PAS BESOIN DE DIRE

British Folk Song 

Piano: Tryfon Typou
Bass: Tristan Sorg
Drums: Enyalios Evangelou Papadopoulos

The Water is Wide

A song of mine accompanied by Paul Hartley providing bass and electric guitars

Nebula

Make my own way

Original by Bipul Chhetri (whom I also discovered on Soundcloud first) from his 2016 Album "Maya".

Nau Lakhey Tara (Nepali) Cover

Utworem Sleeping on the Blacktop Holly Blue przenosi nas w świat amerykań-skiej prerii i Appalachów.

Piosenka utrzymana w rozmarzonym klimacie pop-country przemyca historie z życia amerykańskiego Cowboya, pokazując zarówno uroki, jak i trudy związane z zamieszkiwaniem na amerykańskim rancho. 


Holly Blue - Sleeping on the Blacktop

“Golden Flower” is a song rooted in the old Taoist image of a light that grows only when the mind becomes still.
Inspired by The Secret of the Golden Flower, it follows a wanderer who stops chasing the world and turns inward, listening for the quiet pulse beneath their thoughts.

Golden Flower

[Verse 1]
We’re living in a world
Drawn thin like a single line,
A quiet little map
Where nothing ever turns or rises.
But somewhere in the wind,
A rumor brushed across our quiet—
A place with more than left and right,
A place with something like a height.

[Verse 2]
And someone in the dark
Sketched circles in the empty air,
Whispering, “maybe there’s an up,
A place we’ve never been aware.”
And just that fragile thought
Fell deep into our paper town,
And even all the shadows
Lost the way they used to fall.

[Chorus]
In this flat, flat world
We trace the edges with our fingers,
Wondering if there’s
A room beneath the silence where
Another direction lingers.
And I keep reaching out
For something I can’t feel or see—
A hidden axis calling me
Out of this quiet, trembling line.

[Verse 3]
New words drifted in—
Depth and height and something whole,
Like letters from a star
Addressed to our two-dimensional souls.
They rippled in the night,
A strange soft echo we could hear,
A wave that broke our boundaries
And pulled us somewhere near.

[Chorus]
In this flat, flat world
We walk along the same old page,
Wondering if we might
Be curved in ways we can’t explain—
Just folded by an unseen hand,
Or bent by something we deny.
Still I keep looking for
A doorway hidden in the sky.

[Bridge]
What if behind me
There’s a shape I’ve never known?
What if above me
There’s a hand that gently pulls my shadow home?
And maybe someday
When this paper starts to tear,
We’ll step into the empty
And find a thickness in the air.

[Final Chorus]
At the edge of our flat world
We’ll lay our trembling questions down,
Turn toward the axis
That was calling from the whispering ground.
And when the light breaks in
To fill the space we never had,
We’ll understand at last—
There was a deeper universe
Inside our fragile, paper selves.

FLAT WORLD (Acoustic)

Emotional acoustic pop/folk ballad.” Intimate, breathy male vocals with gentle falsetto lifts, warm fingerpicked guitar, light piano pads, and natural, raw harmonies. Minimal production, heartfelt and vulnerable with tender builds into expressive, layered choruses. Modern indie-pop tone with a warm, bedroom-pop atmosphere.

Like That

thought-provoking song about how we all struggle to find ourselves, to heal our wounds, and to connect with each other. 

All of Us Live in Concert Susanna Laird

The Arlington Blues Collective was born from a single desire : take the raw, timeless stories of American blues and folk and infuse them with a sound from the other side of the world.
The foundation of our music is a hypnotic and mysterious rhythm—a pulse that feels both ancient and aggressively modern. Upon that, we rebuild these classic tales of heartbreak, revenge, and justice, letting soulful female harmonies guide the narrative like a modern-day Greek Chorus.
The result is a sound that’s both familiar and foreign. It's the blues, reimagined for a globalized world.

Psychotic Reaction Blues

This one is for the girl I used to be… the one who made it through things I didn’t know how to face. She carried the pain so I could keep going. I hope this song reminds someone else that they’re more than what life took from them.

More Than You Survived

Where is Bob Dylan? I know, but do you? Where do you hold him? Are he and Pete, Woody, and Joan still with you? They should be...

Where's Bobby Dylan When We Need Him the Most

Original soundtrack composed for the film Fragments on Resistance by Levan Tskhovrebadze and Ani Kiladze.

