‘Did you know that there’s a tunnel under Ocean Blvd’ 

The New Album Out March 24th, Pre-Order – 
 http://lanadelrey.lnk.to/oceanblvdID  

Listen to ‘Did you know that there’s a tunnel under Ocean Blvd’ – http://lanadelrey.lnk.to/oceanblvd_sID

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Rammstein are one of rock’s most individual and successful names, a multiple award-winning outfit with a vision that continues to evolve. Since forming in 1994, the six East Berliners have headlined the world’s major festivals and stadiums, selling millions of albums, and topping charts worldwide.

For the Rammstein kollektiv, and it’s the same line-up now as at the start, it’s always been a case of marching to their own beat; they sing in German, side-step those visuals typical of the metal world, and present an incendiary live experience that touches all of the senses – an experience underpinned by cultural and artistic weight.

To date, there are seven studio albums under the Rammstein banner, the most recent being 2019’s untitled release – a body of work that headed the charts in 14 countries and went Top 10 in the US, breaking new ground. Produced by the band with Olsen Involtini, this 11-tracker (double platinum in Germany) was preceded by lead single ‘Deutschland’, a domestic No. 1 supported by a nine-minute movie – an epic, unflinching look at German history directed by Specter Berlin.

Not only was this album a decade in the making, it also saw the musicians taking their legendary live show into Stadiums, selling 800,000 tickets immediately and eventually playing to over 1.2 million fans across 17 countries.

The next leg of the European Stadium Tour takes place in spring / summer 2021, with most venues sold out.

SCHILLER’s musical language knows no bounds, which may explain why, as SCHILLER, he’s achieved such huge success over the last 15 years. His endless musical and visual curiosity has won him legions of fans around the world.
 
With anthems like DAS GLOCKENSPIEL – a UK top-5 hit – SCHILLER creates electronica with an emotional core. Since he started taking his live shows on the road, SCHILLER has made a worldwide name for himself. His sell-out tours have delighted hundreds of thousands of fans with their stunning and sophisticated use of surround-sound and breathtaking, state-of-the-art light shows.
 
Always seeking out new influences and ideas, SCHILLER has already looked to the classical world for inspiration. One of SCHILLER’S best-selling tracks, EIN SCHÖNER TAG – ONE FINE DAY – samples the famous aria of the same name from Puccini’s Madame Butterfly, while a productive collaboration with star pianist Lang Lang led to the hit single TIME FOR DREAMS.
Since then, VON DEYLEN’s desire to take SCHILLER further down the classical road has kept on growing. In early 2013 he traveled to the mountains of California and immersed himself in their natural beauty, using the energy the landscape gave him to create his latest album, OPUS, a seamless blend of classical and electronic soundworlds.
 
An instant hit in his native Germany, OPUS not only went straight to No.1, it sold more units in its first week than any other debut classical album and received GOLD STATUS only a couple of weeks after its release.
 
A voyage of discovery into the world of classical music, OPUS reveals an exciting new side to this artist, yet there’s no mistaking the unique SCHILLER sound.
 
SCHILLER - The journey continues.

The Comet Is Coming has possessed an air of inevitability almost from the word “Go”! Much like the trail-blazing name they originally lifted from a BBC Radio Workshop record, the trio has participated in a kind of Big Bang. Its immediately relentless sound demands a sense of being present in the moment yet lost within it, much like how visceral punk rock, interstellar jazz blasts, deepest dance-floor trances and real-time technological breakthroughs do. Octavia Butler once wrote that, “There is nothing newunder the sun, but there are new suns.” And on their third album, Hyper-Dimensional Expansion Beam, synthesist/studio-magician Danalogue, drummer-producer/intuitionist Betamax, and saxophonist/spiritual riffologist Shabaka bring her verses to life. They burn brightly, directly and confidently, soundtracking our epoch of change in ways their contemporaries simply aren’t trying to. Like great artists throughout the recorded century, they possess, in Shabaka’s words, “a sensitivity to the zeitgeist,” channeling their sound into both a mirror to our times and a potential healing process for it. If that seems like asking a lot, The Comet Is Coming is uniquely qualified. Because even by their own telling, that other-worldly power was almost instantaneous.

On Hyper-Dimensional Expansion Beam, they turn it back onto the listener. Wish us all luck!

taban sun is following