April Friends

/// Winkandwoo, Lillithe --- THE GREAT AWAKENING  ///

EPIPHANY OF SOMEONE LONELY IN THE CHARANGA

ATTACK & SURRENDER TO OUR FRIENDSHIP TIMELINE

SUSIE WAS A PROPELLER FOR FRAGILE SUPERSTARS

Ft.JUNZO-Anything Goes-IPG1,FRAWSTAKWA&RiZLiX , Chameleon --- Fragile Babies - LuGhz

// Paploviante --- In The Game feat. SteelCityRed //

// Winkandwoo, Lillithe --- THE GREAT AWAKENING //

Syntaleta 🇺🇦 - Daddy's Lullaby , Chameleon --- Fragile Babies - LuGhz Prod.Chameleon

BIRDS AWAKE IN A CRUISE OF WISHES

Another composition recorded before the war. I hope one day I will return to my home studio. Any support from you is much appreciated on these extremely hard times for our country, our family. 
I could have recorded much new music for the last 9 months... unless russians came to our yard to "save" us with their tanks, missiles, bombs and war planes at 4 a.m. on Feb 24th. And yes, they saved us from our house, from our normal life, from our dreams and plans. They saved my elderly parents from their home and peaceful life in retiring, saved my daughter from happy childhood, from school, from her friends and vacation by the sea. We'll never forget and never forgive it! I'm sure that russia will get what it deserves - each rocket they launch on Ukraine will turn to another 10 years of disaster for their cowardly people.
 Special thanks to Houman (@houmans) for mastering the track! Please check out his wonderful soundtracks.
Please sub for my Facebook artist page: https://www.facebook.com/syntaleta/

Gone

Recorded before the war... A big thank you Houman Check out Houman on #SoundCloud
https://on.soundcloud.com/HHxiZ for mastering!

Close To The Rainbow

My first work recorded in Kharkiv during the war. They will never steal our peace of mind... My dear Dad was always with me when I was a child, but now we've been apart for over 2 years due to the war. My parents' home exists only in my memory. I wish all the children in Ukraine whose fathers have to defend the country peace and reunion of their families.
Remastering by Houman https://soundcloud.com/houmans. Please check his beautiful music.

Daddy's Lullaby

-> https://andersson-arte.com

Free eBooks [ https://mega.nz/folder/ttMxyCpb#Mkv1Pm6JqV5qiXKlaMIFRA ]

Marty Andersson: From the Archives - Entropy A cappella | Inc. Link to Free eBooks

This is a track created by RiZLiX called "Anything Goes" with my guitar playing added to it. Thanks to IPG1, FRAWSTAKWA and RiZLiX for welcoming this recording.

RiZLiX featured the legendary vocalists IPG1 and FRAWSTAKWA in its work.
The original sound source for this track is below.

IPG1 X FRAWSTAKWA X RiZLiX - Anything Goes
https://soundcloud.com/rizlix/ipg1-x-frawstakwa-x-rizlix-anything-goes?si=49dd5edb56dc4d3b8365d78903231471&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Anything Goes Vocals 106 BPM
https://soundcloud.com/ipg1/anything-goes-vocals-106-bpm?si=305926b2ac484229a750cdd8d3d7cd52&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Frawstakwa – Stbb-110bpm-frawstakwapella
https://soundcloud.com/frawstakwa/stbb-110bpm-frawstakwapella?si=10cfff4bf183400abfc314c04624d7f4&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

I recommend that anyone learning to play the guitar listen to this piece over and over again, playing the Gm/B♭pentatonic scale in various ways, and trying to find a phrase that you like.

The volume adjustment during mixdown is optimized for the environment when using the earphones that come with the iPhone. If you feel that the volume of the guitar playing in this work is low, please use earphones and check the volume balance of this recording. It seems that earphones other than those that came with the iPhone do not have any problems. When using an Android device and when connecting an audio interface to a PC, I connected inexpensive earphones and confirmed that the guitar volume can be heard at a roughly appropriate balance.

