Amazing mixing and tunes from a golden time........

Ok im dying and crying, have ascended to a new realm. What is the last track in this set?

Available on Audio Cassette and digital download directly from the label’s Bandcamp @ https://djbeige.bandcamp.com/album/amen-vol-1

T4T LUV NRG is proud to present “Amen! Vol. 1”, a breathtaking DJ mix tape conceived and blended by Detroit’s DeeJay Beige. “Amen! Vol. 1” is a singular presentation of a sound developed by Beige that is very personal and deeply connected to their history. Beige’s mix is an amalgam of ecclesiastical breaks and gospel house delivered with intensity and soul power like only they can do. Prepare to be enthralled with one of the most exciting DJs currently burning their way through the American underground. From the Holy Ghost TO YOU, this is Beige! Be not afraid…

ARTIST STATEMENT:
In the strictest sense, Amen! Vol. 1 is the result of more than a year’s worth of obsessive brainstorming, digging, planning, arranging, re-arranging, and countless discarded takes. And in another sense, this mixtape has been in the works for the six years since I started DJing, the ten years since my baptism as a teenage club rat, and for my entire life, which for better or for worse has been shaped by The Church and church music since birth. 

My mother was a promiscuously Christian divinity school dropout who pushed my family through a run of increasingly conservative churches: Unitarian, Episcopal, Baptist, Presbytarian, Charismatic-Evangelical, and probably a few others I forget. My fathers family on the other hand were career scientists and committed atheists who also all happened to sing in church choirs for fun. I cannot remember a time when Beethoven, Bach, folk hymns, old negro spirituals and gospel were not playing in my house, day in and day out. 

Cutting ties with both family and organized religion in my early teens left a void of community and belonging that wouldn’t start to be filled until my first experiences with clubbing (sometimes with drugs, sometimes without) years later. And when I started collecting records years after that, I gravitated heavily towards any music incorporating the familiar imagery, themes, musical motifs and language of church (especially Liberation Theology) which remained kind of bittersweetly comforting long after I stopped trying to believe. This might sound heretical, but over the last several years “gospel” has become much more of a feeling to me than a genre or even a sound. As far as I’m concerned, the rave, the club, the congregation, the choir, are only different ways to experience a many-sided mystery. 

For this project, I wanted to challenge myself to imagine going beyond just using a little soulful house to end the night or the mix on an uplifting note, and instead program a fantasy “gospel rave” for a thousand of my closest friends dancing in a field on a moonless night. How would I do my best to deliver a powerful, meaningful, salvatory collective experience from midnight until sunrise? Amen Vol. 1 is a snapshot of that imaginary night. 

The need to use contrasting peaks and troughs to create a sense of narrative for your audience includes emotional or spiritual contrast just as much as it does changes in BPM or a kick pattern.  So, it was important for me to try exceeding simply the emotions associated with “praise” music (like joy) because encountering the truly divine should also inspire fear and awe. Disregarding genre as much as possible, each piece of music was chosen for the sensation or sentimental meaning it inspires for me personally: you probably wouldn’t call most of them “rave tracks”, and plenty aren’t explicitly religious at all. Finally, of course I had to make sure that Detroit and Chicago were properly (but not exclusively, that’s for another mix) represented in the tracklist. Where I’ve ended up, grounded by a repeating classic “anchor track” for each side, is an attempt to simulate Genesis and Revelation, the Good News and the Flood, the dark night of the soul and the moment of salvation–whatever those might mean for you. Can I get a witness?

Beige - AMEN! Vol. 1

@dee_diggs plays with a sense of rapture that can be soft or heavy, but is always fun. The East Coast selector is Brooklyn-based, and that's where her House of Diggs party offers a place for marginalized groups to express and organize themselves. Next to this, she has a residency at Public Records but no matter where she plays, you can be sure it is always with real respect for the Black roots of house, techno and disco while touching on everything from sensual grooves to euphoric thumpers. 

