From the album "New Environments & Rhythm Studies" - out on June 27th .
andrewpekler.bandcamp.com/album/new-en…ythm-studies

Fabulation For K

Lanark Artefax  - 10 Metallur (Loader77 Лодырь77 Second Remix)

Nina Garcia : guitare électrique
Arnaud Rivière : électrophone réparé et table de mixage préparée

Mastering : James Plotkin
Visuel et Design : Hélène Marian 
Enregistrement et mixage : Étienne Foyer 
Éditions Gravats, 2025

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Autoreverse brings together Arnaud Rivière (prepared turntable - we should say damaged or destroyed), a kingpin of the French noise underground as a programmer at Instants Chavirés and Sonic Protest, team player with Otomo Yoshihide, Erik M, and a hundred others, ; and Nina Garcia (guitar & feedback), recently recruited by Stephen O'Malley's Ideologic Organ label after giving the whole of the Paris region a taste for noise guitar solos with her Mariachi project ("Guitar, pedal. That's all’, as his Discogs puts it. What he doesn't say is that it's EVERYTHING - a world, a cosmos in itself) – culminating in a self-titled album and instant classic (Mariachi, No Lagos, 2018), and various collaborations (Maria Bertel, Mamiedaragon). 

Their music, already been featured in two live cassettes, stems from assiduous concert practice. Autotunes is something like the duo's core in fission. They throw themselves into improvisation with little patience for detours : the position is clean-cut hardcore – less over-the-top clatter and more about finding the cutting edge, with an insistence on fine-tuning the limits of the instruments, attacking the raw and the gritty with maximum precision: the result is an irradiating flow of rare metals and certified toxins.

In one of the record's many climaxes, bleeps extruded from who knows where battle with the strumming of white-hot guitar strings. But there's a whole host of distinct techniques and sonorities at work here: seamless attacks, amplified scrap metal, just-caught feedbacks, provoked chances, melodies that invite themselves in but don't stay for dinner, rhythmic sketches and glimpsed zones of beauty, built-up and cracked materials, expected and unexpected counterpoints. The intensities vary from start to finish: howling, eruptive bursts of harsh noise microswitchs, shapeless feedback whining and growling, but also more meditative harmonics and resonances.

This is reinforced by the didactic and generous structure of the record, which first methodically exposes the takes played in the studio through ‘horizontal’ sequencing (A1), before repeating the same material ‘vertically’ in a meticulous work of hollowing out and elisions. Autotunes manifests a distinctive ability to maintain an astonishing dynamic in the depths of the post-industrial cavern left by Throbbing Gristle (‘Slug Bait’ period), Maurizio Bianchi and all. 

With Autoreverse, it's no longer time to marvel at our various abilities and tactics, but to tighten the mesh. In the way it coolly reviews the possibilities, in its peaceful radicalism, in its attitude of less noise, more impact, this record helps us to conceive what a comrade called once ‘an ethic of our violence’.

Autoreverse - A1. HI-SPEED DUB indicator

https://bricolageglasgow.bandcamp.com/album/sarno-ultra-bc092

“Sarno Ultra” opens up a new musical chapter in the lives of Jon Worsley and Kayla Painter. Known for both their own solo material and their collaborative work in Jilk, these two underground stalwarts have come together for something entirely different on this new project.

Prepare for a sense altering trip that creates and traverses through a futuristic audio landscape and leaves no surface untouched.

Fractured vocals, intricate cascading rhythms, collapsing mechanical structures and pulsing textures carry the weight as we shift between moods and tempos with open eyes and ears.

There’s blasts of high energy percussion and glitch laden sound design that effortlessly mesh with the more melancholic sounds and brittle bliss that partners them. It’s an album that never sits still. Even in its quieter and warmer moments, “Sarno Ultra”, always keeps us guessing which exploratory path we’re headed down next.

“Sarno Ultra” is a debut album that drags you into a sonic whirlpool but embraces you while you’re there. Enjoy the experience.

Sarno Ultra

Sarno Ultra - Such Eyes (from the "Sarno Ultra" album)

система | system / [@systemnapotvora[ presents "Time to Leave and Never Return" EP by Uruguayan artist VAIA [@nicovaia] w/ Berlin-based digital audiovisual artist PUMIC [@pumic_berlin]. A meticulously crafted sonic narrative from VAIA and PUMIC explores the liminal space between presence and departure.

