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ESSENTIAL MIX - JAN 2009
Uploaded on 17.01.10 and exclusive to SoundCloud. Available for the first time without voiceovers and jingles,12 months on from original Radio 1broadcast on 17.01.09.


EMAILSHOT A FEW DAYS AHEAD OF MIX BEING AIRED:
2009 kicks in for me this weekend with my first gig of the year for Udio (1st birthday) at The Gramaphone Club in Shoreditch, London on Friday night, which coincides with the airing of my only just completed in the nick of time Essential Mix on Radio 1, made up of 43 tracks in just under 2 hours.

Given that the 5th anniversary of my DJ comeback has only just passed, I decided to take the opportunity to make the mix totally representative of this period, with all the selections being amongst the biggest tracks I’ve played since I made my second debut at Music Is Better in Manchester.

Five years represents a significant package of time, a fixed point from where I can reflect on what’s been a continually snowballing sequence of events, set in motion when Danny Webb asked me to appear in Manchester on that December night back in 2003.

There were less than 100 people there that night, but they were the right people, and I was taken aback by the response to my return, both on the night itself and during subsequent days, when people who were there began to post on the forums. I’d never expected all the feedback be so totally positive!

I’d figured that I’d play that night, using the combination of laptop and reel-to-reel for the first time, then go away and think about what worked and what didn’t before I made my next move. I would never have believed that things could come together so immediately, it was as if I’d hit a completely unexpected hole in one, especially when two of the people who were there, Ralph Lawson, DJ from Back To Basics in Leeds, and one of my fellow DJ’s that night, Richard Hardcastle (Solid State) from Society in Sheffield, both asked me to play at their nights no sooner had I finished my spot.

One thing kept leading to another and, in Sheffield, I was approached by Tony Daly to play at the now legendary Tyneside Cinema party in Newcastle, a bespoke event where he took on the substantial risk of presenting me in a city I’d never DJ’d in previously (unless you count the 1983 TV appearance on The Tube, which was filmed in the Tyne Tees studio). Then, of course, there was London, where Steve Kotey and Bill Brewster booked me for their parties, bringing me to the capital within the first few months of my return for Ouch and Low Life.

The bookings kept coming, and I found myself driving up and down the country on an increasingly regular basis. Later in 2004 I was approached by Sav Remzi, from Tirk / Nuphonic, with the idea of putting together an edits album, which would be issued the following year as ‘Credit To The Edit’. This would help bring my name to the attention of people outside the UK. There was soon a need to step things up further, now that I was receiving enquiries from Europe, and so began a fruitful relationship with my agent, Matt Johnson (Matty J), who’s done a wonderful job of representing me during recent years.

The last few months have been, to say the least, manic for me, with 25 flights, including 6 long haul, taking me to gigs in the US, Japan, Australia, Brazil and Europe. From a personal perspective I still find it remarkable the way everything has developed, pretty much organically, since I made the decision that I was going to be a DJ once again – had I concocted some sort of comeback masterplan, it could never have worked out anything like as well as it has. It’s definitely been a case of ‘from small acorns’.

It still never ceases to amaze me that people from another continent are interested in my DJ past. Back in the early 80’s, before I went into retirement for 20 years, the furthest I travelled (with the exception of the appearances I made in the South of England as part of The Hacienda Review in late ’83) was to places like Birmingham and Nottingham, when I played at All-Dayers, so to find myself in clubs on the other side of the world is pretty nuts!

Anyhow, I’d like to wish everyone all the best for 09. Big thanks to all the promoters who booked me and everyone who danced to the tunes I played during ’08 in Adelaide, Barcelona, Belfast, Berlin, Birmingham, Blackburn, Brighton, Bristol, Dublin, Dundee, Edinburgh, Fukuoka, Glasgow, Hamburg, Leeds, Lisbon, Liverpool, London, Los Angeles, Manchester, Melbourne, Milan, New York, Newcastle, Nottingham, Paris, Porto Alegre, San Francisco, Sao Paulo, Sheffield, Sydney, Tokyo and Warsaw. Also the festivals and special events that I appeared at - Bestival (Isle Of Wight), Big Chill (England), Camp Bestival (England), Garden Festival (Croatia), Ibiza, Lovebox (England), Notting Hill Carnival (England), Rockness Festival (Scotland), Sonar (Spain) and the Southport Weekender (England).

Hope to see you soon.

Greg


FORUM POST DURING FOLLOWING DAYS:                                                        
Thanks for all the positive words. The feedback has been pretty phenomenal, far exceeding what I’d hoped for, especially on the BBC page, where I’d expected that some people would criticize the amount of older music included - the Radio 1 audience is used to current stuff ('in new music we trust'), so I’d anticipated a more mixed reaction. What’s particularly pleasing is that they were all made without the people seeing what each other wrote (they all came online at once, having been checked first by whoever moderates the BBC pages, I presume for swearing etc following the Ross / Brand controversy).