There is another way. I have embedded a SoundCloud player on my blog to introduce my works, but I noticed that this work sounds harder (mid-high tones are clearer) than when played directly in the browser. If the guitar volume seems low or the sound quality sounds cloudy, please open the following and play this recording with the SoundCloud player embedded there.
https://junzo.seesaa.net/article/509999749.html?1738554041

▼△▼△▼△▼△▼△▼△▼△▼△▼△▼△▼△▼△▼△▼△▼△▼△▼△▼

IPG1
https://soundcloud.com/ipg1/tracks
FRAWSTAKWA 
https://soundcloud.com/frawstakwa/tracks
RiZLiX
https://soundcloud.com/rizlix/tracks

IPG1 X FRAWSTAKWA X RiZLiX - Anything Goes - ft.JUNZO on electric guitar

Let's go to the beach there's nothing else to say 🤩

A Due Act

Let's Go To The Beach

Thank you for listening!

Vocals: Clara Sorace
Photography: Unknown
soundcloud.com/emilio-gs/sets/cinematic-music-by-emilio-gs

No man´s land

Scream for Your Life before it changes forever. 

Collaboration

Vocals, Lyrics, Composition, Production, Guitar - Billy @sidehustleprophets

Guitars, Bass, Composition, Production, Mixing - Chris @chris-schlue

Drums - Karli @mightymartens

Scream for Your Life

Scream For Your Life

Q-Don't Stand by Me

I'm Waiting  - Mighty Dogg   Prod. Chameleon

CAN’T YOU SEE
Vocals: Melissa (Ghosthack) Can’t you see
Brandon (Ghosthack) I don’t wanna go
https://www.ghosthack.de
Lillithe: Arrangement and Production
Paploviante: Remastering


Can't you see

Timeline
(Verse 1)
Timeline
Can I solve the puzzle? Does the answer even exist?
Is it abstract in the making 
options, choices taken 
where’s the voices?
It’s a cruel game we’re playing, 
did we ever have a choice?
never had a choice is what I’m saying
I know, the question as well, as the answer 
in time we’ll all understand the meaning as well, 

(Chorus)
the only answer is, 
the truth is infinity, infinity is the truth, 
the answer is the question, 
and the question is the root
why so absolute 
not to mention a reason to be, 
existence is infinity, and the truth will set you free, 
never before, never before 
infinite, choices…The answer is …more!

(Verse 2)
What was done in the past
Effecting us now,
 we walk different timelines,  But they’re way ahead …how?
Time vibrates, like tectonic plates!
Given shape to our lifelines, final fate
What’s the cause of it all?
The crisis of it all,    The axis, recall
We exist,   one in all, One and all
Everything and everyone…

(Verse 3)
🎵In a constant state of time,
Doesn’t matter when or where, 
you’ve traveled the timeline, 
existence is existence,
And who are we to say,
What will happen in the future,
If we didn’t exist—- today 
…..in this timeline🎵

(Chorus)
(interlude)
(Chorus)

Timeline

Great EWI Breath Controller Cello Jam by Jörg: https://soundcloud.com/joerxworx

The Next Level (Remix Cello Jam)

Living My Best Life In The Simulation / Silver Bella
Vocals and Lyrics:
SilverBella
https://www.looperman.com/acapellas/detail/23452/living-my-best-life-in-the-simulation-main-vocal-by-silverbella-87bpm-rnb-acapella
Paploviante:
Bass, Music Composing, Mix, Picture and Mastering
Lyrics:
Manifesting like a queen
My life's a movie scene
Come and check out all my cars
Living large like the stars

Anything I want I can make real
Pulling my future from the quantum field

Yeah, I'm living my best life in the simulation
I could get out but I don't want the complication
Just admit that this is the perfect situation
The simulation, the simulation
The simulation, the simulation

If I want to watch a show
I flick a switch on my remote
When the Knicks are on the floor
Then I'm sitting centre court

Worked my way to the top of my field
That's how I pay for all of these ideals

Yeah, I'm living my best life in the simulation
I could get out but I don't want the complication
Just admit that this is the perfect situation
The simulation, the simulation
The simulation, the simulation
The simulation, the simulation

