Pneumatic and Grasps proudly presents ‘the HEAVEN Remixes’

Grasps enlist Monker187, Wa?ste and Lovefear to reimagine the ‘HEAVEN’ single. Three different methods, ideas and processes combined to complete the story.

‘HEAVEN’ a project by Grasps.
Internet obsession, rave-nostalgia & intense anxiety surrounding death. A sense of purpose was dwindling from euphoric moments. Extended eye contact till you can feel it in your stomach, to be everlasting, to look up to the sky & say: “This feels Like Heaven”.

Mastering by Christian Whitwell (@grasps)
Artwork by Oliva Rawlings (@oli.svg)
Remixed by https://soundcloud.com/monker178

Grasps - HEAVEN (Monker178 Remix)

💻 💻 💻 💻 💻 💻

LILY ALLEN - LDN (TONY EDIT)

Isaka - H34T D34TH (superN0V4)

Taken from SBKT057: mmph - Harvest

Release date: 26th April 2023

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It's been five years since Korean-born, Los Angeles-based sound designer and composer Sae Heum Han, aka mmph, released his last EP Serenade on the Tri Angle label in flurry of activity. "Harvest" arrives after an unintentional pause; three years ago, Han was diagnosed with an autoimmune disease that immediately changed his priorities. Bedridden and exhausted from medication, he was only able to work on music for around an hour each day - the rest of his time was swallowed by rest and precarious trips to hospital in the midst of a global pandemic. Now in remission, Han looks back on this period as a time of emotional evolution where the ideas behind "Harvest" could be unravelled. The album emerges from his desire to reconnect with the Korean music he heard when he was growing up in Seoul, using these discernible timbres as building blocks to decorate with his advanced palette of electronic sounds and processes.

Han's music has always balanced precariously between the rigor of classical training and the relative open-endedness of electronic experimentation. This duality is still present on "Harvest", but Han's canvas has widened slightly. He continues to blur the line between the traditional and the modern, emulating and mirroring Korean instruments with synthesizers and sound design elements, and blending them with acoustic sounds and live percussion samples. But where his previous records and scoring work highlighted his ability to weave baroque forms into tight, contemporary sonic tapestries, this album adds the drama, yearning and spirituality of folk. On 'Dialogue' for example, pitch-warped traditional vocals twist through an ensemble of bizarre future-ancient sounds; fluttering strings dissolve into spiked percussive barbs and synthesized wails cut through walls of industrial noise.

'Spirit' follows quickly, coaxing listeners into a trance state with its flurry of microtonal string plucks and irregular percussion. Han is a master of breath control, letting his brief moments of negative space interrupt any expected regularity and guide the track away from electronic music's expected grid. This just about prepares the ground for the title track, a labyrinthine maze of dramatic compositional motifs and dizzying sonics that mutates from gugak forms into a cacophony of pneumatic blast beats before snapping back. From here the album lurches towards the dancefloor for a moment, absorbing and contorting cantankerous club rhythms on 'Avnue' and 'Moon Jar', slowing to a crawl on 'Harvest II'. Despite hijacking its theme from the title track's blast beat section, it transforms into a ballad, acting as a fittingly tearjerking finale.

The record is rounded off by a trio of remixes that draw Han further into the SVBKVLT family. Egyptian producer ABADIR chops up 'Harvest' and reassembles it into a jerky banger, extracting its dancefloor potential and evolving hardstyle thuds into spectral concertina flexes. 'Moon Jar' meanwhile is turned into twitchy trance by Shade Seoul's NET GALA, and Yen Tech stitches together 'Avnue' and 'Dialogue', creating an anxious backdrop that shuttles mmph's android folk to the modern metropolis.

Artwork by Sae Heum Han
Mastered by Raphael Valensi

Harvest

mmph - Harvest (ABADIR Remix)

@nozagam is a solo project by French experimental-club producer Etienne Zastko who takes a bleak view of a destructive Anthropocene Epoch, in which “utopias can’t exist and we’ve lost our way in our blind devotion to technology”. The album pieces together a chronology of catastrophic events. A fictionalized soundtrack to humankind’s end-cycle. The abrasive textures and suffocating atmosphere immerse us into a total universe where everything that could have gone wrong has. Affirmations and tech bro optimism didn’t quite cut it. And if those disembodied voices that sporadically reach out are the survivors, that’s not good news.

The visual aesthetic of Zagam is one of fusion, a medieval plague doctor mask with a 23rd-century twist. “Anthropocene” mines a similarly disparate set of influences, spanning an evermore hybridized clubspace. Gqom, grime, industrial techno, footwork: everything is fair game. The rich musical background and hard sonic palette of Zagam make for a perfect match for the hybrid electronics approach of Unizone.
credits

Anthropocene is coming out on May 4, 2023 as a digital and physical release (50 limited edition cassettes available via label‘s Bandcamp page).

original tracks by Zagam
remix tracks by Miedo Total, Wulffluw XCIV, personalbrand & B E N N
mastered by Wim Dehaen
artwork & visuals by Erranth
tape design by Mr. Maquerelle
text by Thomas Romana

Bandcamp + Cassette

ZAGAM - NO MESSING (B E N N REMIX)

TRNGS - TRAFFIC SHARE

Olor Acre debut on WARE with their second album 'Genomics Of Domestication'.

Pure noise and energy.

WARE021

Genomics Of Domestication

Purchase on Bandcamp⬎

A A B

BADGIRLSPIT REF*CKED

BADGIRLSPIT (s.t3v Remix)

JON WICK

IN TOO DEEP

cover art by Florentina González
https://cargocollective.com/florentina/13604066

LILY ALLEN - LDN (TONY EDIT)

TONY PEREZ

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