Mystéria Dolorósa (2020), para Clarinete Contrabajo
Grabación noviembre de 2022

Créditos
Composición: Pía Alvarado Arróspide
Interpretación, grabación y edición de audio: Theo Nabicht

Contacto
pia.alvaradoarr@gmail.com

Mystéria Dolorósa (2020), para Clarinete Contrabajo | Theo Nabicht (Berlín, 2022)

Miradaclosa IV.(1983). 7 min. 24
2Vl, Vla, Vc.
(Premi  Musicians’ Accord).
Est: 29/3/85. Carnegie Recital Hall. New York.
L. Wilkis, G. Kitzis, L. Schranze, D. Runnion.

Miradaclosa IV

Any de composició: 1995
Interpretació musical elaborada digitalment per l’autor
Interpretación musical elaborada digitalmente por el autor.
Musical interpretation created digitally by the author.

Inaequaliter

Any de composició: 1996
Interpretació musical elaborada digitalment per l’autor
Interpretación musical elaborada digitalmente por el autor.
Musical interpretation created digitally by the author.

Lux Nova

rainbow parachute

Initially conceived as an attempt to realize an image of some halos gradually expanded to fill an entire city, as well as to integrate the concept of found objects. The work features sound materials captured by manipulating daily objects. The process was both gratifying and, imaginably, quite messy, for achieving the goal of evoking a sensation of light and embodying the concept of sonic narrative. 

This is the 2023 revision


La Ville de Lumiere 2023

Orchestral versions of The Hybrids.  

Copyright 2025 Gustavo Dobles

The Hybrids

Schemas (Orchestral Version)

Orchestral versions of The Hybrids.

Copyright 2025 Gustavo Dobles

Willing (Orchestral Version)

Transcendence (Orchestral Version)

Musical translation of the climactic chapter of Hannah Tinti's award-winning novel, The Twelve Lives of Samuel Hawley. Performed on April 29, 2025 by Foot in the Door, the New Music ensemble of the Hartt School at University of Hartford.

"Bullet Number Twelve" for Chamber Orchestra - Elena Ciampa

Organism

This is an original composition of mine featuring solo Cello and English Horn. [very similar sounding to an oboe but with a lower range] A very soft felty piano and background viola sections.

It is called “Unforsaken”. The official definition of “Forsaken” is to be completely deserted or helpless, abandoned. So the title of this piece is the opposite of that. So this is the story of been forsaken, and then clawing your way back with forgiveness and compassion to become unforsaken. 

Album artwork and design: Del Carry

Unforsaken

An urban soundscape for woodwinds and piano reflecting the divers moods and sunny rhythms of the Caribbean.

Caribe Urbano

a fistful of smiles fell on the floor - for solo cello

Del Carry is a composer and musician who plays contemporary classical, film music, jazz and some rock and blues. He plays piano, Bb trumpet, C flute, EWI wind controller, guitar [electric and acoustics and a wide range of virtual sampled instruments as well as having played in a few jazz-rock "Chicago" type live bands]. The pieces offered on SoundCloud are a very small sample of over 450 compositions.

If you are so inclined, I would also encourage any constructive criticism of my music. If my music does not fit in your musical taste and experience, it’s probably not wise to comment, but if it does, and you notice obvious things that I have overlooked or I could do better, I am open. It does not take long to lose one’s objectivity when hearing the piece possibly hundreds or times. 

But please be kind. I may not always agree, but will appreciate your effort, care and feedback.

Gustavo Dobles was born in San Jose, Costa Rica.  He began music at the age of 13 in Caracas, Venezuela with his first electric guitar and played in several rock bands.  He quickly progressed to piano studies and classical music.

In 1978, moved to Boston to study music achieving  a   Bachelor's degree  in Composition at the Boston Conservatory of Music graduating Magna Cum Laude, and a Master's degree in Composition at the New England Conservatory of Music.
​
During 1981 to 1985, he had three orchestral pieces premiered by professional orchestras in Caracas (Philharmonic Orchestra of Caracas, Symphonic Orchestra of Venezuela and the Municipal Symphony Orchestra of Venezuela).   In 1985, his Symphony #1 was awarded first prize at the "Premio Municipal de música" (Municipal Prize in Music) in Caracas.
​
At that point, his life went in a different direction and he spent the next 30 years raising a family and working in business. 
​
In 2015, he returned to music as he published a tribute album "La fuerza del amor" (The Force of Love) for his mother the acclaimed TV and Radio personality and journalist of Venezuela, Isa Dobles.  This was followed by the release in 2016 of his album "El milagro eras tú" (The Miracle is You) featuring the song "Mujer Hermosa" (Beautiful Woman), which was widely played in South and Central America.  
​
Gustavo writes, produces and teaches music, plays piano, guitar, bass, ukulele, and sings in Spanish on some of his rock music releases. 
​
Since 2015, he has published over 25 albums under the artistic names of Gustavo Dobles, Dobles and Dobles Ensemble.  Of the essence of his music is eclecticism with combinations of many different styles ranging from rock, latin, experimental to classical in a constant state of learning and exploration.

Sound/visual artist, composer, trilingual kid, animal lover, and a pescatarian who can make stellar cocktails.

www..camillezart.com

Puerto Rican composer William Ortiz was raised and educated in the United States, but his Latino identity plays a vital role in his music. Particularly, his experience as a Nuyorican in the 1970s have informed the aesthetics of his music, which transforms the sounds of the streets into art music. Unique in that respect is the use of instrumental and vocalized graffiti that are integrated in some of his works. A professor at the University of Puerto Rico at Bayamón, he has taught at the Puerto Rico Conservatory of Music and is Music Director of the Ateneo Puertorriqueño. 
He makes the following statement on his music: "I conceive of music as the 'vibrant beauty' of urban life; as the expressions of the cries and shouts of the street - cries and shouts that reflect the thoughts of those who are oppressed, of those who feel. It is my intent to convert the language of the street into a legitimate instrument".

Compositora | Composer  
Licenciada en Música | Bachelor of Music
Estudiante de Máster en Composición
Parte de RETAMA Colectivo de compositoras
Interesada en la música de cámara, la música experimental, la música vocal y la ópera. Su obra busca explorar las formas, texturas y timbres para generar distintas atmósferas.

📨 pia.alvaradoarr@gmail.com

New tracks tagged ##Contemporary Classical