SNOR - HKAYA

Written and Produced by Brian Leeds
"Plonk IV" Mixed by Chris Wang 
Mastered by Anne Taegert
Design by Jonathan Castro Alejos - www.jonathancastro.pe

"Plonk IV" is taken from Huerco S.' Plonk LP
PREORDER: Vinyl 2x12"/CD/Digital:
https://huercosplonk.bandcamp.com/album/plonk
Out February 25th, 2022
INC-015

Huerco S.
@huercos
https://huercosplonk.bandcamp.com/album/plonk

Incienso
www.inciensorecs.bandcamp.com
www.instagram.com/inciensorecs
www.incienso.nyc

Plonk

Huerco S. - Plonk IV [INC-015]

raablaawaavewise

releases June 6, 2033

maastered by Ketaalord

p-a-a-n.bandcamp.com

RAAKLAJ

DJ LYCOX "Guetto Star" LP (P058, October 25 of 2024)

Orders: https://principediscos.bandcamp.com/album/guetto-star

Guetto Star

DJ LYCOX - Edson no Uige

systemnapotvora invites vvanya samokrutkin.

Vvanya Samokrutkin is an Odesa/Paris-based artist and curator of the система | system / systemnapotvora platform. He presents his exclusive two-hour mix for the @systemnapotvora monthly radio show on Rinse France. Broadcasting on Rinse France on March 28, 22:00 – 00:00.

This mix is a deep dive into the compositional experiments of the 20th century and their ongoing influence on contemporary soundscapes. Moving across fragments of musique concrète, electroacoustics, microtonal and minimalist music, post-concrète textures, and acoustic phenomena, it traces the evolution of avant-garde compositional thought, dissolving boundaries between rigid structure and spontaneous sonic generation.

This mix interweaves pioneering experiments in musique concrète with extended instrumental techniques, polyrhythmic structures, and spatialized sound diffusion featuring archival recordings, rare tape manipulations, and spectral explorations. Adding another layer of depth, ritual chants and mantras of Mongolian shamans and lamas create a dialogue between organic sonic traditions and electroacoustic textures, forming a dense, evolving auditory environment.

From tonal dissonances and fractured rhythmic geometries to expansive timbral experimentation, this mix explores sonic transformation, compositional deconstruction, and the shifting perception of sound through historical and contemporary practices.

systemnapotvora invites vvanya samokrutkin - 28 Mars 2025

systemnapotvora invites vvanya samokrutkin:
This mix is not just a compilation - it’s a complete reimagining and sound collage. Every sound and composition is reworked, re-edited, rewritten, stretched, fractured, and reshaped while holding onto its original essence - a layered sound collage consisting of multiple sounds and textures.

A defining element of this mix is its interplay between composed electroacoustic works and environmental sound phenomena. 𝐈𝐧𝐭𝐞𝐫𝐰𝐨𝐯𝐞𝐧 𝐚𝐦𝐨𝐧𝐠 𝐡𝐢𝐬𝐭𝐨𝐫𝐢𝐜𝐚𝐥𝐥𝐲 𝐬𝐢𝐠𝐧𝐢𝐟𝐢𝐜𝐚𝐧𝐭 𝐜𝐨𝐦𝐩𝐨𝐬𝐢𝐭𝐢𝐨𝐧𝐬 𝐚𝐫𝐞 𝐟𝐢𝐞𝐥𝐝 𝐫𝐞𝐜𝐨𝐫𝐝𝐢𝐧𝐠𝐬 𝐨𝐟 𝐮𝐧𝐫𝐞𝐠𝐮𝐥𝐚𝐭𝐞𝐝 𝐧𝐚𝐭𝐮𝐫𝐚𝐥 𝐬𝐩𝐚𝐜𝐞𝐬 - 𝐚𝐫𝐜𝐡𝐢𝐯𝐚𝐥 𝐬𝐨𝐮𝐧𝐝𝐬 𝐨𝐟 𝐬𝐭𝐢𝐥𝐥 𝐟𝐫𝐞𝐞 𝐟𝐫𝐨𝐠𝐬 𝐚𝐧𝐝 𝐬𝐭𝐢𝐥𝐥 𝐟𝐫𝐞𝐞 𝐁𝐥𝐚𝐜𝐤 𝐒𝐞𝐚, 𝐜𝐚𝐩𝐭𝐮𝐫𝐞𝐝 𝐢𝐧 𝐂𝐫𝐢𝐦𝐞𝐚 𝐛𝐞𝐟𝐨𝐫𝐞 𝐢𝐭𝐬 𝐚𝐧𝐧𝐞𝐱𝐚𝐭𝐢𝐨𝐧 𝐢𝐧 𝟐𝟎𝟏𝟒.

