[WIP] Opus

The current music scene is great because of the places where music is made and the experiments that are repeated by each personality. For individual creators, it is much more valuable to have an environment where they can come into contact with a large number of personalities than to be spread.

Hello everyone, 🖐🏼I am a beatmaker and MC 💻🎛️🎹🥁🎤🎧

💣I write music to order and sell🎼, I am ready to cooperate with artists from all over the world. 
                                                                                                                                                     🌏🌍🌎✨
I ask you to coordinate 📝the copyright in your personal messages📮📁

We're Uggly Bob, a passionate DJm duo who have been working hard to produce and launch our best electronic songs. Starting from the ground at our studio, our journey has been driven by an unrelenting love for music and a desire to create unforgettable experiences. 

With a deep connection to digital trends, informatics and newest technologies, we’ve developed a signature sound - a fusion of melodic techno beats and electrifying EDM drops that keep the crowd moving all night long.

Our breakthrough came after releasing a series of tracks that gained traction on streaming platforms, catching the attention of some others creators and music party organizers.

Now, with a growing discography and a good acceptation worldwide, we're working to push boundaries by ourselves, creating real digital music that resonates with the heartbeats of dance floors.

Making tunes robbing anything from the 90s with nostalgic old skool vibes.

Disco balls, neon lights and groovy bass lines...

New Album: 2552
Available on SoundCloud, Bandcamp and Elastic Stage (vinyl copy) now.

"Sugarstealer’s 2552 is a bold statement record - one that seems to straddle the line between immersive listen and club-minded machinery. On one hand, it rewards deep, repeated listens; on the other, many of its sonic decisions clearly consider how tracks might live in a DJ’s crate.

What’s immediately striking is how the album embraces contrast: atmospheric soundscapes versus propulsive rhythm. It doesn’t commit fully to one lane (e.g. purely ambient, purely dancefloor), but instead leverages tension between those poles.

For fans, 2552 offers thematic depth, mood shifts, and textural surprises. For DJs, it offers usable sections, transitions, and some floor-ready energy without sacrificing musical integrity.

One of the biggest strengths of 2552 is its sound design  -subtle but intentional. The production is not overstuffed; there’s room for echoes, negative space, and gradual build. Sugarstealer favors evolving textures: pads swell, unusual percussion elements flicker in and out, reverb tails stretch, and field recordings or ambient noises occasionally creep into the mix.

From a DJ perspective, this is gold: intros and outros are often forgiving, giving you room to mix in or out without jarring jumps. The use of filters, delays, and modulation make many of the transitions feel organic.

The pacing of 2552 is deliberate. It tends to open up space before building tension, rather than dropping into full force immediately. This suits fans who like slow burns and subtle emotional arcs.

There’s a sense of cinematic storytelling: tracks shift in mood, sometimes even mid-track. You might start in something minimal and brooding, and then a sub-melody or rhythmic shift kicks in halfway, recontextualizing what came before.

For DJs, some of those shifts can be leveraged: a breakdown might make a great moment to drop in another track, or to filter out drums and layer in something complementary.

Lyrically or thematically (depending on how much vocal content is used), there’s a feeling of looking both forward and backward - futuristic but haunted, mechanical but human. That duality gives the album emotional weight beyond just sonic experimentation.

Sugarstealer avoids leaning so far into experimentation that the tracks become unusable in mix contexts. Yet, he also resists the trap of making purely functional club tracks. That hybrid is delicate, and 2552 largely succeeds.

The album evokes moods - spaces, memories, tension -not just beats. It draws the listener in emotionally.

It’s not static. There are shifts in density, tone, rhythm, instrumentation. That keeps repeat listens fresh.

Because of thoughtful intros/outros and modulation, a DJ can blend in or out more gracefully than in many other albums of similar scope.

Fans should approach 2552 not just as a background or dance album, but as a journey. Pay attention to details: how textures morph, how silence is used, how emotional peaks and valleys emerge. Let it grow on you on repeated plays.