This week's mix is a seat-of-your-pants selection that is unashamedly party-focussed. The good vibes flow from the first moment as Dee races through passionate house and vocal laced classics. There are moments of all-out hands in the celebration next to boogie workouts and a heart-swelling Mariah Carey edit. It's a quick, tight, and impossibly enjoyable listen from this cultured party-starter.

Dekmantel Podcast

Dekmantel Podcast 384 - Dee Diggs

****Physical Cassette Mixtape Available Our Bandcamp****
https://octoocta.bandcamp.com/album/love-hypnosis-vol-2

I heal myself weekly with the music I play. I listen deeply to the words buried within; the intention behind the lyrics either peppered-in or chorused. So much of the house music I connect with is rooted in love. It’s rooted in desire and hope. It’s rooted in narrative, “Do you want to trip with me?”, “I’ll outstretch my hand”, “I won’t forget about you, you won’t forget about me, we won’t forget about love vibrations!”. I listen to the messages to remind myself what I need and why I continue to move forward.

Vol.2 is represented in two mixing styles; long-melded blends (Trippin’ On Love) and fast, tight radio-style cut mixes with overdubs (Slammin’ With Love). Both convey the deep need for connection to one’s body and to others. It’s this connection energy that I find so powerful about house music’s healing magic.

Xoxo Octo Octa

♥︎♥︎♥︎♥︎ 50% of the profits the mix will be donated to the Sylvia Rivera Law Project (SRLP), which works to guarantee that all people are free to self-determine their gender identity and expression, regardless of income or race, and without facing harassment, discrimination, or violence. ♥︎♥︎♥︎♥︎

Octo Octa - Love Hypnosis Vol. 2 Mixtape

Recording of Call Super's set at Dekmantel Festival 2022.

"Thank you for letting me do this, and much love to those who joined me. This set is dedicated to the memory of Steve Bronski."

Call Super at Dekmantel Festival 2022

@ohpeach closed out Hemlock Hole on Thursday evening, giving us an unrelenting journey of euphoric house, broken beat, and stomping party jams.

Campout Mix Series: Peach

Priori and Ciel go b2b for 2 hours prior to their set at Public Records on NYE

http://www.instagram.com/priori_tize  
https://www.instagram.com/ciel_dj

Ciel b2b Priori @ The Lot Radio 12 - 30 - 2022

smart mix 73: @clubchow

club chow has been a burgeoning star in chicago's lgbtq dj scene with residencies at steamworks and berlin nightclub. here club chow takes us on a housey journey guaranteed to make you move.

check out club chow's foundations of choice and consider donating!
www.aclu-tn.org / www.transformationsproject.org / www.tnep.org / www.lifeiswork.org

Smart Mix 73: Club Chow

For Eris’s mixtape “Raving Disco Breaks Vol. 1”, she uses old records to create a new style out of fragments. Many of the selections have been featured heavily in her live DJ sets, including her b2b sets with Octo Octa. Eris accumulated these records slowly, over decades, but it wasn’t until touring last year that she realized a “sound” coalesced in her bag. What does a rave at the disco sound like? Kinda like everyone took ecstasy at the roller rink. On her ecstatic mix, Eris colleges together a genre by scratching-in breaks with horn samples, mixing Disco House with broken beats, dropping Miami Bass jams with Boogie keys and blending Rave tunes with disco vocals. On the mix Eris utilizes turntable techniques such as “doubles” tricks and “hot mixing”—a fast-paced mixing style inspired by her beloved B96 Mixmasters, Chicago’s most popular 1990’s radio DJs. Like all of Eris’s mixes, she weaves strong narratives of embodiment, defiance, cultural transcendence and personal triumph (a classic disco emotion) into a flow of body rockin’ beats, scratches, drops, and sweet melodies. The result is a bass heavy summertime house mix for the psychedelic bad girls, boys and enbys. 

A limited run of Raving Disco Breaks Vol. 1 cassettes are available now exclusively from the label’s Bandcamp - http://t4tluvnrg.bandcamp.com

 The recording can be streamed on the T4T LUV NRG SoundCloud for free and hi-resolution versions are available for download on the label’s Bandcamp (donation requested). All profits  from Eris’s mix will be donated to the Sylvia Rivera Law Project (SRLP), which works to guarantee that all people are free to self-determine their gender identity and expression, regardless of income or race, and without facing harassment, discrimination, or violence.