You always hope something you've done will be well received, but the response to this has blown me away.

Greg


ANSWER TO POST RE MIXING PROCESS:                                                      
It was quite a laborious process. Before I could start the actual mixing part I had to edit every track to a coherent length of around two and a half minutes average, inclusive of in and out points. I had a pool of about 90 tracks that fitted the criteria I'd set (a representative selection of the biggest tunes I've been playing during the past 5 years). It wasn't as straightforward as just editing the 43 tracks I ended up featuring - in order to have the necessary options once I started to piece the mix together I needed to have all the tracks at my disposal, just as I would have if I was out deejaying in a club, so the only thing to do was edit all 90 to the required length, even though I knew that only half would make the cut .

Once that was finally done they were all taken across into my laptop, enabling me to vari-speed them via PCDJ whilst I recorded across to my home computer into Cool Edit Pro, where I put the mix together track by track, before adding overdubs (fx, samples, textures) in a similar way to what I do live using the Revox (reel to reel).

I could quite easily have spent another day, tweaking bits here and there and adding more overdubs (the older I get the more finicky I become), but I had a deadline to work to, so, as it moved ever nearer, it became a race against time, with me doing as much as I could before the cut off point arrived.

Greg
                       

Greg Wilson - 2009


ESSENTIAL MIX (by greg wilson for bbc radio 1 2009)

Roman Flügel, aka Eight Miles High, aka Tracks On Delivery, aka Soylent Green, aka Roman IV, aka Springrolls in Firenze, aka Ro70, aka... anywho, you get the gist. Flügel has done away with all of these aliases and decided to focus on releasing music solely under his own name.

“We’ve come to a point where people know who’s behind all my other projects. There’s no use to keep coming up with nicknames if it’s clear to people that it’s me again, but with another brand name. By now, people know that I try to produce within a very broad musical range, so it’s alright to use my own name."

With a new album rumored to be released later this year, this couldn't be a better time to get this wizard on board for the latest installment of our podcast. Sit back, relax and enjoy the analog magic that is SEKOIA Podcast 025, by the legendary Roman Flügel. - C.

Read the full interview:
http://www.sekoia.nl/roman-flugel-synth-wizard-driven-by-sounds/

Social:
http://romanfluegel.de
https://soundcloud.com/roman-fluegel
https://www.facebook.com/romanfluegel

Image: Jerry Adney
https://www.flickr.com/photos/rockndroll/


Become part of the SEKOIA community: 
Website: www.sekoia.nl
Facebook: www.facebook.com/sekoiacom
Twitter: www.twitter.com/sekoiacom
Soundcloud: @sekoiacom

Interview

SEKOIA Podcast #025 - Roman Flügel

The Panorama Bar mix series on Ostgut Ton returns with volume 06, mixed and compiled by Panorama Bar and Berghain resident Ryan Elliott. Download the free .WAV file (1.46 GB).

Tracklist
1. Portable - Shadowdancing (Dancecapella) (00:00)
2. Newworldaquarium – Thousand Oaks (00:15)
3. Tuff City Kids – Breacher (00:54)
4. Daniel Jacques – End Of My World (03:41)
5. JT Donaldson – Mindsmoke (07:33)
6. Norm Talley – More Powder (09:22)
7. It's Not Over – Late At Night (VIP Mix) (11:16)
8. Different Noodles – Banana Resort (14:23)
9. Alex Falk – BF (17:49)
10. Makam – Girls Night (20:44)
11. Octave One – Track 3 (23:55)
12. James Duncan – Shades Of House (A2) (25:42)
13. Wincent Kunth – Re Entry (28:14)
14. A Sagittariun – Conquering Lions (29:15)
15. Deadbeat – Whoa! (31:27)
16. Hard House Banton – Reign (34:50)
17. K-HAND – Clap Yo Hands (38:28)
18. Groove Chronicles – Your Power’s Taking Over (42:15)
19. Head High – Power Seat (44:59)
20. Taka Boom featuring Chaka Khan – Groove Like That (48:07)
21. Mr. Tophat & Art Alfie – House Music (52:00)
22. Mr G – Womb (55:05)
23. eLBee BaD – Don’t Wanna Lose Ya Love (58:02)
24. Bluelite – Enlite (59:32)
25. Will Azada – Pump That Shit (1:01:55)
26. Tronic Pulse – Hit That (1:04:25)
27. Heiko Laux – The Bridge (1:07:18)
28. Roman Flügel – The Odd Lobster (1:09:43)
29. G. Marcell – Breathe (Exhale Mix) (1:12:56)
30. Borrowed Identity – Leave Me (1:14:29)
31. The Oliverwho Factory – Take It Slow (1:17:19)
32. Genius Of Time – Tuffa Trummor Med Röst (1:21:14)
33. Nick Höppner – Track For Eb (1:25:54)
34. Terrence Dixon – Innocence (1:29:10)
35. Marcel Dettmann – Light (1:30:17)

Mixed and compiled by Ryan Elliott

All tracks used by kind permission of the respective copyright holders.