These recordings act as sonic documents of an environment that, while physically unchanged, carries an altered geopolitical and cultural context.
Their inclusion reframes acoustic ecology within the domain of contemporary sonic practice, emphasizing sound's dual role as both an artistic medium and a historical artifact.

systemnapotvora invites vvanya samokrutkin - 25 Avril 2025

A synapse-popping electro-acoustic soundwalk around Western Europe's cathedrals, chapels and churches, 𝑪𝒂𝒎𝒑𝒂𝒏𝒂 𝑺𝒐𝒏𝒂𝒏𝒔 skews recognizable sacred soundscapes, proposing a contemporary mythology that muddles the past, present and future. Following on from his critically-acclaimed 𝑩𝒂𝒕𝒉𝒉𝒐𝒖𝒔𝒆 𝑩𝒍𝒖𝒆𝒔 full-length, American sound artist Jake Muir familiarizes himself with German and British sonic architecture by studying some of the medieval shadows that still hang over Europe's streets, even as they continue to evolve. Manipulating environmental recordings captured in Germany and England, Muir presents an impressionistic juxtaposition of parallel cultures: the UK's distinctive "change ringing" technique, where a team of bell-ringers play long varied sequences on a set of tuned bells; and Germany's more sober style, with monotonous peals that add rhythm to daily life.

When Muir moved from Los Angeles to Berlin back in 2019, it wasn't just the German capital's damp weather and long, dark winters that came as a surprise. He was immediately struck by the city's anomalous acoustics, and one particular element stood out: the resonant church bells that echo around Berlin throughout the day to mark time, and for 10 minutes on Sundays as a call for mass. Gathering his field recording equipment, Muir acquainted himself with his new home by following the sonorous clangs, wandering from kiez to kiez to capture each church's distinct auditory flavor. And the more material he collected, the more engrossed he became in the history of bell ringing, prompting a deep dive that would shuttle him across Germany and into Italy, Belgium and the UK.

On 𝑪𝒂𝒎𝒑𝒂𝒏𝒂 𝑺𝒐𝒏𝒂𝒏𝒔, Muir trains his focus on Berlin, where his journey began, and on England, where he encountered the most elaborate bell ringing practice. 𝘌𝘳𝘻𝘬𝘭𝘢𝘯𝘨 is a hypnotic lattice of sounds recorded all over the German capital: at Parochialkirche, a reformed church in Mitte; at evangelical church St. Matthäus, at Sophienkirche, another Mitte landmark; and at St. Mathias, a Roman Catholic church just in front of the Potsdam Gate. By fusing the liturgical chimes with snippets of local ambiance - traffic, chattering tourists and birdsong, for example -  Muir takes a blurry snapshot of the city, queering its idiosyncratic color spectrum with his various digital processes. Using reverb to replicate the acoustic properties of both the streets and the church interiors, he subtly disturbs the timeline, stretching out brief peals into long, mesmerizing drones and turning garbled voices into ghostly babble.

The environment alters considerably on 𝘊𝘩𝘢𝘯𝘨𝘦𝘴; Muir uses the same technique and applies it to recordings made at the 1000-year-old St. Oswald church in Oswestry, St. Bartholomew's, Edgbaston and Holy Trinity in Stratford-Upon-Avon, home to Shakespeare’s final resting place. Here, Muir methodically untangles the change-ringing process, linking back to 𝘌𝘳𝘻𝘬𝘭𝘢𝘯𝘨 with a single bell tone before moving inside the church itself and documenting the ringers' shouted instructions, blending the calls with the bells' mathematical cyclic patterns. Muir memorializes what in 2025 is a dying art-form - a community skill that's disappearing worryingly quickly as young Brits lose interest in the church and its rituals. Unsettling distortions bite into the undulating sequences and underneath the noise, Muir highlights the music's latent euphoria, drawing out its most celestial tonalities.

