Diynamic Radioshow by Thyladomid

3 Years ago, the magic happened. For those who still not know/own it. Free service.

Have a nice everything.

Van_Hai_-_Dernier Amour - Ripperton's No Love Lost Reshape

Cello Bender

Uhhish

Ingatorp

A remix I´ve done for Makiko Miyara, on the japanese Bishop label.
https://itunes.apple.com/nl/album/yue-zui-bei/id966453999

Tsukiyoi Uta (Kettel Remix)

Pre orders start 14.3.2025 // Limited, handmade CD copies available, hand numbered + Digital

shimmeringmoodsrecords.bandcamp.com/music

"Ritus dan mekanisme, kehancuran dan transformasi—album ini merangkai gamelan dengan elemen modern, membentuk lanskap bunyi yang terus berubah. Dari dentingan kawat yang terpotong hingga resonansi gong yang retak, suara-suara muncul dan larut dalam tegangan antara tradisi dan teknologi. Getaran bahan alami dan suara mekanis bertautan, menghadirkan ruang dengar di mana batas organik dan buatan saling menjebol satu sama lain.” (Catu Daya) 

Artist bio: 
Catu Daya is an Indonesian experimental music duo consisting of Yustiawan Paradigma Umar (gamelan) and Yoga Nugraha Usmad (electronics). Their work integrates gamelan with field recordings, ambient, and drone into a performance art practice that emphasizes improvisation, interaction, and spatial engagement. Their music reflects cultural heritage while aiming to expand the horizons of contemporary gamelan, creating an auditory space that bridges tradition, technology, and performativity.

Instruments: rebab Jawa, gong ageng, electronics, field recordings 

All music performed, produced, and mixed by Catu Daya 
Recorded live by Ade Atmaja at Lokananta Studio in Surakarta 
Mastered by Andrea Porcu 

Artwork by Catu Daya 
Layout design by Dwi Sukarno 

Babat Kawat (Album Preview)

These are the two singles of my third solo album 'On the grounds of Indecency'. The album will be out on cassette and digital formats on Oct 11th, with Perceptual Tapes. 
Artwork by Elise Wilson
Mastered by Taylor Deupree

Deferral

from 'Facades' [CD|10''|DIGITAL]
Denovali Records · den290
available on all formats at [http://www.denovali.com/orsonhentschel]

Only six months after his sophomore album, which has showcased a "tense repetition of short phrases, often building big, dramatic pieces starting with a single stuck-in-the-machine sound" (Decoder) and an "analogue cyber trip-hop of an impressive depth of focus as an acoustic furniture for an apocalypse lounge" (Groove), Hentschel returns with a two-piece EP showcasing yet another aspect of his musical spectrum. While the first two albums featured only instrumental tracks, "Facades" are the first two pieces in which Orson Hentschel works with text as a main musical element for his composition, although he approaches vocals from a rather particular perspective.

For Hentschel, the spoken word is always music and thus not different than any other instrumental input or sound layer. Consequently, he is only interested in the sound of the spoken words on Facades, but not in any content they convey. The idea for Facades was born at a time when Hentschel was struggling with a writer's block for several days in a row. He realised that just writing about nothing was the only honest way for him to express himself through text as a medium. After doing some research on the subject he found John Cage's "Lecture on nothing" which has appeared in the book "Silence" (1961). This encouraged him to work out his idea and he wrote a German text which then Danhee Joe, an accidental acquaintance of his, translated into Korean and spoke with her warm voice. Thus Orson Hentschel used the text in the same way as he uses any sound material - it is transformed into something else, it is being alienated. The spoken words are embedded in repetitive and minimal-minded electronic sound layers which even penetrate primordial technoid territories. However, sticking to his trademark long arcs of suspense, the listener has to wait until the last two minutes of the second track for the first, cathartic beat.

Facades

Orson Hentschel - Facade I

Alva Noto & Ryuichi Sakamoto - Trioon II

CS004 ∆ Nicolas Jaar - Tribute to my mother

Apparat - Circles

Release: Peace On Earth
Artist: Ka:lu
Label: MŎNɅDɅ
Cat-No.: MND018
Release Date: 2020-08-04

➟ Beatport: bit.ly/3166FON
➟ Bandcamp: bit.ly/39YxpF1

World peace, or peace on Earth, is the concept of an ideal state of happiness, freedom and peace within & among all people and nations on Planet Earth.
Get excited for a trip through mysticism, organic soundscapes, deep driving beats and juicy psychedelic tribal vibez that will guarantee you a sweaty and ecstatic dance experience. All woven in love and mindfulness by our dear Ka.lu and his peace-tribe of the amazing:
Kaöb, ÜNAM, The Oddness, Wākhan, Thommie G, Fanfara Electrónica.

"If we want to build peace in the world, let's build it first inside us" - Dalai Lama

.:: lokah samastah sukhino bhavantu ::.

MŎNɅDɅ:
@monada-project
www.facebook.com/cosmicmonad

Ka:lu:
@kalunet
http://www.ka-lu.net
www.facebook.com/kaluaudiovisual

Kaöb:
@kaob
www.facebook.com/Kaobmusic

ÜNAM:
@unambeat
www.facebook.com/UNAMSound

The Oddness:
@theoddness
www.facebook.com/theoddnessmusic

Wākhan:
@wakhanbv
www.facebook.com/Wakhan.Temple

Thommie G:
@thomas-gaarthuis
www.facebook.com/ThommieGmusic

Fanfara Electronica:
@fanfaraelectronica
www.facebook.com/FanfaraElectronica

Download/Stream

Ka:lu - Peace On Earth (Original Mix)

Collab with the master and head honcho of Dusted Wax Kingdom himself! So dope!

Groove Cereal & VPD - Beats For The People

In the south of southern Spain, SanFernando (Cádiz) is surrounded by marshes and salt lakes, where we were both born and grown up among its labyrinths and landscapes.
‘Salinas’ has been encouraged by these spaces so familiar to us, now that we have visited them again after many years. They have united us to write eight songs inspired by the most important salt mines that existed and that is why they bear their names.
We have worked on the calmness of sound, silences and repetitions, as these places sound now. We wish you like it as much as we enjoyed creating it.

Written and Produced by David Cordero & Miguel Otero
Mixed by Miguel Otero at MadCap Soundlab
Mastered by Ian Hawgood
ARCHIVES70 // ARCHIVESCD51
Archives | 2020

David Cordero & Miguel Otero - Polvera

TOM And His Computer - Debut album 'Future Ruins' out Oct. 16th 2020

Cello Bender

TOM And His Computer

Recent comments

Μωρία

Sca_bielefeld

Lilut ∆urea

No education

Related tracks