Mastering by Jan Wagner at Faust Studio
Photography by Sven Marquardt

for full info, credits and extended artwork go to:
http://ostgut.de/label/record/120

This mix is dedicated to my friends.

mix releases

Panorama Bar 06 | Ryan Elliott

•Wet•
facebook.com/wet
twitter.com/wet
instagram.com/wet
@wet

Don't forget to bring a towel.

♥

Wet - Move Me (TÂCHES Remix)

Leif Knowles is a rare talent. And if you trace the contours of our shared history, you’ll notice that, yep, we’ve been supporting him since day one - when the then fledgling producer was getting noticed with his minimal output before later making deeper, house cuts for the likes of BL and the Fear of Flying imprint. As a business, we fully appreciate that artist exist to develop and evolve to explore new regions of musicality and that’s exactly what Leif did himself last year when he released his debut album, Dinas Oleu. Described by online music portal, LWE, as an album that "entrains the listener into Leif’s distinct sonic world systematically", it saw the Welsh producer take a step away from the dancefloor persuasion and present a more atmospheric approach to his productions. 

Aside from co-running the vinyl only UntilMyHeartStops label, Knowles - who is also a core member of the much beloved Freerotation festival - represents a deeper understanding of the four four, something that, much like us, the Hessle Audo crew fully salute him for. So it came as no surprise when the collective invited him to join them for their full club takeover on Friday 5th December alongside a slew of other special guests. What did come as welcome surprise however, was the fact that Leif graciously handed in an exclusive mix that so fantastically explored the contents of his record box…

Tickets and Info: http://found.ee/FABRICLIVE0512

Leif - FABRICLIVE x Hessle Audio Mix

Check the link for full interview. 
http://keepitdeep.wordpress.com/2014/12/03/k-d-p-keep-it-deep-podcast-011-joe-ellis/ 

K / D P KEEP IT DEEP PODCAST – 011 JOE ELLIS

To peep the trackist and download audio for this recording, head here: http://boilerroom.tv/recording/peter-kruder/

Peter Kruder Boiler Room Vienna DJ Set

Check out the latest FUSE #17 Podcast recorded by the talented https://soundcloud.com/danaruh ahead of her FUSE debut Sunday 21st Feb playing alongside Seb Zito, Rich NxT & Stuart Hawkins! 

https://tinyurl.com/FUSEdays-Sun21stFEB
https://www.facebook.com/danaruh
http://www.residentadvisor.net/dj/danaruh

FUSE Podcast # 17 - Dana Ruh

Thank you to everyone who came out to the Oval In London for my set 11- 12:30 due to a prior commitment. i had to make a mad dash to Brighton. I wanna thank everyone who came out early , it was amazing to see the night start out so great, and for those who missed it here is my recorded set ,.... 

Set List =======

The Controllers - Sta
Drizabone - Real Love 
Areatha Fanklin - Rock Steady 
Eddie Kendricks - Girl You Need A Change M+M 
Change - Glow Of Love LNTG 
DJ Rogers - Love Brought Me Back Jm 
Teena Marie - I Need Your Lovin' Dr
Gladys Knight Pips - Taste Of Bitter Love JM3 
Ronnie Dyson - Its All Over Your Face  
Sister Sledge - Lost In Music Dr Packer 
First Choice - Its Not Over Dr Packer 
Brand New Heavies  - Dreams Come True2 
Running Away  -  Belezamusica JM2 
Spencer Morales - Without Your Love M+M Main  Q Mix		
Hi Tension - Hi Tension M+M4 Mix 121		
MFSB - Love is Respect SPEN-M+M ReWork 
Sunlightsquare - Super People 

Boom !!! thank you and see ya all again .....

John Morales - Live @ Fever 105 -Starting Out Right Mix

Having just passed 50,000 fans on Soundcloud, I thought it a momentous enough occasion to share with you a song of great importance to me. In honour of a wonderful person who was a fan since the start, I present to you this.

This is a song that i've been struggling to let go of for three quarters of a year now, made with that dear friend in mind. I hope you enjoy it as much as I wish he could. 

A massive thanks to the string master @bencolliermusic and the multi-instrumentalist homies @ricoshei for their help.