Dear Levan

Dear Pavla

Mitch is amazing

mixed by flxw3rboi
vocals by mitch gorman


maybe its just u

Lou_Acoustic & Electric Guitar/Drum Set/Vocals
Grateful Dead/"Jerry Garcia cover song off the Reflections Album"

Annie laid her head down in the roses
She had ribbons, ribbons, ribbons in her long brown hair
I don't know, maybe it was the roses
All I know, I could not leave her there

I don't know, it must have been the roses
The roses or the ribbons in her long brown hair
I don't know, maybe it was the roses
All I know, I could not leave her there

Ten years the waves rolled the ships home from the sea
Thinking well how it may blow in all good company
If I tell another what your own lips told to me
Let me lay 'neath the roses and my eyes no longer see

I don't know, it must have been the roses
The roses or the ribbons in her long brown hair
I don't know, maybe it was the roses
All I know, I could not leave her there

One pane of glass in the window
No one is complaining, though, come in and shut the door
Faded is the crimson from the ribbons that she wore
And it's strange how no one comes round any more

I don't know, it must have been the roses
The roses or the ribbons in her long brown hair
I don't know, maybe it was the roses
All I know, I could not leave her there

It Must Have Been The Roses

Tekst: Estera

#indiepop #indierock #electronic #folktronica #dubstep #dnb #bass #cinematic #darkfolk #ethnic #underground #newmusic #producer #hybridmusic #electronica


Płomień miłości

snowflakes... memories...

These cover songs are just raw demos recorded on my phone's voice note app. Nothing professional about it.

Holly Blue are a music band founded in 2011 by 17-year-old vocalist Sonia Kopeć and musician and producer Emil Blant, best-known for his collaboration with Gutierez and The Marians bands. Their debut album First Flight was released by Falami record label in 2012.
 
First Flight consists of nine songs composed by Holly Blue, two remixes and a cover of The Connells’ hit 74’ 75’ in a new surprising music arrangement. The lyrics on the album are in English. The genre of Holly Blue’s music, with its unique atmosphere created by Sonia’s soft voice and the original musical arrangements, is sometimes referred to as intelligent pop. The first limited version of the album featured an original graphic design that was inspired by the name of the band (Holly Blue is a beautiful butterfly). The CD case resembles a glass butterfly case, with a magnifying glass attached so that you can read the lyrics written in fine print and enlarge a small butterfly and the photographs of the singer.
 
In the winter of 2012 Holly Blue were an official support band that played before Selah Sue on the Belgian pop star’s tour in Poland. They also performed before prominent Polish artists such as Myslovitz, Ania Dąbrowska and were invited for interviews on multiple TV (e.g. Dzień Dobry TVN) and radio shows.
 
In 2013 the band performed on Sopot TopTrendy festival, toured Poland and accompanied Patrycja Markowska on her concerts in the UK.
 
Currently Holly Blue are working on a new album. They have already released two promotional video clips to songs Another Love Affair and Comfort Zone.


Songwriter pop/Folk 
independant artist. Need your support in order to be able to record tunes in professionnal studio.

We are a band who enjoy creating original music alongside cover versions.

Singer songwriter. Guitar Player. Attended Berklee College of Music in Boston in 1997, then finished online. Few covers here too and recently past tracks, when having a drum set. Thanks

my souls departing

melincholic hedaches every morning
---------------------------------------------

how do i love when no one loves me

susannalaird.com
Susanna Laird is a Maryland-based singer-songwriter whose soul-searching acoustic music blends simmeringly soulful vocals with finger-picked guitar and piano. A cancer survivor, mother of four, and storyteller at heart, she writes songs about healing, faith, and true love.
Influenced by artists like Indigo Girls, Tracy Chapman, Eva Cassidy, and CeCe Winans, Susanna’s sound is rooted in authenticity and emotional honesty. She’s performed at festivals including the Ladybug Festival and Takoma Park Folk Festival, and her song “We’re All” was featured at the Braver Angels National Convention.

#singer-songwriter #frederickmd #susannalaird #acousticmusic #folk
#susanna #laird #indiemusic

Love can change it all. Poetry and music are the way to change this world. It works everytime. Just climb on board and get with it. Change your perception... Don't just accept the choices that others have said are your only choices, especially those with any falatious ideas that they hold some kind of power over others. Be brave. Life isn't a spectator sport. You are it...

Ever feel like you've been playing quantum leap in your own life?

By day I work in the world of biological sciences. By night though, I like to create. I'm a drummer/percussionist with a lot of years of gigs under my belt, but I also like to write songs, music and stories and poetry. I am master of none but I get a lot of satisfaction experimenting and making words and music.

A blast from the past: I laid the drums and percussion on this Prog-Rock album by Stealing the Fire. https://stealingthefire.bandcamp.com/album/king-of-shadows

'my' band Pelerin blue has released a back catalogue as a omnibus album (To Fly Again) and can be found on Spotify, iTunes, YouTube and many other places  https://open.spotify.com/artist/5j8TUM8qcCTHEiMyMVEPSe?si=eyH_FfubQq2xJYm__NTaKg

I'm also on many music streaming site including spotify: https://open.spotify.com/artist/7wBG3pAilbQU4WWsgDDt67?si=jIT88CigQ0uK7jwIiLWubw

For my own creations I'm not tied to any particular genre, nor in my listening and nor am I particularly good at recognising particular genres.

I'm open to feedback, comment, critique and generally saying hi.

New tracks tagged ##Folk