A nice mellow soundscape for your everyday stress relief

yiannis silver - Urban spirit

inspired by a bird i saw once.
the bird’s name was greg.
he had strong opinions about synths.

this track is dedicated to greg.

inspired by a bird i saw once

A chocolatey, citrusy hard hitting extravaganza of sampling & multi-instrumental dexterity..

Dance Wit' Me

Makin the Drop – Smuggler’s Cut
A shadow in motion. Dark alleys, wet bricks, and too many eyes.
This one's for the paranoid runners and back-alley legends—rhythm-first and glitch-slick.
Breakbeat bones wrapped in trip-hop smoke.
Turn it up. Don't look back.

MAKIN the DROP - Smugglers Cut

Sonata No. 7 (Sonata of the Pyramids), Allegro – Mikalojus Konstantinas Čiurlionis, 1909 is a remarkable synthesis of sound and symbol. Known for his unique fusion of music, painting, and metaphysical thought, Čiurlionis approached composition not merely as a craft but as a form of cosmic inquiry. The Allegro movement of this sonata is particularly striking—a dynamic and enigmatic meditation that blurs the lines between architecture and music, myth and memory, matter and spirit.

The piece opens with a sense of purposeful ascent, as if the music itself were rising from the sands, echoing the geometry and silent grandeur of the pyramids. Its motifs are not ornamental—they are elemental. With each phrase, Čiurlionis chisels sound like stone, layering rhythms and harmonies that feel less performed than revealed. There’s an ancient dignity to the movement, a sense that it listens inwardly even as it moves forward, as if guided by an invisible compass tuned to celestial alignment.

Yet this is not a historical pastiche or a romantic fantasy. Instead, the Allegro explores the psychological and symbolic weight of the pyramid: a structure that embodies human aspiration toward the eternal. In this sonata, the pyramid becomes less a monument and more a metaphor—of stillness in motion, of order within chaos, of ascent through discipline. Čiurlionis’s music doesn’t attempt to narrate the myths of Egypt; rather, it channels the spiritual awe those monuments provoke.

As the movement unfolds, themes emerge and vanish like shifting desert winds, echoing the impermanence of life against the illusion of permanence. There’s something deeply introspective here—a quiet invitation to contemplate not just history, but our own interior architecture. What pyramids have we built within ourselves? What forgotten echoes still hum within the chambers of the soul?

In Sonata of the Pyramids, Čiurlionis offers no easy resolution. Instead, he leaves us suspended in luminous tension—a state of alert silence where thought becomes form and form dissolves into mystery. The Allegro is not just a movement of music; it is a movement of the mind, and of the spirit, toward something greater than itself.

It is a reminder that the deepest structures are not made of stone, but of sound, intention, and stillness.

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This one’s a slow burner. AleAle brings a patient, textured set that doesn’t try to impress you from the start — and that’s the beauty of it. It leans into mood over momentum, gradually pulling you into a space where rhythms breathe and transitions stretch. The sound palette is warm and understated, with careful attention to detail rather than big peaks or flashy drops.

It’s the kind of set that rewards listening all the way through — not for big moments, but for how it holds together as a whole. Definitely one to put on when you’re in the mood to drift, focus, or just let time slow down a little.

Follow the artist:
@aleale32
www.facebook.com/aleale32
www.instagram.com/ale.cap32/#

MuséeCast 021 by AleAle

on my mind

Desperation and depression. Not knowing how and not caring

I Don't Know

Le local de l'étape - semaine 26 2025 - Casino Square

Fear None

Bandcamp: https://phara1.bandcamp.com/album/2003
Spotify: 29/6
YouTube: 30/6

phara - “2003” is an instrumental mixtape blending experimental hip hop, trip hop, coldwave, witch house, and ambient aesthetics. Each track acts as a fragment of memory or emotion - combining haunting melodies, textured synths, and downtempo beats. 
The project is deeply personal - 2003 is the year of the artist’s birth, and the album reflects themes of nostalgia, emotional distance, inner decay, and fragmented memory through a cold, introspective lens.

isolation

Recorded on Behringer Uphoria audio interface with Les Paul and Jazz bass and P bass plugged direct into fx pedals

Drum sample #1 - Anderson Paak drums from Silk Sonic
Drum sample #2 - Thomas Pridgen from Mars Voita "Ilyena" isolated drum sample

Guitar, bass, fx - Taylor Northern

Taylor Northern is the Artful Dodger

Mooj's Advice

el lado b de las cosas

Welcome, goodbye is a song that blends several genres: trip hop, electronic music, blues and ghospel. It's a song that deals with the theme of departure, which can be associated with several contexts. The ic context seems obvious, but for me, it can have another meaning. We hope you enjoy this track.

Welcome goodbye

A trip through the Great Beyond in 2025.  When I stepped through the mirror I had arrived in another universe.  I was Beyond the Great Beyonding and I had foreseen the music that would be played in that world before it was played.  

This set was recorded on a Push 2, Abelton, Pioneer DJM 850, some microphones , iPhone recordings, lots of effects processing, tons of drum machines and racks... and then I cut up the original recordings of the tracks and then added more drum machines and chopped it up again to be able to record this live on the sessions screen.

It was my hope to be able to play it this well at the festival but equipment malfunctions and a bright sun forced me to play on a laptop with a mouse.  (It was a rookie mistake) The mouse wasn't the issue, the humidity was.  It kept making the mouse stick and not being able to see a screen I think I did pretty good with what I had to work with.  That will be released as soon as I get the recording to use as a comparison with this studio recording.  

