Arad Yeini - Trumpet  || Ma'ayan Milo - Trombone || Gal Dahan - Saxophone || Ilan Smilan - Guitar || Lior Romano - Bass (Keytar) || Dan Mayo - Drums || Galla Borowski - Vocal

Recorded at  "DB Studios", Tel-Aviv, Israel
Mixed by Uri "Mixmonster" Wertheim
2011

Crazy Race (Roy Hargrove)

Available on iTunes: https://itunes.apple.com/us/album/sly-5th-ave-presents-akuma/id815716294

Sly5thAve - Deme (feat. denitia) [of denitia and sene]

Keys: Don Pi 
Bass: Ronaldo Nascimento 
Perc.: Vanni Calasans
Guitar/ Voc: Martin Hillmann 

Hamburg 2014

Azymuth´s " Last Summer in Rio "  ( automart re-edit)

Paying respect to an all time fave artist...Alice Coltrane- Stopover Bombay..slightly on the broken tip!!

Alice Coltrane- Stopover Bombay (We Are The Horsemen Re-Edit)

In the tradition of Cumbia and Ethiopian Jazz Fusion, Buyepongo interprets Mulatu by the great Ethiopian Jazz Composer Mulatu Astatke.  Recorded  at XLRebelsX studios in Long Beach CA. 
Written by Mulatu Astatke interpreted Buyepongo
Engineered and Mixed by xLSREBELSx
Mastered by Benjamin Tierney 
Produced By Buyepongo
Executive Producer- M.Suarez  

Mulatu Para Ti

FOR ALTERNATIVE FREE DOWNLOAD LINK: 
• thebeatfonicscrew.tumblr.com 
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Arrivati al terzo anno di attività, The Beatfonics Crew prosegue il suo viaggio con il decimo volume strumentale, una tribute-session dedicata a Bobby Hutcherson. Il Jazz è ancora una volta al centro delle produzioni della crew, dove il vibrafono di Hutcherson viene accompagnato dai beats, toccando tutte quelle sfumature, di generi e stili, tipiche del collettivo. 
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Down to his 3rd year, The Beatfonics Crew is about to drop his 10th instrumental project, a tribute-session that pays homage to the great Bobby Hutcherson. The main key once again is Jazz music, where the Hutcherson's vibraphone is played among all the styles, the beats that the Crew has been accustomed us to.
credits
released 23 May 2015 

• FACEBOOK: www.facebook.com/thebeatfonics 

• Cover design by Gianluca Renga: 
www.facebook.com/GRArtworks 

• Mastering by JP Balboa 

•Producers: 
soundcloud.com/supnasa 
soundcloud.com/nitrox-a-k-a-charlie 
soundcloud.com/t_one-1 
soundcloud.com/stayreal 
soundcloud.com/thegodfatherexperience 
soundcloud.com/gico 
soundcloud.com/akakidbeat 
soundcloud.com/marcosoule 
soundcloud.com/kappah 
soundcloud.com/microspore 
soundcloud.com/odeeno 
soundcloud.com/jazzy-gentle

Lights ( Bobby Hutcherson - Session Vol.10)

“Southern agricultural penitentiaries were in many respects replicas of nineteenth-century plantations, where groups of slaves did arduous work by hand, supervised by white men with guns and constant threat of awful physical punishment. It is hardly surprising that the music of plantation culture — the work songs — went to the prisons as well.”

Parchman Farm(CPC's Midnight Special)

What would happen if you lock up a bunch of producers and musicians from different backgrounds into a studio complex for several days and give them complete creative freedom to record whatever they like? 

This is the question that music label INI Movement asked themselves. They decided to set up an experiment in their own studio complex in Haarlem. They invited a varied group of artists consisting of several members of brass band Gallowstreet, Rilan & The Bombardiers, Umoja & Pitch Controller Mitch. 

Guests that stopped by include Freshy Jazz and members of The Mauskovic Dance Band. The above mentioned contributors have helped each other with their personal projects but have never recorded in such a 'supergroup jam session type setting' where there was no directive style to the project. It could be seen as a collaboration in the style of supergroups like Soulquarians, Native Tongue or Odd Future. 

The result is a blend of different genres where the styles, tastes & speciality of each contributor meet. This is displayed in the tracks 'Berimbao' and 'Crappy Samba' where Umoja, best known for their tropical tracks and edits, is backed up with live recorded brass sections by members of Gallowstreet. Or Pitch Controller Mitch 
(formerly known as DJ for the group Pete Philly & Perquisite) not only contributing as producer, but also experimenting with his own vocals on 'Give It To Ya' & ‘A Star Is Born’. Also Rilan (lead singer of Rilan & The Bombardiers) can be heard on several songs including ‘Put Yo Feet Up Off The Wall’ where he complements the Disco & Funk drenched track with his raw vocal appearance. 