~ "𝐒𝐚𝐛𝐨𝐭𝐚𝐠𝐞" – 𝐓𝐡𝐞 𝐯𝐨𝐢𝐝. 𝐋𝐨𝐰-𝐟𝐫𝐞𝐪𝐮𝐞𝐧𝐜𝐲 𝐩𝐫𝐞𝐬𝐬𝐮𝐫𝐞, 𝐝𝐞𝐜𝐚𝐲𝐢𝐧𝐠 𝐫𝐞𝐬𝐨𝐧𝐚𝐧𝐜𝐞𝐬, 𝐚𝐧𝐝 𝐬𝐭𝐫𝐞𝐭𝐜𝐡𝐞𝐝-𝐨𝐮𝐭 𝐬𝐨𝐧𝐢𝐜 𝐝𝐞𝐛𝐫𝐢𝐬 𝐬𝐜𝐮𝐥𝐩𝐭 𝐚𝐧 𝐚𝐭𝐦𝐨𝐬𝐩𝐡𝐞𝐫𝐞 𝐨𝐟 𝐰𝐞𝐢𝐠𝐡𝐭𝐥𝐞𝐬𝐬𝐧𝐞𝐬𝐬, 𝐰𝐡𝐞𝐫𝐞 𝐞𝐱𝐢𝐬𝐭𝐞𝐧𝐜𝐞 𝐝𝐢𝐬𝐬𝐨𝐥𝐯𝐞𝐬 𝐚𝐧𝐝 𝐫𝐞𝐬𝐞𝐭𝐬. 
𝐕𝐀𝐈𝐀:
"𝐒𝐚𝐛𝐨𝐭𝐚𝐠𝐞" 𝐢𝐬 𝐭𝐡𝐞 𝐝𝐚𝐫𝐤𝐞𝐬𝐭 𝐩𝐚𝐫𝐭 𝐨𝐟 𝐭𝐡𝐞 𝐮𝐧𝐢𝐯𝐞𝐫𝐬𝐞.
𝐋𝐨𝐧𝐞𝐥𝐢𝐧𝐞𝐬𝐬 𝐢𝐬 𝐞𝐭𝐞𝐫𝐧𝐚𝐥, 𝐚𝐧𝐝 𝐰𝐞 𝐜𝐚𝐧𝐧𝐨𝐭 𝐬𝐞𝐞 𝐚𝐧𝐲𝐭𝐡𝐢𝐧𝐠; 𝐰𝐞 𝐨𝐧𝐥𝐲 𝐟𝐞𝐞𝐥 𝐭𝐡𝐚𝐭 𝐰𝐞 𝐚𝐫𝐞 𝐝𝐢𝐬𝐢𝐧𝐭𝐞𝐠𝐫𝐚𝐭𝐢𝐧𝐠. 
𝐖𝐞 𝐟𝐥𝐨𝐚𝐭 𝐚𝐧𝐝 𝐬𝐩𝐢𝐧 𝐨𝐮𝐭 𝐨𝐟 𝐜𝐨𝐧𝐭𝐫𝐨𝐥.
𝐋𝐨𝐰 𝐟𝐫𝐞𝐪𝐮𝐞𝐧𝐜𝐢𝐞𝐬 𝐧𝐮𝐥𝐥𝐢𝐟𝐲 𝐜𝐨𝐧𝐬𝐜𝐢𝐨𝐮𝐬𝐧𝐞𝐬𝐬 𝐚𝐧𝐝 𝐩𝐚𝐫𝐚𝐥𝐲𝐳𝐞 𝐭𝐡𝐞 𝐛𝐨𝐝𝐲.
𝐓𝐡𝐞𝐫𝐞 𝐚𝐫𝐞 𝐛𝐞𝐢𝐧𝐠𝐬 𝐭𝐡𝐚𝐭 𝐰𝐚𝐭𝐜𝐡 𝐨𝐯𝐞𝐫 𝐮𝐬 𝐚𝐧𝐝 𝐤𝐞𝐞𝐩 𝐮𝐬 𝐜𝐚𝐥𝐦.
𝐓𝐡𝐞𝐫𝐞 𝐢𝐬 𝐧𝐨 𝐟𝐞𝐚𝐫 𝐞𝐯𝐞𝐧 𝐢𝐟 𝐞𝐯𝐞𝐫𝐲𝐭𝐡𝐢𝐧𝐠 𝐢𝐬 𝐥𝐨𝐬𝐭.
𝐖𝐞 𝐡𝐚𝐯𝐞 𝐭𝐨 𝐬𝐭𝐚𝐫𝐭 𝐨𝐯𝐞𝐫.

