https://volusunov.bandcamp.com/album/znyshyty-vsih
This album was recorded by @htyouall in Odesa, during December 2021 with a strong feeling of something terrible future.

Znyshyty vsih

Support

HTyouall - Budut' fayno jyty (Self-release) / PREMIERE

Throwback to last Penumbrum party, Warsaw SPATiF club. Powerful set by @b1ju was recorded live, people was plunged into a viscous dense sonic madness.

bijū @ Penumbrum Global Grid || Klub SPATiF 010422

@ranishe

Recorded at Enthusiast Moscow.

Tracklist: 
1. Nexda — Sixfiftyseven
2. Fingerptintz — Wet Job
3. Marc Barreca — Music Works For Industry
4. Maximum Joy — Silent street / Silent Dub 
5. M.Bryo — Show Me Your Hands
6. The Mainstream — Infrafni (infra) 
7. Shriekback — Feelers
8. The Good Missionaries — Call To Arms
9. Mu — Metal To Metal
10. Wat?Sanitär! — Except Me And My Monkey
11. Dead Sea Apes — The Map Is Not The Territory
12. Musique Mecanique — Good Ideas Must Not Fall In The Hands Of The Enemy
13. Electric Eels — Bunnies 
14. The Plastic People Of The Universe — Okolo Okna
15. Little Debbie — Shines
16. We Be Echo — I Dance In Circles

No Sound Wave #5: Ranishe Niyaak

@shorlax

On February 26, we was broadcasted from Tbilisi. 
With gratitude to the residents of Georgia for their good nature and empathy to immigrants.

Thanks to the Dust for the place.

TESTFM Bandcamp

TESTFM in Tbilisi w/ Shorlax

Live today is Ukrainian Muscut records 11 years x Mutant Radio takeover! Today, when Georgia and Ukraine are fighting for the same cause and against the same enemy, it’s important to stay united. On International Women’s Day, we’re honoring the brave women who are leading the charge for change in both our countries, and we send a message of hope and solidarity to all those who are still fighting.

Bryozone [Muscut records 11 years ] [08.03.2023]

What is the sound of the Russian dub? There is a storied history of attempts to adapt roots music to Russian soil, but most of them can be attributed to reggae (the so-called ‘northern’ variety) rather than dub. Gost has a history with the town of Smolensk. It’s home to Gamayun, whose great album Filterealism was released on our label last year. Now Anton, one of Gamayun’s members, presents his new duo Dubovaya Kolesnitsa (The Oaken Chariot). In his words, it has no connection to his other band at all and is an attempt to go back to the roots of a genre that doesn’t truly exist.

The Russian word for oak, ‘dub,’ looks exactly like the genre, and the chariot emerged from the name for the group’s jams – ‘telega’ – which can be translated as a cart. All the music here is the result of live improvisations: no samples, just instruments (notably Vasiliy Shilov's bass). These recordings have been slightly edited, and even the almost indecipherable texts are freestyle. There’s no place for real riddims in Russian dub: sometimes this record sounds like something akin to dub variations on underground Russian hip hop (and we mean that in the best possible way).

We should also remember that dub and reggae (and hip hop as well) all started as the voice of people. The voice of those who are always in the minority and try not to be silent. The most prominent dub producers and reggae performers were against hierarchy, imperialism, and colonialism — and their music was born out of the desire to protest against it. As Anton puts it, Oaken Chariot, the “Russian mutation of dub,” is an attempt of voicing the concern. And he links this attempt to a historic Russian tradition of Foolishness for Christ, also known as yurodstvo. The “fool” in question is not naïve at all; he’s trying to seem lunatic on purpose. For Anton, the music of Oaken Chariot is a rebellion with a cut-off tongue. Here, illegible speech, full of inarticulate sounds, is a sign of the inability of the statement. But this inability represents a statement itself that is inevitable.

Yet, the music of Oaken Chariot is genuinely fun, free, and mesmerizing (like the happenings of holy “fools”), but we could also approach it more conceptually. Theoretician Michael E. Veal describes dub as a ‘postsong’, taking the form of “linguistic, formal and symbolic indeterminacy.” The duo’s faintly eerie compositions call back to the notion of musical hauntology. There is an attempt, without any direct references, to reconstruct the feeling of something that was never there at all. A little nostalgic and very forward-thinking at the same time, the music of Oaken Chariot is best described in its own words. In the opening track, a voice can be heard saying “eto delo v lob,” which means something like “it’s a straight-on thing.” This is very direct, almost in the vein of folk music. This is a great – and, it must be said, successful – experiment in searching for the soul of Russian dub. Simple as that.

