Aldi Strings

Trust In Me

Snip of the song Part II off Korouva's first album, Shipwrecks & Russian Roulette (2005).

Full album:  https://korouva.bandcamp.com/album/shipwrecks-russian-roulette

Listen Full Version

Part II - Shipwrecks & Russian Roulette

Previously unreleased adaptation of the Twin Peaks classic.
Credits:
Martyn Heyne - Piano
Rafael Anton Irisarri - Guitar, Rhodes, Synths & Cymbals
Benoit Pioulard - Vocals,  Bass, Field Recordings
Valerie Trebeljahr (Lali Puna) - "Now it's dark" phone message
Mastered at www.blackknollstudio.com
Many thanks to Martyn Heyne for uncovering this one too!

O R C A S - Into The Night

Grace your doorstep

Original soundtrack from BAFTA-nominated & Oscar-shortlisted "Listen To Me Marlon" documentary, written by Stefan Wesołowski 

Carlos Roberto Peña Montoya - Harp

©Stefan Wesołowski
©Published by Mute Song

www.stefanwesolowski.bandcamp.com
www.facebook.com/stefanwesolowski
www.mutesong.com/writers

"Listen To Me Marlon" film directed by Stevan Riley
produced by Universal and Passion Pictures for Showtime
premiered January 2015 at Sundance Festival

"LISTEN TO ME MARLON" dir. S. Riley(Universal)// Murder

J.G. Biberkopf
'Fountain Of Meaning' EP
DN010
Format: vinyl / digital
Release Date: 8 December 2017
Mastered by Rashad Becker at D&M
@jgb-k


Fountain of Meaning is a new sonic fiction from sound artist J.G. Biberkopf following last year’s Ecologies II: Ecosystems of Excess released on Knives. Emerging out of a situation of overflow, the record burrows deeper into his practice of palpable audio theater with a study of object and relations across space-time specific sounds. 

The Fountain as a theme reflects a spouting and spilling of information, an erotic gushing of imagined aural history. “The Fountain was the source of water in the public space in cities,” J.G. Biberkopf explains. “Now it’s pretty much a sexualised architectural gesture of both beautification and the spectacle of dominant ideologies.” 

The western classical musical canon, much like the perpetual coming of the fountain, flush the headphone space with stimuli. Reflex and memory guides the listener through a semiotic architecture of processed recordings of masses in Catholic churches and contemporary performances of pre-medieval music. A liquidity of structure has an anxious influence and is a closed system approach to form and imagination. When water flows, it fills every space, then spills over to claim more. History is equally abundant and alive. We have never had as much history as we have now. We have never been able to see ourselves as we can now. 

A knowledge of a grander architecture of knowing and recalling oppress the ecologies of human decision-making.The nature of the archive has  transformed into a total and panoptic intelligence. A life is a gamble as the inventory of the world overflows into the production of a spectral third, an other, a confrontation. Fountain of Meaning offers a dynamic tension and release. A molecular tragedy, our abject recovery into a collaborative reimagining of a trauma long forgotten. 

What can be gleaned from this overflow?

DN010 - Fountain of Meaning

Fountain Of Meaning

J.G. Biberkopf - Delirium

J.G. Biberkopf
'Fountain Of Meaning' EP
DN010
Format: vinyl / digital
Release Date: 8 December 2017
Mastered by Rashad Becker at D&M
@jgb-k

Fountain of Meaning is a new sonic fiction from sound artist J.G. Biberkopf following last year’s Ecologies II: Ecosystems of Excess released on Knives. Emerging out of a situation of overflow, the record burrows deeper into his practice of palpable audio theater with a study of object and relations across space-time specific sounds.

The Fountain as a theme reflects a spouting and spilling of information, an erotic gushing of imagined aural history. “The Fountain was the source of water in the public space in cities,” J.G. Biberkopf explains. “Now it’s pretty much a sexualised architectural gesture of both beautification and the spectacle of dominant ideologies.”