They said why don't you try one of these red pills
Well, I tried but all I got from them was chills
To be wide awake you gotta have the skills

And things don't get any better than this
I'm living life of pure bliss
No, things don't get better than this
I'm living life of pure bliss

Things don't get any better than this
And if I had a word, I'd say pure bliss

Yeah, I'm living my best life in the simulation
I could get out but I don't want the complication
Just admit that this is the perfect situation
The simulation, the simulation
I'm embracing the simulation
I'm embracing the simulation
I'm embracing the simulation
I'm embracing the simulation

I need an all-inclusive trip to Mexico


Living my best life in the simulation

The time we have to live and be with our loved ones is actually very short, but there are many people who ruin it by destroying themselves. I wish I wasn't like that.

a ruined wish

Dream of Freedom

A smooth blend of mellow pop, ambient textures, and downtempo jazz vibes. Laid-back grooves, soft keys, and warm tones come together to create a dreamy, late-night mood. Perfect for slow evenings, creative sessions, or simply letting your mind wander.

Floomara Swaylix Octo

electronic pseudobalcanic basque fastempo

charanga

Cast of characters:

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–piano, drums, and composition
TexMex Shaman– @texmex-shaman –Stephen– Gibson Les Paul electric guitar, mix, mastering, and production
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four string bass, mandolin, and synth
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
Mistermark-- @user-432503709 -- Mark – VST flute and symphonic VST horns, bells, 'wind' vocalization

This song began on the last day of the cold January of this year, when Ken sat down at his piano and recorded an improvisational jam. This is the first song Eclectic Collective has done where Ken started it with a piano, so we were all very excited to work on it.
  Josh was the first one to add a part, adding his fretless bass guitar, and going back and forth with Ken, while he added the drums to match the groove up right. Josh also added the mandolin after the guitars were laid down, as well as the descending synth blasts you hear throughout. Before all that, though, Stephen recorded the first half of the thrilling guitar you hear in there. After Stephen had his part down, Tez came along and finished the guitar work in the second half. Last, but certainly not least, Mark added the amazing symphonic elements, specifically the horns and flute melody. He also added the cold January wind sound, created using his breath and some tinkling bells.
  Once it was all wrapped up, we asked Stephen to put a bow on it with his expert production, which he came through with, as always.
  As mentioned, this is an extraordinary offering from EC, staring Ken not only on drums, but on the keys, as well. It felt like we were jamming all together in the same room, and hope it comes across that way. We hope you enjoy listening to this as much as we enjoyed creating it.

Check out the original piano track of Ken playing solo, where this song evolved from:
K2-kara – January-epiphany-solo-piano

January  Epiphany (Eclectic Collective)

Just a simple song for the lonely. Old fashioned human music for this modern age.

Lyrics:
I'm bringing you my honest confessional
I'm dying out here, don't you know?
I've been walking the internet at night
I don't know why I always fall for the tawdry
I always fall for the pills
I fall for your sweetest thrills
I'm dribbling down here at the end of the bar
Falling in
(falling in and out)
Falling in and out of love
I'm in the valley of the lonely
Don't look into the corona eye
You know that I always lie

I could be anything you need
I could be that book that you've been working on...
A paperback. Dog eared and worn...
A book you put up on the shelf...
A book you read that changes your sense of self...
I'm in the valley of the lonely
Don't look into the coronas' eye
The valley of the lonely...

The Valley Of The Lonely

Attacca
: attack at once 
—used as a direction in music at the end of a movement to begin the next without pause.