The young and talented multi-instrumentalist Lucas van Ee (Saxophonist in the group Gallowstreet) showcases himself as an established producer in many of the productions. 

The Collaboration 
Just like the collaboration between producers & musicians, collaborations have also taken place in the creation of the artwork (Photography by INDVDU edited in collages by visual artist Harm van Ee) and the creation of three music videos to be released along the way (one of which displays choreography by international dance phenomenon Roche Apinsa). The name Birdhouse is drawn from the nickname of INI's studio complex where this all went down. We dub this album 'Birdhouse Sessions Vol. 1' as an ode to this beautiful place that allows us to share our passion and experience complete creative freedom. One Love.

Recorded at Birdhouse Studios 
Mixed by Job André de la Porte & Lucas van Ee 
Artwork: Harm van Ee 
Photography: INDVDU

Birdhouse Sessions Vol.1

Birdhouse - Sunrise

The original Rio beach boy returns in style, with a new record of unabashedly feel-good Brazilian party music. Featuring Azymuth bassist Alex Malheiros (responsible for some of Brazil’s all-time funkiest low-end licks), a horn section including Valle’s go-to high-trumpeter Jesse Sadoc, and percussion master Armando Marcal, Sempre has all the masterful composition, exceptional musicality, and forward-thinking ideas you’d expect from the Brazilian titan, and it’s fresher than a fruity caipirinha in the Copacabana sunshine.

Updating Marcos Valle’s seminal boogie-era sound, Sempre spans ecstatic disco, cosmic samba, and late-night jazz-funk, drawing obvious comparisons to some of Valle’s late-seventies and early-eighties output. ‘Estrelar’ (1983), for example, an ode to the joy of exercise, has become one of the biggest Brazilian disco hits of all time. But lyrically the new album is more closely reminiscent of Valle’s progressive early seventies’ releases. Heralding love, tolerance and living in the present, while satirising political corruption, the new release recalls a time in which Valle, together with his brother Paulo Sergio, was writing subtly subversive lyrics in order to bypass the censorship imposed by the military dictatorship, which ruled over Brazil between 1964 and 1985.

The album marries compositional genius with pure pop perfection. From the blistering brass arrangements on up-tempo disco hit ‘Olha Quem ta Chegando’ and the infinitely classy ‘Vou Amanhã Saber’, to the nine-minute synth-heavy instrumental funk stepper ‘Odisséia’, which gradually morphs into an interplanetary samba jam, the songs are tightened and given an extra coat of gloss, by London based producer Daniel Maunick (son of Incognito frontman Bluey). More moments of boogie delight come in the form of ‘Minha Roma’ (a musical nod to the famed ‘Estrelar’), and the sunshine anthem title-track ‘Sempre’.

Translating as ‘Ever’, Sempre is a testament to the continual drive for development and reinvention that has defined Marcos Valle’s astounding six-decade career. Ever changing, ever moving forward, he began as one of the second-wave of early bossa nova composers in the sixties, writing the world famous bossa standard ‘Summer Samba (So Nice)’ for his sophomore album ‘Samba 68’. After a brief stint in the States, Valle returned to Brazil, and the early ’70s saw the release of four ground-breaking Valle albums which incorporated progressive rock, psychedelic influences, pop, jazz, soul and cinematic arrangements. These albums would see Valle work alongside a number of hugely influential Brazilian bands, including Milton Nascimento’s backing band Som Imaginaro, the prog-rock band O Terco and jazz funk legends Azymuth. Returning back to the US in ‘75, Valle resided in LA, writing music for the likes of Eumir Deodato, Airto Moreira, Chicago, Sarah Vaughn and Leon Ware, before returning to Brazil once more, where after releasing a handful of hit pop records, he took a hiatus from recording.

Since the mid-nineties, Marcos Valle has been experiencing a renaissance with Far Out, where his approach to music has remained, as always; decidedly open to new influences, possibilities and technologies. Sempre is Marcos Valle’s fifth album for the label, following 2010’s critically acclaimed Estatica.

Just in time for summer, Sempre is out on Vinyl LP, CD and digitally 28th June 2019

Lights ( Bobby Hutcherson - Session Vol.10)

T_One