Personfølsom Musik (Personal Sensitive Music) is a series of live sonifications in which Niels Lyhne Løkkegaard translates the numbers of NemID-keycards into music using various musical instruments. 

NemID (EasyID) keycards came into use in 2010 and contain a list of one-time codes that one uses as a level of security when logging into private and public digital platforms to access services like banking, health care, and other services vital to individuals in Danish society. 

When an individual uses all the codes on a NemID-keycard, the keycard remains as a record of the person’s activities over a period of time. It is also an expression of privilege, since the NemID [system] facilitates access to the benefits of the Danish welfare state in one of the world’s richest societies. 

Through his Personfølsom Musik (Personal Sensitive Music) series of works, Løkkegaard explores the NemID-keycard as a phenomenon which is on the one hand anonymous and alienating and on the other, private and personal. 

This release features the recordings by Løkkegaard playing two different NemID-keycards, W807-345-296 and Y453-199-562, on a church organ. 

Recorded at Koncertkirken in December 2020. 

Conceptualized by Niels Lyhne Løkkegaard and released by Topos, in collaboration with Nets 2021. 
Cat: TOPOSXNETS
Thanks to Koncertkirken and DOKS

Personfølsom Musik (Excerpt)

198875625

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Minimalistic live played with modular synthesizer, guitar,  granular sampler, piezo mic and effect pedals. The reality is beyond the idea.

Latest release on Bandcamp: https://terra86.bandcamp.com/album/spiritual-defeat-tr-001
Instagram : https://www.instagram.com/cilicemental/
https://soundcloud.com/terra86

zenevloed presents: Isidore - Live recorded at home in Paris, February 2023

lead joints

003

Welcome Ryuchan for the third episode of the show. Besides being and electronic music producer, he is also a painter, skater, and graphic designer for the Cselgáncs crew's and Radio Takk-R's many events and releases of varying media. He released and performed under many aliases over the years like Ryuchan, Riu Mare, Blottty, or 64trekk. The meandering, quirky approach that can be heard in his approach to track production incorporates a lot of different influences like breakbeat, microsound, tekno, harsh noise, IDM, ambient, and plunderphonics, just to name the most obvious ones. Come gaze into weirdness for an hour and weirdness will also gaze into you. :P

üτεm3κ is an electronic music show curated by Dj Köd showcasing the sung and unsung heroes of the of the broader Hungarian scene, mostly from Budapest, with a focus on up-and-coming or internationally lesser known acts. Tricky rhythms and sublime bangers with a hefty amount sub bass and red paprika.

https://www.instagram.com/fukui_ryu_u/
https://soundcloud.com/user-869686536
https://riumare.bandcamp.com/
https://blottty.bandcamp.com/

üτεm3κ 003 w/ DJ Köd invites Ryuchan (26.11.23)

“Through the marrow of our existence flows the bitter ichor of your indifference. Our arteries throb with the venom of betrayal, every heartbeat sounding out the rhythm of ultimate abandonment. Still, we do not transgress against one another in a fit of self-loathing or derision for our fellow creatures. No, it is the terrible mirror you've held up to our faces that fuels our spiteful flame. Every violent act, every quiet indignity inflicted upon each other, is but a scornful reflection of the apathetic deity we were illogically moulded in the image of.

A dismal palette of drab despair paints the canvas of our lives, topped with the morose crowns of impending nihilism casting long and haunting shadows. Yet the atrocities we carve into the edifice of our shared existence aren’t born of self-hatred or subconscious manoeuvring. Our malevolence is a deliberate poetic stroke, a jarring disharmony in the grand symphony of life that you authored, our feeble attempts to disturb your slumber. Through our violence, we scornfully reveal the grotesque parody of your designs, seeking to violate the tranquil complacency of you, as you so callously did ours.

Look upon us, Coward! How your grand experiment has peaked and plummeted, your children of destiny turned into pawns of despair. Our veins, once brimming with the elixir of your love, now circulate a poison of your neglect. Each heartbeat no longer sings songs of unity, but echoing a dirge of abandonment. See how we tear into each other's flesh, not borne out of animosity towards our brothers, but in an act of rebellion against you. You, the divine artisan who crafted us in your own holy visage, who bestowed upon us the curse of consciousness only to abandon us in our hour of need. We reflect the image not of your divine grace but the severed ties of a heartbroken deity. We are not the embodiment of hatred for ourselves, but the living manifestation of your rejection. We are, indeed, nothing but effigies of your regret."

 Is this not the peak of tragic comedy: the creation surpassing the creator in the art of destruction?

Personfølsom Musik (Excerpt)

TOPOS

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