Open up on the highway, let the conversations die and focus on the open road. Turn off the cell phone, we gonna have fun.

Open Up

CITY CHASE

🌌 « ただあなただけ » | Une ballade romantique cosmique. 🌌

"Dans ce monde, seulement toi… Ta voix est ma lumière, tes mains ma chaleur, et ton cœur mon univers."
Si cette fusion romantique, optimiste et cinématique te touche, n’hésite pas à :
✅ Liker (❤️) pour me soutenir,
💬 Laisser un commentaire (Quel est ton moment préféré ? Le breakdown ? Le refrain final ?),
🔄 Partager avec ceux qui aiment les mélanges audacieux (synthwave, rumba, rock russe, crooner).
"La musique n’a pas de frontières. Merci de voyager avec moi." — Paul-Marie

**🎵 Autres projets :
二人の季節 | Futari no Kisetsu
君の瞳に愛を見た | Kimi no Hitomi ni Ai o Mita

ただあなただけ  | Tada Anata Dake

Skynet Protocol is a darksynthwave anthem forged in neon and steel. Heavy basslines, razor-sharp synths, and an atmosphere of cybernetic apocalypse take you straight into the world where machines rule the night.

This track blends the raw energy of darksynth with the cinematic edge of cyberpunk soundtracks — perfect for late-night drives, dystopian visions, or simply losing yourself in the neon storm.

If you’re into Carpenter Brut, Perturbator, Mega Drive, or Gunship, this one is for you.

⚡ Follow SYNTHMAXX for more synthwave, retrowave, and dark cyberpunk anthems.

Skynet Protocol

This track features a melodic, interstellar vibe. I hope you enjoy listening to it as much as I enjoyed creating it!

Spotify

Interstellar

Fluidité narrative :

La chanson est écrite comme un poème continu, sans coupures entre les sections, pour évoquer l’écoulement du temps qui s’arrête lors de la rencontre.
Les retours de phrases ("時が止まる…", "初めての出会い") créent un effet de boucle émotionnelle, comme un souvenir qui revient.

Symboles poétiques :

"世界が染まるピンク色に" ("Le monde se teinte de rose") → Métaphore visuelle de l’amour naissant.
"涙が光る" ("Les larmes brillent") → Émotion pure, presque magique.
"笑顔が咲く" ("Les sourires s’épanouissent") → Image de fleurs qui s’ouvrent, comme un printemps.

Points clés de cette structure :
Fluidité narrative :

Chaque section est clairement marquée (【Intro】, 【Couplet 1】, etc.), mais le texte reste continu pour une immersion totale.

Équilibre entre poésie et structure :
Intro : Ambiance mystérieuse (piano seul).
Couplets : Récit de l’attente et de la rencontre (voix + piano/cordes).
Refrain : Déclaration d’amour (tous instruments).
Pont : Climax émotionnel (voix chuchotée → puissante).
Outro : Résolution douce (piano + cordes).


初めての出会い | Hajimete no deai

Neon Apex

Sonne [Instrumetal Cover Rammstein]

A Solo with the Arturia Polybrute 12... 

Thanks for listening friends.  I make music to share it.  

E.Mystifiti

Mystic Sea

Cap au Sud

“THE ONE,” continues this journey. An emotive pop anthem, it explores the search for true
love with honesty and optimism. Blending heartfelt lyrics with vibrant, beat-driven production, the track captures the highs and lows of romance, the heartbreak, persistence, and hope of finding that special someone. With a catchy chorus and emotionally resonant storytelling, “THE ONE” is
intimate, uplifting, and a celebration of staying open to love and connection.

The One

“Sigma” es un viaje de música electrónica ambiental y cinematográfica. Un tema melódico y envolvente que te hace despegar de la realidad y sumergirte en paisajes sonoros únicos.

Sigma

'Large Metallic Anomaly' is the first track on the wordsSHIFTminds album 'Two-Thirds Empty'. It was recorded and mastered in Ableton Live at The Universal Mango Research Kitchen, Onehunga, Auckland, New Zealand, in August 2025. Headphone mix monitored using Abbey Road Studio 3 by Waves Audio.

This recording features Keylab Essential 61 and Analog Lab V by Arturia; PolyMAX synth by Universal Audio; bx oberhausen synth by Brainworx/Plugin Alliance; Codex and Flow Motion synths by Waves Audio; Ableton Live; Sonible Balancer by Focusrite; IDX Intelligent Dynamics, MaxxVolume, Scheps Omni Channel, H-Comp, SSL E-Channel and C4 Stereo by Waves Audio; Ozone Imager 2 by Izotope; and Fresh Air (Mixbus Sparkle) by Slate Digital.

Composing and production: Chris Bell
Audio engineer: Audrey O. Bliss
Mixing: Les Pellicules
Mastering: Saul E. Tempted
Cover design: Lisa Life
Published and released by: CBR (Chris Bell Records).

