’s next. Transcend the feed.