Canino FM | Sudar w. Lechuga Zafiro b2b Alirio | 30 March 2025

Big Dope P - Aaja channel 2 - 22 05 25

CINDER dans le rôle de MR. EMPTY FACE
Les musiques des films de David Lynch revues par la crême de la scène musicale francophone émergente actuelle. En collaboration avec le NIFFF (Neuchâtel International Fantastic Film Festival) édition 2025.

Un Cd a été tiré à 100 exemplaires collectors interdits à la vente.

Un projet imaginé et orchestré par Witold Langlois
METEO ©2025

CINDER - I'm Deranged "Lost Highway" (METEO NIFFF "Ode to D.Lynch")

Taken from SBKT070: estoc - Are We Doomed to Bow to the Stupid and Cruel?
Release date: 26th June 2025
Artwork & Design: Amber Jean
Mixing & Digital Master: Nori Kin
Vinyl Master: Raphael Valensi

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estoc presents the newest manifestation of her artistic practice: an attempt to make sense of a world seemingly hellbent on violence as its chief export. Art written as a direct response to the conditions felt both at home and watched across oceans through a phone. This album exists as an acknowledgement that our fates are inextricably intertwined, yet, our (temporary) comfort is extracted from the third world. Across 10 tracks the question is: Are We Doomed to Bow to the Stupid and Cruel? Answers are posed and then brushed away, like dust from a shelf. By the end, nothing is settled and we are left with more questions than answers.

Collaborators and co-conspirators weave in and out of the compositions, their presence felt as both adornment, and as integral infrastructure. DJ Haram opens the album with ‘Heretic’. Her voice swims through crackling noise, throbbing basslines — a guided meditation as much as a late night conversation. ‘The Weight’ follows directly after. AZADI.mp3’s smoky chants hover in the air above a smouldering fire of trip hop drums and synths, devolving to a miasma of distortion and swirling screams. The next song, ‘Where Do We Go Now’, builds and swells with rumbling synths, arriving fully as breaks crash forward and Military Scientist’s voice cries out over a chaotic sea. The first solo composition of the album comes in the form of ‘The Poison of the Centre’. A solemn yet off-balance meditation of drums, cut over an uneven and shifting beat. This rhythmic fervor is multiplied tenfold on ‘No Glory’, a harsh bath of bass and drums, constantly fighting for space to breathe through the manufactured scarcity of the mix.

‘Scorched Earth’ lends us our first breath of fresh air. Mia Carucci sings a lullaby over growling instrumentation, Exploited Body’s co-production threatening to boil over at any moment. A momentary break in the clouds, a beam of sunlight shines through before being quickly swallowed back up by the storm; gone as quickly as it came. It is here that we plunge even deeper, as the heartbeat of ‘Heaven Defined for Another’ rattles through. Machinery and exasperated breathing become inexorable, both driven to their breaking point by a rolling wave of thunder. This mechanical terror roils forth on ‘Cradling’. Miedo Total sets clattering steam and cogs over crying strings that threaten to throw themselves to pieces. The penultimate entry sees Violence lend voice and production to ‘Bones Broken, Many Things Left Unsaid’ — a deep terror lurches, shuddering and crashing like ocean waves. A gentle chorus of strings ushers in the final piece, ‘Scratch a Liberal’ — a rare, but fleeting moment of tenderness on the album. Heavy towers of bass throw the composition into shadow, tension builds and grows before collapsing in on itself, revealing the fear and violence at the core of this project. At the end of it all, we are left alone to contemplate what is to be done.

estoc -  Heretic (ft. DJ Haram)

Benfika at That Side, Outra Cena, Lisbon (05.04.25)
Live recording from Terminal’s debut showcase in Lisbon.
An energetic, packed night at Outra Cena, joined by Ruiseñor, DJ Pegaso and Caliente Isa on the lineup.

Full set, recorded live.

Big thanks to everyone who was there.

Benfika at That Side, Outra Cena, Lisbon (05.04.25)

The beating heart around which 'Gilded' is woven is the bodhrán, a native Irish frame drum with which Nyquist uses innovative techniques to push the instrument beyond its ordinary confines.
Mirroring the instrument's sound through modelling software, the album's title itself nods to a theme of transformation, suggesting something familiar burnished to a new brilliance, giving it new life. The result being a truly unique unfurling of the harmonic, hypnotic and rhythmic potential of the bodhrán.

úna bhán (ft. Lorcán Mac Mathúna)

@escobutt & @juani_juani_jua - Baddiewock (single, out on the 22nd of August via @matraca-netlabel)

Toronto-based Colombian artists ESCOBUTT and Juanito present 'Baddiewock', a fierce, flute-driven track that walks the line between guaracha heat and rave euphoria. Inspired by an untouchable baddie strutting in high heels, the song rides a smooth melody over relentless percussion and synth swells while three accompanying remixes explore various other territories: Conjunto Media Luna delivers cumbia flip, Zerena Morena hit with perreo/drum and bass burner and DJ WEED finishes things off with a tribal-infused stormer.

[PREMIERE] ESCOBUTT & Juanito - Baddiewock (Matraca)

Excited to welcome Danish DJ and producer @hedohydr8 on our Mix Series!
An epic selection of bass-heavy, wall-shaking jams!

"The mix was recorded in OIL club back in May, during my first trip to China. It’s a crazy club with a crazy deep sound system, so I went into pretty subfocused territory.

There’s still lots of energy in this mix tho and a few unreleased tunes / demos from yours truly."

https://www.instagram.com/hedohydr8/

TRACKLIST:
- undisclosed -

Check out more from HEDO HYDR8:
https://hedohydr8.bandcamp.com/

www.loose-lips.co.uk

ERRATIC

System Sophie