Chris Bell wishes to thank: Frank, Le Fay, Presonus, Korg, Warwick, Focusrite, Ableton Live, Arturia, Session Drums by Chocolate Audio, Soundtoys, Plugin Alliance, Shure, Waves Audio, Native Instruments, Spitfire Audio and Spitfire Audio LABS.

Large Metallic Anomaly

Echelon

Session 51

“Vapor Skies” is like stepping into a world where everything slows down. It’s filled with soft synths, floating melodies, and gentle rhythms that make you feel like you’re drifting through clouds.

Vapor Skies

I'm a female music producer and guitarist. I produce synthpop, electropop and indie pop/rock music. 
Contact me to collab with me on your next track :)

Razium Records, owned by Razium, is a music label pushing boundaries and shaping the future of sound.

Official Website Here: https://www.raziumrecords.com/

SYNTHWAVE. DARKSYNTH . RETROWAVE . DREAMWAVE . VAPORWAVE . CHILLWAVE . CYBERPUNK

I write music in the style of ShadowSynthetics!

https://youtube.com/@shany1ng?si=yabGA4yoQbuyD3yk

Electronic and Trance Music from artists from different decades.  Older podcasts cover dance and 80s remixes.

Darkwave Keyboard Synthesizer & 5 String Acoustic Electric Violin.  100% Solo Live Instrumental Performances.  Student of Albert Markov.

Instruments In Action: 
Arturia Polybrute 12
Oxi One | Nord Drum 3p
Behringer UB-Xa
5 String Acoustic Electric Violin made by Peter S.

Jammin'

https://open.spotify.com/track/7MKcM6TfaGKQVFfhstCbOw?si=792ebd4004a84917

evidenceofdivinity.com
petardjokic.us

🎶 G.W. Childs is a musician, producer, and sound designer blending country, rock, and synth-pop — think The Eagles meets The Weeknd. He’s released music with COP International and Cleopatra Records, collaborated with John Fryer and Tina Root (Switchblade Symphony), and contributed creative work at Lucasfilm. As a sound designer for Propellerhead’s Reason, he helped shape one of the most iconic music tools of its era.
Pulling from influences like the BeeGees, ABBA, Marvin Gaye and Smokey Robbins and mixing with Depeche Mode and Kraftwerk. Every music listener will find something new and familiar in timeless tracks that deliver big hooks and crafty melodies. 

As a sound designer for major developers like LucasArts, Lucasfilm, Propellerheads, Cakewalk, MTV, US Army and more. Childs explores a wide list of topics from a veterans perspective.

The beautiful bastard Children of Calvin Harris and depeche mode.. Paul moody Q magazine

Producing Electronic Music.
Thanks for listening !

Soy de Valencia, España, y mi gran pasión desde la infancia ha sido la música. Aunque no tengo formación académica en teoría musical, desde 2021 decidí dar el salto y comenzar a componer de forma autodidacta. 
Mi música está influenciada por referentes como Vangelis o Jean-Michel Jarre, y se caracteriza por un fuerte componente retro de los años 80 y 90, fusionado con sonidos modernos. Me gusta explorar y mezclar estilos como la música clásica, electrónica, techno, ambient, synthwave, retrowave e incluso bandas sonoras inspiradas en la ciencia ficción.

Cada tema busca transmitir sensaciones únicas y ofrecer algo diferente a lo habitual. Estoy en un proceso continuo de aprendizaje y experimentación, creando lo que llamo "rarezas sonoras", piezas que abren nuevos caminos en la mente de quien las escucha.

Mgmt: Pettyafofficial@mail.com
Influences: Bowie, Depeche, Reznor, Smiths.

💎✨ project in progress_

Your Cornerian Explorer for New Discoveries. | Art, Animations, Games, and Music. | She/Her


> Database // HoshiKaynyne.carrd.co

> inquiries // Jaymax867@outlook.com


// Warning_

If you email me about anything outside of my line of work nor provide any context for contacting me, I will block and depending on severity, may blacklist you.

wordsSHIFTminds is Auckland, New Zealand-based composer and musician Chris Bell.

Tracks recorded and mixed at The Universal Mango Research Kitchen (UMRK). Mixes monitored using Waves Audio Abbey Road Studio 3.

Chris Bell wishes to thank: Frank, Le Fay Basses, Korg, Beyerdynamic, Warwick Amplification, Focusrite, Sonible, Ableton Live, Arturia, M-Audio, Presonus, Plugin Alliance, Shure Microphones, Waves Audio, Izotope, Native Instruments, Nugen Audio, Slate Digital, Soundtoys, Spitfire Audio and Spitfire Audio LABS.

New tracks tagged ##Synthwave