File under: devotional music.

---

recorded by Jake Muir
audio finalized by Glyn Maier
photography by Jake Muir
design template by Joe Bastardo

Campana Sonans

Erzklang [Preview Clip] (ENM-14)

esse na parede com o cacato... é CUNO !!!!!!!!!

DJ Lycox - OUSADIA ALEGRIA

DJ Lycox - LINGO LINGO (NA BALADA)

"Clarinets of the Moon" is an album by Ukrainian artist Bayun the Cat and English artist JD Roberts. "Clarinets of the Moon" is a light, ethereal conversation between reeds and electronic sounds - between artist and landscape. This sonic diary album blends soundscapes, woodwinds, organs, cinematic, and intimate elements.

We hear geese flying overhead, a friend's heartbeat, and reeds whispering in the wind. In moments, the clarinet sounds almost human - fragile, meditative, searching - as if humming to itself in solitude.

Bayun the Cat (Dmytro Postovalov) is a Kyiv-based musician, exploring the adjacent territories between ambient, classical, experimental, improvised, and world music. Music curator of the multi-disciplinary project Blue and Yellow through Black and Gray.

JD Roberts (Jonathan Roberts) is a British ambient composer and woodwind player, co-founder of the Ambient Leeds monthly festival.

"We started working on Clarinets of the Moon before the full-scale war, but the bulk of the material was composed in 2022. This is music about accepting what is difficult, if not impossible, to take; about regretting what humanity hasn't learned while admiring the resilience of the human spirit; about the deliberate growing of meaning and hope seemingly from nothing; about small joys that heal great sorrows; about searching for strength and inspiration in nature, history and the best of human qualities; about reflection and beauty, and finding a place for these even when everything around you screams that it is not the time for such things.
The album emerges mainly from ambient, but is also inspired by folk and neoclassical forms, with soundscapes, woodwinds, and organs blending cinematic and intimate elements into a single reflective sound. Sometimes melancholic, sometimes calmly joyful, this album remains reflective throughout, immersing the listener in an array of varied soundworlds." ~ Bayun The Cat and JD Roberts

JD Roberts:
Alto saxophone, clarinet, Electronic Wind Instrument, Korg Volca Keys, stick, spanner, bells.
Field recordings: Holywell Park, Jamaica; Isle of Eigg, Scotland
Bayun the Cat:
Software synthesizers, kalimba, melodica, divya svara, tbilat, programming.
Field recordings: Kyiv, Bobryk (Kyiv region), Krivyy Rih, Ukraine.
Conaill Durcan: bodhran (5, 8)

Daddy’s Book is dedicated to the memory of Volodymyr Vakulenko-K.

Mixed by Bayun the Cat and JD Roberts.
Mastered by JD Roberts.

Visual was made by @systemnapotvora and is based on a painting by Lala Lotos - @lala_lotos.

Bayun the Cat:
https://dadra68.bandcamp.com/
https://www.instagram.com/bayun__the__cat/
JD Roberts:
https://jdrobertsmusic.bandcamp.com/
https://www.instagram.com/jdrobertsambient/

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~ https://linktr.ee/systemnapotvora
~ https://systemnapotvora.live/
~ https://systemnapotvora.bandcamp.com/
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The Turning Year

GD, Kéké, Dafpunk et Dédé à Noisy le Sec dans une cave..

POURQUOI

International digital Music Label and Live Cast serie, Art and music events organizer/in situ projects conceptor working on the relationship between architecture and live music. Odesa-UA based project, active worldwide. We work against the GATEKEEPERS in the music scene and industry and give space to newcomers, unheard and forward thinking music.

The Turning Year

система | system

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