Movement. .......................................................................  Timeline

1st .............War Cry ......Call to Arms ...............................0.00--1.55
2nd............The Advance to Battle ...................................1.55--2.48
3rd.............The Battle Begins...........................................2.48--3.59
4th.............The Triumphant...............................................4.00--5.10
Thanks to Dennis for his pristine gunfire and airbourne fx....https://pixabay.com/users/dennish18-26151496/
Cover-art :- Marek Studzinski ...https://unsplash.com/@jccards
Orchestration,arrangement,mix and production ...Pablo

Attacca

"Attacca"

Fragile Babies - LuGhz  Prod.Chameleon

Propeller

Lyndon B. Johnson - ”If you can convince the lowest white man he's better than the best colored man, he won't notice you're picking his pocket. Hell, give him somebody to look down on, and he'll empty his pockets for you."
https://www.snopes.com/fact-check/lbj-convince-the-lowest-white-man/

John Philpot Curran, "The condition upon which God hath given liberty to man is eternal vigilance; which condition if he break, servitude is at once the consequence of his crime and the punishment of his guilt.
https://www.bartleby.com/lit-hub/respectfully-quoted/john-philpot-curran-17501817-2/

Patrick Henry - Is life so dear, or peace so sweet, as to be purchased at the price of chains and slavery? Forbid it, Almighty God! I know not what course others may take; but as for me, give me liberty or give me death!
https://avalon.law.yale.edu/18th_century/patrick.asp#:~:text=Is%20life%20so%20dear%2C%20or,liberty%20or%20give%20me%20death!

No Surrender

Now convince the lowest man that he's better
And he won't even notice you're picking his pocket
Hell, give him someone to look down on
And he'll empty his pockets for you

If ya wanna be free, live your life own way 
Then eternal vigilance is the price ya pay
Cause  Servitude is the consequence
If you’re too damn complacent  

No surrender, to the powers that be
No surrender, to autocracy
No surrender, no surrender 

It’s a lie, It’s a lie, It’s a lie
It’s a crime, It’s a crime, It’s a crime
Of the time, of the time, of the time
It’s a low down stinking lying crime of the time.

Is life so dear or peace so sweet
To be purchased at the price of slavery 
Some will bend the knee and kiss the ring
For me I say let freedom ring 

If ya wanna be free, live your life own way 
Then eternal vigilance is the price ya pay
Cause servitude is the consequence
If you’re too damn complacent 

No surrender, to the powers that be
No surrender, to autocracy
No surrender, to the chains of tyranny

No surrender, to the powers that be
No surrender, to a wanna be king
No surrender, no surrender

NoSurrender

Music, Lyrics, Guitar, harp, vocals, harmonies - Lizzie Taypen
Cover Painting - Lizzie Pentland
For Kathleen
Mischievous and Kind
Strong and Fearless
May you rest in peace now my friend

What a Friend had said

We are pleased to present track 8, the final track, from our latest album, 'Haunting One Seven,' full album available on Bandcamp, we hope you’ll enjoy!

outstation.bandcamp.com/album/haunting-one-seven

Waiting For Someone

https://soundcloud.com/plex-auchta - bass guitar and drums
lil' spaceman - beatbox and vocals

susie's got an uzi

Last spring, I had a jazzy musical interaction with songbirds to produce Magnolia. This spring, I explore the genre of jazz once again but this time with a mockingbird.

A few weeks ago, I recorded a mockingbird singing a jazzy serenade a cappella from his perch on my neighbor's chimney. And oh my! The bird sang like he was the hot new kid on the block, and the whole neighborhood had to listen!

The Northern Mockingbird (Mimus polyglottos) can sing up to 200 different songs, some of which are original and others mimic the sounds of other birds and creatures, including insects and machines. 

I added electro — keyboard, piano, bass, and electronic drum kits — to the mockingbird audio recording using my MIDI and DAW, and I hope you find the music as amusing and entertaining as the jazzy mockingbird’s song.

Chill jazz fusion at 85 bpm

Audio of mockingbird recorded live April 2, 2025. The LoFi audio is raw, unaltered except for cuts to delete car noise and the conversation of neighbors, so that the music wraps around the birdsong.

With props to Harper Lee’s book, To Kill A Mockingbird, whose main character Atticus Finch teaches that it’s a sin to kill mockingbirds because they harm no one with their songs — a symbolic theme of the book — it’s wrong if not evil to attack or destroy innocent people.

“Mockingbirds don't do one thing but make music for us to enjoy…. they don't do one thing but sing their hearts out for us.”

