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Third Time's A Charm - Grigg, Butts & Combstead

[Verse]
now let us look back
(naw)
got to much up on that plate 
forty eight 
I’ve been moving over
been to every state 

but lemme tell you sum
I got them demons running 
I put my gun up in they face and I be popping bullets 
oh my

now why they tryna tell me I can’t even live my life
trapping in the box
fuck it off 
have em thinking twice 

time out, time out
let me think about it 
keep on thinking bout the past 
tryna get around get it 

everytime you looking left
everytime you take a breath
feeling like it’s just a test 
know the feeling ain’t the best 
get it dressed
(get it dressed)
cause we boutta keep it walking 
till we dead 
(till we dead)
watch these clouds they be coming in


[Hook]
with these dark ass days 
I’ve been feeling different ways 
don’t ya really know this 
I’ve been tryna stay in lane 
keep on running this list
asking baby won’t ya stay 
I keep looking at my texts
keeping me up real late 


[Verse]
it’s not no cool back
no hold that 
won’t stay flat
I’m on fast 
I gotta keep it to myself
I really hate when asking help 
I hate it
I hate it 
so I’m just gon get faded
I’m aided, I’m aided 
I’m sitting, now I’m waiting

feeling all that bass
man it’s soothing to the face 
I’ve been living in this vase 
tryna pick a different place
what’s the case
shut up
hold yo grace
enough 
leave a trace 
on top

I’m gonna keep fighting so what

gonna keep fighting
like lightning
I’m shining 
I’m mining
this diamond 
to highlands 
so hold up
yo right hand 
now keep on 
we diving 
full pleasure 
exciting 
take measure
the treasure
full pressure 
bitch open
my letter

Dark Days (Prod. Hocci 808)

Virtual Array - Combstead & Robert Grigg

[COVER PHOTOGRAPHY BY FRASER CORMACK]

"White Glove" by Dark Messiahs is a brooding, cinematic journey through a smoky, doomy jazz soundscape. Wilt Flowers' bass sets the tone with deep, rumbling notes, while Sticks Thompson's drums drive the track forward, creating a sense of looming tension. The haunting interplay between Art Masters' clarinet and Blue Six's trumpet adds eerie layers, swirling in and out of the dense arrangement. Sonny Rhodes' piano offers sparse, melancholic accents, giving the track a sense of haunting elegance. This is jazz with a dark soul, perfect for a night of slow-burn suspense.

Hide and Seek - Imogen Heap acoustic cover

abbie pincus