GOST018 Oaken Chariot "Biznes Time"

Side 1

A1: They are looking at us from above
A2: BIZNES TIME 08:39
A3: Free Poetry 01:51

Side 2
B1: Splendor of Wasteland
B2: Purer Than Love
B3: Volchok
B4: Random Regularities

Music and recording — Anton Dvoenko, Vasiliy Shilov
Mix — Anton Dvoenko
Mastering — @poducedbyflaty
Executive producer — Ildar Zaynetdinov
Cover – Eduard Kulemin "Field" 1988

12" LP full-color sleeve.
October 7, 2022

© «ГОСТ ЗВУК»

GOST018: Дубовая Колесница "Biznes Time"

peregrine falcon

⚠️Physical release only ⚠️

VA Test Pressing II
Muscut 10
12" LP
Release date: 10 Nov 2018

Ukrainian label Muscut celebrates its anniversary - Muscut X (10) Test Pressign II - is the tenth record in a row. The first release was published in 2012 on 7 inches and was called simply Test Pressing. Like six years ago, the current vinyl is a compilation of Muscut's “residents”, as well as  new friends of the label. Test Pressing II is 12 inches on which there are exactly ten tracks.
Both sides are significantly different in color of mood. Party A starts with dub-drone sketches of key figures of the Odessa underground - Wildstyle Crew and Bryozone. Then we hear the mantra-like  M2 - the work of the creative union of Nicola Ratti, Mads Emil Nielsen together with Nikolaenko. The Canadian sound-artist Mark Templeton continues the line of rhythmic textures crowned with unhurried percussion - it is in all senses of Soft Education at number four. The first part is completed by an exquisite curtsy from the Andrew Pekler label frequenter called Underwater Nocturne as a soundtrack for the perfect tea ceremony.
The second side confidently sets a completely different compilation rhythm from the very start - the tribal tribal dance from the Berlin project Native Instrument instantly introduces into a trance. It is followed by a warm, enveloping minimal synth track from the Ukrainian trio Nisantashi Primary School. The middle of the second side is decorated with the pensive house-ballad of St. Petersburg producer Fadeev known as AEM Rhythm Cascade. Another Russian settled next to him - Muscovite Oleg Buyanov, aka OL, with a massive broken dub Nutmeg. The final composition consists of burning afrosint motifs from luminary Odessan Vakula.

Tracklist:

A1 Wildstyle Crew - Intro (edit)
A2 Bryozone - Juicy Quiddity
A3 Ratti Nielsen Nikolaienko - M2
A4 Mark Templeton - Soft Education
A5 Andrew Pekler - Underwater Nocturne

B1 Native Instrument - Thud
B2 Nisantashi Primary School - Flaneur 
B3 AEM Rhythm Cascade - Biruza
B4 OL - Nutmeg
B5 Vakula - Afromadness

Mastered by Giuseppe Ielasi
Graphic design by Jugoceania

Order

VA Test Pressing II, Muscut 10 (12'', 2018)

система | system presents track "Mosquitoes Eat My Friend" by Lobanov K. from new release ^ "Angular Man" EP - this is the first release by Ukrainian / Kiev-based artist Lobanov K. 
This release based on improvisational material, basically made on modulars. All tracks produced / performed / mastered by Lobanov K.
Artist ^ 
Lobanov K. 
 
Release Title^ 
"Angular Man" EP

Track ^	
3. Mosquitoes Eat My Friend

all tracks and sounds are produced / recorded / mastered by Lobanov K. 
Drawing by Elsa Quintin, designed by Lobanov K. 

Catalog number ^
sys 028

Angular Man

Lobanov K. - Mosquitoes Eat My Friend

Manipulations of Marina Bibik & Roma Nemov

Desktop

Mechta Podcast 032 — Vollok

International digital Music Label and Live Cast serie, Art and music events organizer/in situ projects conceptor working on the relationship between architecture and live music. Odesa-UA based project, active worldwide. We work against the GATEKEEPERS in the music scene and industry and give space to newcomers, unheard and forward thinking music.

Lobanov K. - Mosquitoes Eat My Friend

система | system

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