Every unique signature resonates. Ginger Cell_7 is a dive into the self, an exploration of the fundamental elements that make up your own complex system. It's raw, it's personal, it's the audible truth of your inner workings.

Ginger Cell 7

Some sounds don't have a direct name, only a serial number. KIO_17 is that coded essence, a fragment of raw emotion processed through the machine. It exists. It resonates. What does it compute for you?

KIO 17

Sometimes, you have to go deep to truly hear. Going Und3r is an excavation of sound, a journey into the hidden frequencies that shape everything. It's the moment the mask comes off, the real sound emerges.

Going Under

This track lives in that precise moment of transition – where the air changes, and the known becomes alien. Threshold is designed to resonate with that subtle, yet profound, shift in perception. Let yourself cross over.

THRESHOLD

This isn't just sound; it's the sonic echo of a system under stress. Crock3t explores the beauty in the broken, the rhythm in the rupture. It's perfectly imperfect, a glitch you can't quite pin down. What's cracking in your own space?

Crocket

This isn't just percussion; it’s the percussive core of an unquantized existence. Tambor is the grounding force that might just throw your expectations off-balance. Let it resonate.

TAMBOR

When the bass is your heartbeat and frequencies shape your thoughts. Latido is the raw, unfiltered pulse of what's happening inside. It's real. It's here. And it's unskippable. Do you feel it?

LATIDO

Forget the destination. This is the journey itself, distilled to its most potent frequencies. A liminal space where old forms dissolve and new ones haven't yet solidified. It’s rough, it’s real, it’s the sound of pure, untethered existence.

LIMINAL EXISTENCE

This track captures the mood of being nowhere and everywhere. A suspended moment. Give it a listen and share what the word "liminal" means to you.

LIMINAL EXPERIENCE

It doesn’t break. It stays. Like a hum behind your ribs.
Something wet, unresolved, breathing.
You wanted noise. But got presence. Unskippable core.

UNSKIPPABLE CORE

Enter 'LIMINAL EXISTENCE,' G3NOT's latest vibrational exploration. This album is a collection of states, raw and unyielding, born from the dissonance where frequencies meet introspection. It navigates thresholds, transforming inner turmoil into sonic landscapes that challenge perception. An authentic journey through the ambiguous, designed to make your skip button's existential crisis resonate. Are you ready to inhabit the space between? /breɪk/ #sabotageinstereo #smileitsnotamask

CHLOROPHYLLAKTIER

PANDAU

راقب الأصوات من حولك
راقب الأصوات من وراء رأسِك
راقب الإشارات.
انظر.. كما لم تنظر من قبل
لا بصيرة هنا، هكذا النظام.
ها هو المستقبل، هذا هو النظام.
تجردْ. تخلْى. ولا تخف.

HUMAN.EXE DELETED

04 - Anxiety.exe

dummershit

 Notas Interpretativas
-Esta es una pieza dedicada a las orcas del Pacifico Noroeste de Norte America. En particular a T065A (mejor conocida como Artemis) una de las orcas más conocidas e importantes dentro de este grupo matrilineo.
-Que el intérprete tenga la libertad de modificar su embocadura de modo que deje salir aire y se produzcan irregularidades en el tono y afinación de sus líneas melódicas de vez cuando, si así le apetece.
-Que la interpretación sea llena de energía, y juguetona pero con cierta pesadumbre en todo momento. Se trata de dos mamíferos nadando por abajo del agua.
-En la sección A, en las áreas con muchas notas, el intérprete es invitado a cambiar dichas notas por slaps (x) de manera total o, si la técnica lo permite, de manera gradual a lo largo de la frase.
-Cuando sea necesario y por razones interpretativas, se puede ignorar a ratos la señalizaciones de dinámica I articulación que se indica en la partitura.
-Si el intérprete siente que le puede añadir alguna cualidad teatral o drama a la pieza por medio de modificaciones a la textura de las notas o algún movimiento en el escenario, es alentado a que lo haga.
-Cualquier otra decisión musical queda a discreción del intérprete, y puede ser planeada o espontánea.


