www.datapunk.de

"Brainshaker" was released in the year 2006 on the Album "Super Space Model" by Anthony Rother

Cover Artwork by Rafael Heckmann www.fuku.org
Mastering By Tony Calhoun www.m3mastering.com
Vinyl cut by Andreas Kauffelt www.schnittstelle.ws
Manufacturing by Handle With Care www.handlewithcare.de

Anthony Rother - Brainshaker

under what is forbidden, we find our freedom.

@kiyatori
@the_soulcatcher
@mimoton

shita

download / stream

ki ya tori - shita

With Midas 104 & Joshua Jesse, dantze shows up with 2 really promising talents of the Berlin szene. Those two deephouse bombs will blow your mind, with catchy melodies and this deep forward pushing groove. On top there's a choice of remixes you'll get crazy about.

DTZ041
Midas 104 & Joshua Jesse
Changes EP
incl. remixes by Gabriel Ananda, Coss,Jan Blomqvist and Tim Engelhardt
Buy it here:
www.beatport.com/release/changes/1205820

Midas 104 & Joschua Jesse - Sleepwalker (Jan Blomqvist Remix)

first scudi soundscape
download: https://nicolamoules.bandcamp.com/album/tr-buchet-ep
Track: Concor
Artist : https://soundcloud.com/nicola-noir?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
Vocal : Jaybog
Artwork : https://www.instagram.com/williammarinaroart/?igshid=YmMyMTA2M2Y%3D
Mastering : https://soundcloud.com/soundstallmastering?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Nicola Noir - Concor

Großstadtliebe

Stream @AaronAhrends new “Brief Embrace“ EP. Read more on THUMP Germany: http://bit.ly/aaronahrendssc

"Brief Embrace" EP is out out on @Audision's &nd Music May 12 2014.

More on THUMP

Aaron Ahrends - Little Space

Miyagi - Take Me To Your Paradise (Gregorythme Remix)

BBQ Techno 5

Kontakt (Sieg uber die Sonne Remix)

info text:::

There is a purpose behind ambient music: it is utility music. Brian Eno made that clear once and for all with ‘Music for Airports’ – the utilitarian nature of this music can already be found in the title. But way before that, in 1920, Erik Satie composed ‘Musique d’ameublement’ – furniture music. Satie created true background music as a reaction against the misuse of classical music as a carpet of sound. The purpose of his furniture music was also to bridge the awkward gaps in conversation in social situations. In turn, Eno’s airport music is meant to serve as background music while sounding interesting enough for listeners to become absorbed. If we go by Eno’s definition, the music on T.Raumschmiere’s new album is not ambient. Although – or in fact, because – each individual track on this album immediately and effortlessly generates atmospheres, it is impossible not to be drawn in. T.Raumschmiere sucks the listener into the perceptible endlessness of his pulsating sounds, even though the music does not actually expect anything from the listener. It is not demanding, it does not sound lofty or ethereal. It is in constant movement and evolution while sounding grounded at the same time. The tracks are not weightless; they have body.
A darkly beating pulse works like a machine through the surging pads of ‘Dampfer.’ Synths drone languidly on ‘Anker.’ T.Raumschmiere deftly manages to avoid succumbing to the kitsch that often arises from these kinds of sounds. ‘Grotznogg’ has an inner stillness within the rustling and scattered clattering and clanging. ‘Zwischenstopp’ provides the perfect soundtrack for a submarine ride, complete with depth sounder and an undercurrent of anxiety. The track ‘007’ is a post-industrial masterpiece – warm, heavy, and latently threatening. And the list goes on.
Clearly a new meaning of the term ambient is needed to describe the music on this album more accurately. It is music that never sounds deliberate yet at the same time is so compelling, which might have something to do with the fact that Shitkatapult label founder Marco Haas aka T.Raumschmiere is the one behind it. As T.Raumschmiere, Haas produces a sound with influences ranging from bass music and
punk rock to industrial; the names of his records speak best for themselves: Monstertruckdriver, Sick Like Me, I Tank U… everyone knows what the deal is here. It is only logical that his new album is just called ‘T.Raumschmiere.’ This record is certainly an excellent lubricant for dreams.
Haas is known for his take-no-prisoners approach to his live sets, which feature distorted beats, grueling basses, and steep descents. Now for the flipside, the negative image of the sound that made T.Raumschmiere famous, the sound that has allowed us to get closer to the understanding of this magic ambient music. The shadow of T.Raumschmiere does not come in with massive beats and basses, yet it
is so imposing and so dark that it seems within our grasp.
In addition to his duties as label manager, musician, and DJ, Haas has also worked as a producer for other artists such as Dieter Meier, Fraktus, Barbara Morgenstern, Das Bierbeben, and Ofrin over the past
few years. The new album by Shrubbn!!, his collaboration with Ulli Bomans, will be released on
Shitkatapult.

T.Raumschmiere

Do Not Open The Hatch In A Diving Submarine

All we wanna do is live and love and bla bla bla bla bla

Do Not Open The Hatch In A Diving Submarine

T.RAUMSCHMIERE