Strings: Ben Collier
Guitar/Vocals/Nord: Ricoshëi

♥

Dear Ishiv (Part I)

HVN037 
Quentin - Mirage / Rain
Release Date: 21 October 2016

HVN037 Mirage/Rain (320mp3 mstrd promo) 

Mirage / Rain

A. Mirage

The fabric resident drops three hours of heat.

Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=554

Resident Advisor podcast

RA.554 Craig Richards

Set 6

Interview + Download: : http://truantsblog.com/2017/truancy-volume-197-secretsundaze/

Soundcloud: @secretsundaze

Honed by Giles Smith and James Priestly over the last sixteen years, Secretsundaze's organic growth from being a Sunday party to a fully fledged brand, label, booking agency and studio can be looked on as an evolution many dream of. Held in high esteem beyond their home ground in London, the pair have solidified themselves far beyond being just promoters over the years, with their DJing and production as artists reaching a point lauded by many. With regular appearances at Pickle Factory, Panorama Bar, Robert Johnson and a string of high-profile international dates in 2017, their schedule seems busier than ever. Their two labels continue to provide a platform for pushing talent with releases from Endian, Shanti Celeste, Fred P and Palms Trax, exhibiting the very best out of them. We caught up with Giles and James to discuss their progression as artists, a heavy touring schedule, all night long sets and their first long-time coming production as a pair. Their Truancy Volume, coming in at 197 in our series, is a strong representative of their style of DJing, with their usual emphasis on maintaining a solid groove being a focal point. Starting with the sweet sounds of the Detroit Escalator Company and moving to tracks throughout from Cassy, Glenn Underground, Wajeed and more, it's a sultry blend of vintage house rolling in at an hour and a half.

http://truantsblog.com

Truancy Volume 197: Secretsundaze

BAR Radio #40 with @upsammy
Tune in every Friday from 8 to 10 pm on Operator.

Recorded on February 2nd 2018.

BAR Radio #40 - upsammy

French DJ, producer and owner of the highly regarded Rue de Plaisance record label , Varoslav, offers up a typically deep selection for the 27th mix in the series.

With a pedigree stretching back over 15 years Varoslav has graced the decks at legendary clubs across Europe and North America and has seen his productions gain respect from those at the heart of the scene.

Enjoy the mix!


for Bookings :
mc@ruedeplaisance.com

For North & South America and Canada :
maria@resolutenyc.com 


further info:
http://www.ruedeplaisance.com/
https://soundcloud.com/varoslavmusic
https://www.instagram.com/ruedeplaisance/?hl=fr
https://www.discogs.com/label/325183-Rue-De-Plaisance

Mosaic Mix Series 027_Varoslav

What's in a name? That might be a good question to ask Brian Piñeyro aka DJ Python.  As well as recording one of 2017's most coveted albums in Dulce Compania, the inaugural release on Anthony Naples and Jenny Slattery's Incienso label, Piñeyro also records as DJ Wey, Deejay Xanax and Luis.  All guises which have a particular aesthetic direction without ever being too rigid.  Under his DJ Python moniker however, and in particular on the album, he demonstrates an ability to create a sonic world that's engulfing.

For his Dimensions mix, Piñeyro repeats the task of creating a musical world to get lost in, and further demonstrates his ability to suck the listener into a place that is so comfortable it's hard to switch off, whilst simultaneously retaining an air of mystery and a diversity in form.  Here Python provides low slung and deep sounds that will demonstrate just why he's become so well travelled in the last year as he continues to bring his DJ and live sets to an ever growing audience.

https://soundcloud.com/wnkrs

TASCAM DR-05

DIM 119 - DJ Python

♫ Read More ♫:
http://www.deephouseamsterdam.com/radio-fryhide-08-by-tim-engelhardt

fryhide's next release comes from @n-1979 with "Once I Saw The Sky" available 3 August

PRE ORDER -> https://www.beatport.com/release/once-i-saw-the-sky/2336966

https://soundcloud.com/timengelhardt
@fryhide

♫ MORE ♫

Tim Engelhardt - Radio fryhide 08

Fresh Meet proudly presents its 2nd Sunday after-party at Café 1001 on 23rd June. For this occasion headliners Patrick Bodhi & Frankie J Dickens (Jeudi/Union Jack) delivered the second edition of the yet new podcast series.

Also, check out their exclusive Interview for Cafe 1001:
http://www.cafe1001.co.uk/post/53280380269/cafe-1001-interviews-patrick-bodhi-frankie-j-dickens

www.facebook.com/events/614729101872253/
www.residentadvisor.net/event.aspx?482203
www.facebook.com/bodhianddickens
www.facebook.com/freshmeet.official

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