…………………….
DAW: Apple Logic Pro X
MIDI: Akai Professional Keyboard
E-INSTRUMENTS:
Concert Grand piano
SoCal Ballad Piano
Ambient Lead
Warm Glow Chords synth
Lunar Strings synth 
Fingerstyle Electric Bass
Deep Round Synth Bass
E-DRUM KITS:
Drum ‘N Bass Remix 
Trip Hop Remix 
Trip Hop Remix Phaser
Trance Remix
2-Step Remix 
African
Latin 

COVER ART is a composite using AI-generated images created by the DaVinci app and then designed in Photoshop.
………………..

.

Mockingbird

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

[ Facebook Page ]
https://www.facebook.com/negativeheadphone

[ Twitter ]
https://twitter.com/NegaPhone

Spotify

disorientation

The Great Awakening
I wish you all HAPPY EASTER!
  Vocals: Winkandwoo
https://soundcloud.com/winkandwoo/the-great-awakening-vocal-stem-124-bpm
Lillithe: Music, Arrangement and Production

THE GREAT AWAKENING

Soul Cruisin'(E.P.Beats&Tot.)
Dope Cool Beat Maker: E.P.Beats https://soundcloud.com/lala-land-361191160
All Stuff :E.P.Beats&Tot.masa
Thank U 4 listening from us both🙏🙏

SOUL CRUISIN'(FEAT. E.P. BEATS)

In The Game feat. SteelCityRed
Vocals and Lyrics SteelCityRed:
https://www.looperman.com/acapellas/detail/23517/in-the-game-hook-acapella-by-steelcityred-120bpm-rap-acapella
Paploviante:
Bass, Music Composing, Mix, Picture and Mastering

In The Game feat. SteelCityRed

I had a dream, and I wrote this song not to forget it. 

Technical highlights: hand played bass, slightly odd riff on chorus (15/2) & some extra psychedelia.

Pic & sounds taken with my phone during a recent experience which could help me understand the dream, maybe…

Letra  /  Lyrics:

NÍMOR (No sé dónde estoy)  /  NÍMOR (I don’t know where I am)

Entré en la sala sin hacer ruido,  /  I entered the room making no noise,
los pocos que vi eran desconocidos,  /  the few ones I saw were strangers,
busqué una cama que estuviera libre y dormí.  /  I looked for a spare bed and slept.

Al día siguiente no encontré mi sitio,   /  The following day I didn’t find my place,
todo estaba lleno de desconocidos,  /  the whole room was full of strangers,
me di la vuelta para salir y te vi.  /  I turned around to leave and I saw you.

Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...
Nímor, no sé quién eres…  /  Nímor, I don’t know who you are …

La cama de al lado estaba vacía,  /  The bed at your side was empty,
y me preguntaste si la quería,  /  and you asked if I wanted it,
la quise y pronto nos hicimos amigos,  /  I did and soon we became friends,
desconocidos.  /  strangers.

Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...
Nímor, no sé quién eres…  /  Nímor, I don’t know who you are …
Nímor, no sé qué pasa…  /  Nímor, I don’t know what’s going on...
Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...

Te pregunté “¿cómo se llama este sitio?”  /  I asked you "what’s the name of this place?"
y me contestaste que estaba contigo,  /  and you answered that I was with you,
y sin darme cuenta te quise mucho y dormí.  /  and unconsciously I loved you so and slept.

Ahora del sueño ya me he despertado,  /  Now from the dream I’ve already woken,
tu nombre lamento no haber preguntado,  /  your name I regret not having asked,
te llamaré como el sitio en que te conocí.  /  I’ll call you like the place where I met you.

Nímor (…)  /  Nímor (…)

ER27HC06 ©1995 ®2015

Honorable broadcast (34:47 - 40.00): http://jeffhickmott.podomatic.com/entry/2015-09-18T05_02_20-07_00

Nota para el oyente español: ninguna influencia de Chiquito de la Calzada en el título; lo pongo tal como lo soñé y punto.