DJs should identify the “usable zones” in each track: the parts with clean beats, intros/outros with more space, breakdowns or drops that align with other tempos. Experiment with layering -sometimes combining a minimal segment with an external percussion loop or synth can unlock new possibilities.

2552 by Sugarstealer is an album that stands in that sweet spot where listening and mixing potential overlap. It’s not just an experimental side project -it's got real utility. It rewards deep listenership while offering tangible building blocks for DJs.

If I were to give it a rating (in relative terms within its niche), it lands high: a work of vision that doesn’t sacrifice usability. It’s the kind of album that can become a hidden backbone in a set or a late-night playlist that lingers in the mind long after the final fade."

Syskky is a young DJ, mostly in the production. Styles are Electro, House, Electro Dance and Dubstep.

Contact : djsyskky@gmail.com

https://carolinarecords.bandcamp.com/follow_me





"Caes así muchas veces y te vuelves a levantar en este camino en
el que te engendras a ti mismo, en el que te inventas, llegando a ser tu propio hijo. El hijo del hombre, engendrado por el padre, que a la vez es el hijo".

Se ha dicho con frecuencia que la teoría expresada en los manifiestos tendía a anticiparse a la práctica artística concreta.i  Según Marinetti se requería violencia y precisión dall’arte di far manifesti. Violencia y precisión descubriría también Russolo en la expansión de esos ruidos que, cuanto más familiares se volvían a nuestros oídos, más remitían a la vida misma. 

"La palabra Amor era una clave, un vocablo 'clus' . Amor leído al revés es Roma. Es decir, el término indicaba, en su forma de escribirlo, 'lo contrario a Roma', a lo que Roma representa. 
Ademas, Amor se descompone en 'a' y 'mor', queriendo significar Sin-muerte. A-mor". M. S. 

"De entre muchisimos seres humanos que estan sufriendo, hay unos cuantos que de hecho indagan acerca de su posición y que se preguntan quienes son, por que se los pone en esta situacion dificil...." A.C.B.S.P.

"¿No sería mejor ayudarnos mutuamente a manifestar nuestro yo interior más bello, sexual, inteligente, creativo y audaz, en vez de cooperar en reprimirlo?" P.C.
"¡ Ya lo veis: Cordoba protesta y clama al cielo contra la revolucion de1810!"
D.F.S.

"...debido a tu presencia, me encuentro derrotado materialmente. A pesar de que soy el propietario de todos los tesoros que hay en el agua, yo se que tales posesiones no conducen a una vida de exito. " Varuna

"...ni el tiempo ni el espacio pueden mantener una existencia independiente; ambos existen simultaneamente en un contínuo tetradimensional omnipresente." M.Sch.

" A veces no sabemos que es un fracaso y que un acierto" M.Sch.

"Lo que ocurre con la meditacion es lo siguiente: cada vez eres mas tu" D.L.

"Contra el poder del inconsciente solamente puede protegerse con el completo reconocimiento de las propias debilidades"
..."desde este momento el hombre comenzara a compender que no tiene el menor poder de si mismo, que nunca sabe lo que puede decir o hacer al minuto siguiente y que no puede responder de si mismo ni siquiera por algunos instantes"...

Jabali hembra hecha de diamante. Aquel que sustenta el rayo. Una mujer oscura que danza sobre un cadaver.
"El conocimiento metafisico nos llega por medio de una especie de sexto sentido que tambien se encuentra en germen dentro de cada uno, pero solo funciona al expandirse."

EgoMohr "A-mor" 

https://egomohr.bandcamp.com/album/a-mohr

www.myspace.com/arielchase

http://www.facebook.com/ariel.chase.7?ref=tn_tnmn

http://grooveshark.com/#!/album/La+Concha+De+Dios/3953340

[WIP] Opus

Syskky_connection