Eris Drew Raving Disco Breaks Vol 1.

“Love Hypnosis” is a message.

It’s a narrative meant for personal empowerment; to become the person you want to be. I’ve conducted a few “Love Hypnosis” rituals as extended six hour sets broken into three segments that signal my intentions about love, body, and spirit. For this tape series, they will be shorter missives meant to build upon one another and show a growing idea of how music can explore the magic and actualization of ourselves.

The act of DJing itself is to cast a spell. Dance music as an art form that sends an immediate direct statement into one’s body. It can shift and evolve over time to reveal information, but first it will move you. This message is meant to move you both physically and emotionally. “Love is the fire I need”. I believe it’s what we all need these days. We’re here together. Nobody can stop us now.

A limited run of Love Hypnosis Vol. 1 cassettes are available now exclusively from the label’s Bandcamp and hi-resolution versions are available for download on the same page. 50% of the profits the mix will be donated to the Sylvia Rivera Law Project (SRLP), which works to guarantee that all people are free to self-determine their gender identity and expression, regardless of income or race, and without facing harassment, discrimination, or violence. 

xoxo Maya (Octo Octa)

Octo Octa - Love Hypnosis (T4T003 Mixtape)

I recorded this mix in 2018 for the Her Damit festival and titled it the Mystery of the Motherbeat. I was hungry to tour Europe for the first time and agreed to do a mix and play the festival on a shoestring budget. Her Damit went into bankruptcy later that year, failing to pay artists and others for their work.  They also let their Soundcloud account expire, losing all the mixes they commissioned for the series. 

I am re-releasing this mix under its original name. Its real name. It is one of my deepest mixes. It is filled with the love and hope for the future that I put into it. It was recorded a week before I went to visit Maya and Brooke for the first time in March of 2018, exactly two years ago. That visit would change my life.  

Metronome - Voyage to the Bottom of the Bass (WBR Records 1991) 
Visions of Rhythm - Power of Purchase (Klasse Wrecks 2017)
Christian Tiger School - If You Want To (Original Version) (Lissoms 2018)
DJ Python - Cuál (Incienso 2017) 
Pseudopolis - Tracer (Redstone Press 2017)
Bassbin Twins III - untitled (Bassbin Records 1995)
Nitro Delux feat Silk - Hypno House (Deep Dub) (Cutting Records 1990)
Christian Tiger School - If You Want To (Edmondson Version) (Lissoms 2018)
Friends of Mathew - Out There (Raw mix) (Pulse-8 Records 1991)
DJ bwin - Mit Bonus... (First Second Label 2017)
Glas Rm - Fully Dipped (Wells Street  2017)
Ben Cohen - Entrance (from “Lesser Mysteries”) (Brokntoys 2018)
DJ Psychiatre - Trust Issues (Gasp 2017)
Hawke - 3 Moods in a Gurple Parden (Hardkiss Music 1993)
Dream Cycle - Paradise State (Sneaker Social Club 2017)
Human Movement - I Need (12 inch mix) (Of Leisure 2017)
Waterpark - Data Orb (Deep Blue 2016)
Environments - Ultimate Thunderstorm (Syntonic Research, Inc. 1979)

Eris Drew’s Mystery of the Motherbeat Part 1 (formerly Her Damit)

This is the set I played at Dekmantel Selectors festival in 2019. I closed out the evening, following sets by Mad Miran, Khidja and OKO DJ.

I'm really missing the dancefloor right now, so it was fun for me to relive a memory this joyful. I hope you guys enjoy it too.

Dekmantel Selectors 2019 (Closing set)

T4T LUV NRG will release limited edition alchemical objects for use in DJing, dancing, kissing and crying. Co-created by loving partners Eris Drew & Octo Octa.

Octo Octa - Love Hypnosis (T4T003 Mixtape)

T4T LUV NRG

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