Composer of instrumental and electroacoustic music based in Madrid.

Curator of the new music festival VANG. 

Director of the Master in Electroacoustic Composition programme at 
the CSKG. 

SuperColliding since 2001.

Recent stream: https://www.mixcloud.com/RedLightRadio/apos-for-rlr-culte-agency-listening-session-05-19-2019/

booking: agency@culte.be
music:https://enapos.bandcamp.com/
music:https://bepotelrecords.bandcamp.com/
good times:
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Download or stream our music: https://smarturl.it/manmademan

As two of the original psychedelic trance pioneers, their extensive discography includes releases on prominent labels such as Nano Records, TIP, Flying Rhino, Phantasm, Matsuri, Transient, Flow, RTTS, amongst many others. In their words, the sound of ManMadeMan is described as “ a totally original style, a bit hard to define, but who cares - it’s positive, funky, psychedelic and musical all at the same time. It has a knack of totally igniting a dance floor while never retracing old steps and yet manages to always sound like ManMadeMan.”

Kees Tazelaar (*1962) followed courses in Sonology in Utrecht and The Hague, and later studied composition under Jan Boerman at the Royal Conservatoire. He has been teaching at the Institute of Sonology since 1993 and has been head of the institute since 2006. His electronic music features a combination of formalisation, richness of sound and a compositional approach to sound spatialisation.

As well as a composer, Kees Tazelaar is a historian, who has specialised in the early years of electronic music in the Netherlands and Germany. He has twice been the Edgard Varèse Guest Professor at the Technische Universität Berlin, where he earned his PhD in 2013 with the dissertation "On the Threshold of Beauty: Philips and the Origins of Electronic Music in the Netherlands 1925–1965" (ISBN 978-94-6208-065-2).

www.keestazelaar.com

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