"Time to Leave and Never Return" by VAIA is an introspective three-track journey, navigating the tension between departure and transcendence - raw emotional depth.

Hailing from Uruguay, VAIA and PUMIC deliver a three-track sonic odyssey where ambient atmosphere, sound design, deep textural composition, and spatial sound manipulation shape a narrative of departure and transformation.

"Time to Leave and Never Return" explores emotional disintegration and rebirth, crafted through intricate electroacoustic techniques and immersive soundscapes.

"Time to Leave and Never Return" EP is an intimate statement from VAIA, where deeply personal themes merge with refined sonic craftsmanship. PUMIC expands the vision further, contributing his distinct approach to audiovisual deconstruction.

This release reflects VAIA’s refined approach to sonic abstraction and emotive sound architecture, with PUMIC extending its depth through his signature audiovisual deconstruction. A work where controlled entropy and sonic alchemy converge into a profound listening experience.

This EP showcases VAIA's masterful control of electroacoustic abstraction and deep sound architecture. In collaboration with PUMIC, this EP expands beyond auditory perception, merging electronic abstraction with emotional intensity. A dense, immersive work where sound becomes both an escape and an awakening.

𝐓𝐫𝐚𝐜𝐤𝐬 𝐚𝐫𝐞 𝐩𝐫𝐨𝐝𝐮𝐜𝐞𝐝 𝐛𝐲 𝐔𝐫𝐮𝐠𝐮𝐚𝐲𝐚𝐧 𝐚𝐫𝐭𝐢𝐬𝐭 𝐕𝐀𝐈𝐀 [@𝐧𝐢𝐜𝐨𝐯𝐚𝐢𝐚].
𝐀𝐥𝐥 𝐯𝐢𝐬𝐮𝐚𝐥𝐬 𝐚𝐫𝐞 𝐩𝐫𝐨𝐝𝐮𝐜𝐞𝐝 𝐛𝐲 𝐁𝐞𝐫𝐥𝐢𝐧-𝐛𝐚𝐬𝐞𝐝 𝐝𝐢𝐠𝐢𝐭𝐚𝐥 𝐚𝐮𝐝𝐢𝐨𝐯𝐢𝐬𝐮𝐚𝐥 𝐚𝐫𝐭𝐢𝐬𝐭 𝐏𝐔𝐌𝐈𝐂 [@𝐩𝐮𝐦𝐢𝐜_𝐛𝐞𝐫𝐥𝐢𝐧].

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VAIA - Sabotage

I Like
To Speak Of Solitude
Written In The Sand

Recorded on April 29, 2025
Artwork by Stéphanie Paulus https://www.instagram.com/steph_paulus

Playlist:
Penelope Trappes - Bandorai
Rival Consoles - I Like
Hidden Orchestra - Wingbeats Source III: Piano and Wings
Keeley Forsyth - Answer
Half Asleep - Mater
Brambles - To Speak Of Solitude
Hiroshi Yoshimura - Water Copy
Non Dolet - When Poplars Get Sick In the Province
Sophie Hutchings - Written In The Sand
Ansis Bētiņš, Artūrs Čukurs - A Boh Adama stvoryv rukama
La Dispute - A
Keeley Forsyth, Matthew Bourne - Talk to Me
Nils Frahm - Canton
Max Richter - They Will Shade Us With Their Wings
Olivia Belli, Chris Worsey - Anemos
Federico Albanese - Willmine
Dialect - Opal
Sam Prekop, John McEntire - A Ghost At Noon

Mélancolie douce XXIX

'Guanyin' [CD|LP|DIGITAL]
Denovali Records · den390
available on all formats at denovali.com/tauceti


Tauceti (Lilou Chelal) is a DJ / producer / composer from Lyon. As a DJ Chelal distills a dark, tropical and sensual techno with percussive and vaporous rhythms in her mix. She stands for a very particular elegance and a certain, clearly audible maturity, which makes her stand out. "Guanyin" is her very first full length - where she transfers the elegance of her sound into a very personal and unique journey.