Transients and Residents for Bass Clarinet duet (M)

845 pm by the Pacific Northwest for wind quintet (M)

Everything about Gurrisonic Orchestra exudes majesty. Even at its most minimal, José Gurría’s compositions and the musicians’ immaculate execution of the countless twists and leaps, lulls and bursts project a certain indefinable eminence. 
 
Jeff Tamarkin
Jeff Tamarkin is the Associate Editor of JazzTimes Magazine.

Gurri Sonic performs genre-bending original repertoire, integrating spoken word, multi-media, song-writing works framed by through-composed orchestral landscapes with tinges of avant-garde, jazz, and classical contemporary music.
If you like it please pass it around.
Coming soon:
www.gurrisonic.com

Jose Gurria-Cardenas
Los Angeles-based drummer/composer/arranger Jose “Gurri” Gurria, holds a BM from Berklee College of Music, and an MM and DMA in Jazz Studies from the Thornton School of Music at the University of Southern California (USC). Gurri’s many projects have taken him to China, Singapore, Indonesia, Brazil, Holland, Germany, Peru, Cuba, USA, Mexico, Colombia, Puerto Rico, Paraguay, and Guatemala. As drummer/percussionist, he has played with Peter Erskine, Robert Gupta, Howard Alden, Putter Smith, Vardan Osvepian, Miguel Atwood-Ferguson, Mark Ferber, Moira Smiley, Dorian Wood, Mark DeClive Lowe, She-e-Wu, Daniel Rosenboom, Root System, Ciaramella, and Victor Goines. With the USC Thornton Jazz Orchestra he has played with The Yellowjackets, Michael Mossman, and Maria Schneider. 
Gurri is founder of numerous progressive new music ensembles: Ethos Trio, Third Root Consort, Jazztec, and Jose Gurria Quartet. Gurri’s current focus is with Gurri Sonic, a 24-piece chamber orchestra, which brings together some of the most creative improvisers in Los Angeles such as Daniel Szabo, Justo Almario, Eric KM Clark, and Gavin Templeton among many others. Gurri Sonic performs genre-bending original music, pushing the boundaries of instrumentation and style with a mix of spoken word, poetry, multi-media, and singer–songwriter work, framed by through-composed orchestral landscapes with tinges of avant-garde, jazz, and classical contemporary music. 

Gurri has recently been recognized as a composer/arranger of note, by the Jazz Education Network for the year 2013. 
Sabian cymbals, Remo drum-heads, and Sibelius(Avid) are sponsors of Gurri’s career.


G3NOT /ˈdʒiːnɑːt/
You read the name. But do you hear it?
I'm not here to fit in - I'm here to short-circuit your algorithm.
Noise with a grin. Silence with intent.
G3NOT: The glitch you can't debug.

/breɪk/

This isn't music - it's sabotage in stereo.
Smile. It's not a mask.
G3NOT - your skip button's existential crisis.

/breɪk/
I am a Klangfurtoniker.
Not a musician. Not a therapist. Not a performer.

I shape moods,
not because they are beautiful,
but because they exist.

I take the moment,
fold it like a piece of paper –
audible.
tangible.
I shape it into a frequency
that fits me.

Not perfect.
Not pleasant.
But real.

The heartbeat as bass,
my breath as a pad,
my smile as a subtle glitch.
And within it all –
a Joker.
Laughing inside me,
because I found the tone
in which I can bear myself.

I don’t project outward.
I let the inside become audible.

I am my own space,
my own speaker,
my own echo.

I am a Klangfurtoniker.
I hear myself –
and keep shaping.

/breɪk/

Electronic. Rough. Probably still far from finished – but who says you have to start quietly?
I make music for myself. And share it, because silence isn’t always the better choice.
Just a beginning. In waves and noises.

New tracks tagged ##AvantGarde