So leaving a hot festival and fleeing before the rain blew in I left the beyond in a weird state of mind.  I was sad because this was the last show I would play with The Headspace collective.  I was also happy because I had accomplished a lot with the group when it was formed 9 years ago.   

The years went so fast and I learned so much in production.  I am happy with the knowledge that I have gained and the ability to create in the Lab of what I had in mind for sound when The Headspace Collective formed so many years ago. 

I accomplished my dream to play live at a music festival. But not just any music festival,  I opened the Great Beyond with Neil and Elaine and Shannon and created a sound ritual and a prayer that we can all heal ourselves and be free.  

I guess that's what The Great Beyond means to me... The freedom to be the person I am without judgement.

Look mom... I did it! 



Medicinall TGB Set 2025 (The Studio Session)

Pink - Coffe Shop Girl

An old track I found sitting on my hard drive.. An invitation to remember the vastness of our true, infinite nature and to know that we are more that binaries or algorithmic determinism.

Zero's and One's

Taladega nights

"Sarah McDonald effortlessly segues from applying a dash of tropical swelter to thirties standards, tinkering with Thelonius Monk torch songs to a soul jazz rendition of an Amy Winehouse classic." 

Joel Shortman, Rathdowne Records.

"..deceptively laid back and self-assured, with an undercurrent of emotions waiting to sweep you by. When she sings “Rusted brandy in a diamond glass”, it’s the rust she focuses on, not the diamond. Tom Waits would approve...

..There’s a lot of nostalgic glamour associated with the ’20s and ’30’s era. Singers who choose to sing this material often end up as replicas of the sultry divas of the past, dressing up in satin gowns and pearls and stale femininity. Not Sarah McDonald. She approaches her material with a tomboyish attitude, phrasing the classic jazz and obscure torch songs that comprise her set list with a punk sensitivity and a kind of modern-day angst delivered by this beautiful, soulful chili-infused chocolate voice of hers. When she opens her mouth, she showers her audience with raw emotion. No pretense, no polished femininity, no nonsense. It helps that she’s sexy as hell when she does it; and that she’s surrounded by a killer band: Ron Romero on tenor sax, Kumar Shome on guitar, Ben Hanlon on the bass and Lewis Pierre-Humbert on the drums. As these musicians spew fire from their instruments, people get up and dance to her singing, even if she sings Monk’s “I mean you” (not the most danceable song out there)."

Nikos Fotakis, australianjazz.net

Sarah McDonald evokes cool smoky jazz club atmosphere with expressive melifluous phrasing contrasting with rhythmic dexterity.  She is a singer who has been as influenced by horn players and drummers as she has by the great vocalists. Having delved deeply into music, she draws from the greats of the history of jazz, blues and soul and selects choice standards, along with original, contemporary and more esoteric repertoire that she infuses with a soulful authenticity.

She has had a wealth of experience performing original music in various guises, playing in a range of contemporary original bands, world music ensembles and playing music for circus, theatre and film.

She also plays flute and sings in Tarab Ensemble, playing classical Arabic music:

https://www.facebook.com/thisistarab/


For bookings contact: iiiiilk.type.kind@gmail.com

I am a crazy artist. I am a friend, lover, wife, sister, aunt, dancer and coffee fanatic.  I am a post modernist and a child of the 70's.  I love the remix.  I love taking another persons work and giving it a different flavor.  I do this live and in the studio.

Le collectif Under the gun a pour but de réunir des artistes aux sensibilités diverses et de favoriser leurs collaborations pour des supports et objets artistiques de toutes sortes. Fin De Citation fait partie de ce collectif vous pouvez écouter la bande originale de leur album concept par ici :
https://soundcloud.com/fin-de-citation/sets/fin-de-citation-ost

Hey, my name is Taylor Northern and I am a guitar player. I set up this soundcloud to showcase my demos and network with musicians. If you like the music and need a guitar player, email me at tnorthern29@gmail.com. Thanks!

www.instagram.com/tayloralexandernorthern
https://www.youtube.com/channel/UCDhiwyJYdtRz7oUy4q1vJNg

Psychology major with a love for art. I have a massive love for pharmacology which can be seen within my works. Plan to just live life and create

I make no claims about the sounds I make, this is merely  my experiences , my reality, my propaganda , all put to a soundtrack .

I am not a musician and can’t sing. I have the instruments and a voice and I choose to use it all as I see fit. I know my limitations. I am just an observer, a scientist.

I do not seek to learn an art but create an atmosphere. Make the rules up as you go along; half of life is fucking up, the other half is dealing with it.

I do not want any compromise or dilution.
This is pure.

https://podcasts.apple.com/us/podcast/reality-propaganda/id1715120031

L'Amicale des radios musicales de Normandie avec Pulse, Kolectiv, Radio Sud Manche, 666, Phénix, Station B, Ouest Track, Radar, HDR, TST Radio, Principe Actif, Radio Campus Rouen

Music like visual art is universal and can be understood across all cultures and languages. It is interwoven into our identity, being, and everyday lives. They are mediums of escapism and solace, tools of communication and reflection. like paint and canvas, sound and art are deeply connected. Even in popular culture, we consume music from a visual creative perspective.



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Le Musée is a collective area dedicated to emerging musical compositions transformed into paintings. We want to share all types of art by collaborating with artists who create introspective sounds and mixtapes from the electronic scene.



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If you'd like to submit a tape or a demo, DM or email to https://form.typeform.com/to/OUuKAUjF

New tracks tagged ##Triphop