Tauceti about "Guanyin":

I am pleased to announce the release of my very first ambient album on the Denovali label. This is probably the most personal record I produced so far, because it is in a way a tribute to my Middle Eastern and Asian origins. It is a hybrid and intimate object, at the border between futurism and cultural heritage, with a desire to approach a more contemporary environment at the limit of classical. I used traditional instrument patterns, sounds intimately linked to oriental instruments, all the while using my electronic touch composed of drone/ ambient and sound distortions. This is the result of a year of reflection and increased exploration of new frontiers in the studio, which has gradually evolved into a desire to make an album concrete. Composed of eight tracks, some of you may have heard some of them during my ambient set during the last edition of Nuits Sonores, just before Vail and Rodhad’s magnificent live performance. It’s a kind of homecoming for me, the very first tracks I produced years ago already being part of the ambient register. This is an opportunity for me to reaffirm the multi-faceted aspect of my artistic project, drawing on various aesthetic registers, between ambient and techno. I would like to warmly thank the Denovali label for their trust here, and with whom I will have the chance and the opportunity to maintain a privileged relationship for the next years.


Tauceti - Black Mamba

Feat @hellosulci

AV @ https://youtu.be/SCU4jXhbqLo?si=GFnp0xhweUERe5HG

The latest @fragilex album brings new meaning to the term “labour of love”. It’s an album that’s been in the works for quite some time. The album is inspired by a long term obsession with fractals and their never ending possibilities.

The original production process on the “Curves and Calculus” album began back in 2018 and in the 7 years since its original inception it has morphed and splintered in many directions to allow all the parts of the puzzle to fall into place.

The finished article is a musical maze, brimming with all manner of corridors and pathways to explore. Pulling in inspirations from every angle of the electronic spectrum and integrating them into a mesmerising journey full of colour, serenity and warmth.

We enter and end the trip in an ambient mood but along the way there’s a nod to the psychedelic aspect that is so often associated with fractals, when we take on a trippier tone as the tracks burst into life through twists of intricate drums and flashes of glowing energy and shifts in motion. Mirroring the boundless nature and expansion of infinity.

All the shapes we experience come lined with effervescent melodies, glitchy sonic backdrops, glassy textures and a constant propulsive motion. Always kinetic, looking for the next move, like the fractal.

“Curves and Calculus” is an audio landscape that is constantly evolving. No real beginning, no real end. A symphony of infinite equations. 

Tape and digital
https://bricolageglasgow.bandcamp.com/album/curves-and-calculus-bc093

Fragile X (feat Sulci) - The Nature Of Motion (from the "Curves and Calculus" album)

Quinox

distorted diary w/ cryptostegia

Sonidos Subterraneos is pleased to premiere a new track, this time we have the great Netherlands based label: Feed The Void, with the track of: Birds - Shake Things Up
"Space Transmissions From A Cruel World" is the release name!
The album contains 5 electronic music original tracks. ENJOY
Next we leave you the description of the release_

Rotterdam via London based producer and Feed The Void label head Birds returns to her own label with a brand new EP ‘Space Transmissions From A Cruel World’, a bass heavy ode to the sad state of Planet Earth.

Artist_ Birds
Title_ Space Transmissions From A Cruel World
Label_ Feed The Void
Country_ The Netherlands
Genres_ Bass, Experimental, Electro
Format_ Digital
Catalogue_ FTV008
Release Date_ July 4, 2025
Buy_ https://birdsmusicnl.bandcamp.com/album/ftv-008-space-transmissions-from-a-cruel-world

Follow Feed The Void_

Instagram_ www.instagram.com/feedthevoidrecs/
SoundCloud_ @feedthevoidrecs

Follow Birds_

SoundCloud_ @birds_nl
Facebook_ www.facebook.com/birdsmusicnl
Instagram_ www.instagram.com/birds_nl

Follow Us
linktr.ee/ssubterraneos

| PREMIERE | Birds - Shake Things Up | [Feed The Void]

International digital Music Label and Live Cast serie, Art and music events organizer/in situ projects conceptor working on the relationship between architecture and live music. Odesa-UA based project, active worldwide. We work against the GATEKEEPERS in the music scene and industry and give space to newcomers, unheard and forward thinking music.

VAIA - Sabotage

система | system

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