The western classical musical canon, much like the perpetual coming of the fountain, flush the headphone space with stimuli. Reflex and memory guides the listener through a semiotic architecture of processed recordings of masses in Catholic churches and contemporary performances of pre-medieval music. A liquidity of structure has an anxious influence and is a closed system approach to form and imagination. When water flows, it fills every space, then spills over to claim more. History is equally abundant and alive. We have never had as much history as we have now. We have never been able to see ourselves as we can now.

A knowledge of a grander architecture of knowing and recalling oppress the ecologies of human decision-making.The nature of the archive has transformed into a total and panoptic intelligence. A life is a gamble as the inventory of the world overflows into the production of a spectral third, an other, a confrontation. Fountain of Meaning offers a dynamic tension and release. A molecular tragedy, our abject recovery into a collaborative reimagining of a trauma long forgotten.

What can be gleaned from this overflow?

J.G. Biberkopf - Dance Of Relating

2018-01-08

Pre-order album on Limited Edition 180g White Vinyl and CD
www.kitchen-label.com/store/no-21-iv…ia-arvanitidi/

The title track 'Fluttering' is available on iTunes, Apple Music and Spotify
smarturl.it/ki-021-fluttering

Born in Athens, Greek composer Zinovia Arvanitidi is most widely remembered as one half of the duo Pill-Oh in Vanishing Mirror as well as her debut solo The Gift of Affliction. Zinovia returns with her first solo piano album titled Ivory, and like its precursors, further highlights her mastery in crafting piano ambiances of austere beauty and melancholia, led by mesmerizing melodies and evolving cinematic textures.

Fully self-produced, the now France-based composer navigates through her own time-memory universe with Debussy-like impressionistic daubs, but sublimely she draws the listener into a strangely familiar landscape where the past confronts the present - it is perhaps a dimension that exists within all of us. As the chapters unfold, memories are untangled as darkness shifts into light. The minimalistic nature of the early piano pieces are then transformed, lush and ornate with orchestral strings, subtle electronic atmospheres, field recordings and airy whispers.

An omnipresent sense of duality lingers throughout the album, as with the ivory and ebony colours of piano keys, or the birth and decay of seasons. This is a work where the artist has grasped the essence of the quote by Albert Camus: “There is a life and there is a death, and there are beauty and melancholy between”. The aural journey heightens, then subsides with a newfound serenity in closing, engaging the listener to invoke their own introspections on acceptance and healing.

Rooted in film and television (and represented by film composer agency Oticons among the names of Shigeru Umebayashi and Jan A.P Kaczmarek), Zinovia’s well-versed background in cinematic scoring manifests in her dexterity at veiling intricacies within each track that only unveil themselves with each subsequent listen. As a fully expanded realisation of Zinovia’s artistic voice, Ivory will resonate with fans who love Pill-Oh, and appeal to those familiar with Ryuichi Sakamoto and Dustin O’Halloran.

French photographer Aëla Labbé’s enigmatic cover art photography once again unifies with Zinovia’s soundscapes since her work for Vanishing Mirror.

Zinovia Arvanitidi releases Ivory on 29 March 2018 on Piano Day via KITCHEN. LABEL worldwide. Available on 180g white vinyl LP, CD and DL.

Ⓟ & © 2018 KITCHEN. LABEL

KITCHEN. LABEL : www.kitchen-label.com
Zinovia Arvanitidi : zinoviaarvanitidi-composer.com

Zinovia Arvanitidi - Fluttering (Ivory, 2018)

From Sonja Tofik and Mar-llena's collaborative LP release 'Vilar i dina spår', released on LP in May 2018
MOLOTON003 & MOLOTON008
@sonjatofik
@moonilena

Vilar i dina spår

Buy LP

Sonja Tofik - I din famn, äntligen fri

Szymon Kaliski is a Polish multimedia artist combining lo-fi techniques with new digital technologies. Kaliski is constantly searching for individual methods of expression, using self-made software and unique hardware.

His tracks are intentionally filled with imperfections, full of cracks suspended in slowed down soundscapes. Compositions are always born from acoustic sounds, looped, decayed and reconstructed.

Up to now Kaliski released three albums, well received by international critics.