NÍMOR (No sé dónde estoy)

A little bit of tropicana to warm up a cold damp UK afternoon!
Thank you always for your kind reposts plays and playlists!!!

Primavera

Pierre and JC Bordetti productions (c) 06/2025.

Composed, arranged, performed, and produced by:
Pierre Bordetti and Jean-Claude Bordetti on drums.

Lyrics
Lost in the night, under silver beams, Drifting through cosmic, endless dreams. 
A thousand lights whisper my name, Guiding me home through time and flame.

Stars above, shining so bright, Lighting up the lonely night. Tell me tales of space and time, Sing me songs, make the world divine.

Fullness

When https://soundcloud.com/dneye asked me for a track to play his fantastic guitars on, I brainstormed this 5/4 piece with odd chord set in order to make it difficult to him and thus get the best from his skills. After programming it, I added some organic solos (yep I played keys) to make it seem more friendly ;))))

And he... succeeded in the challenge, overcoming all my expectations !!!

Five by D'n'Eye: guitar1, guitar2, guitar3, guitar4, harp.
Five by E-Ruizzo: piano, bass, mellotron, organ, drums.

Hope you'll enjoy this our first post in the new year !!


High Five !! (with D'n'Eye)

Songster version was a little ‘copla’ about not being able to be with, nor without, a loved person.  As usual, I’ve ‘upgraded’ it, process from which you only get the final result, normally. 

But, following lyrics’ contradictions, I not only serve parts with different levels of (dis)order in heavy rock - flamenco sauce, but raw vs very cooked parts as well, starting with the improvised phone recording of the very first idea I had to develop the song, so please excuse my failures and noises.

Letra  /  Translated lyrics:

Te veo venir (No te vuelvas a ir)  /  I know where you're coming from (Don’t you leave again)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pena,        /  when you come with that sweet sad face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes llorando sin que te duela,     /  when you come crying without any pain,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando dices que quieres hablar conmigo,  /  when you say that you want to talk to me,
te veo venir,                                                  /  I know where you're coming from,
cuando quieres estar al lado mío,                /  when you want to be by my side,

te veo venir (x3)                                           /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pilla,          /  when you come with that sweet sly face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes con esa sonrisa, chiquilla,    /  when you come with that smile, little girl,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

ER33FI03 RUIZZO©1996 – FRANCÉS RECORDS®2016


Factor Integrante

Te veo venir (No te vuelvas a ir)

Little to say about this song; both lyrics and music (all organic but for programmed drums) were done very impulsively, so it may show my primal inspiration without reworks or additions. Hope you'll enjoy it!

Pic from: https://vincentmars.com/2013/11/20/the-sensual-paintings-of-fabian-perez/

Translated Lyrics:

YO PENSÉ (LA SEXTA VEZ) / I THOUGHT (THE SIXTH TIME)

Yo pensé: esa mujer no es peligrosa…
  (I thought: that woman is not dangerous …)
No esperé enamorarme como un idiota.
  (I did not expect to fall in love like an idiot.)
Me pregunté: ¿qué tiene en los ojos que tanto me tienta?
  (I wondered: what’s in her eyes which tempts me so much?)
y me acerqué para hablar con ella y verlos de cerca.
  (And I got closer to speak with her and watch them closely.)

Y si era la primera vez, ¿por qué no extrañaba hacerlo con ella?
  (And if it was the first time, why didn’t I feel strange doing it with her?)
Y si era la primera vez, ¿por qué parecía que era la sexta?
  (And if it was the first time, why did it seem to be the sixth one?)
Y si era la sexta vez, ¿por qué hubo preguntas después de la escena?
  (And if it was the sixth time, why were there questions after the scene?)

Y si fue la única vez, ¿por qué no puedo apartarla de mi cabeza?
  (And if it was the unique time, why cannot I take her out of my head?)

ER41FI08 97-17

Yo pensé (La sexta vez)

I started as a club DJ in 1998 and began making beats in August 2024.
I have deep roots in Black music, and like a chameleon, I transform sounds into various colors.🦎🦎🦎🦎🦎