In this episode of Cementing Europe’s Future, we focus on one of the most critical technologies for decarbonising cement: carbon capture and storage (CCS).

Our guest, Juanita Gallego, Sustainability Specialist at Aalborg Portland, shares her experience moving from CCS research to real-world implementation. Drawing on her PhD and her work on a full-scale CCS project in Denmark, Juanita explores the environmental, economic and policy dimensions of scaling CCS in cement, from early-stage pilots to industrial deployment.

Scaling Up CCS in the Cement Industry: From Pilots to Deployment

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MUSIC FOR THE PROCESS OF DYING is a work of non-verbal poetry.
The evocative function of words is replaced by a soundscape in which human utterances, electronic textures, birds/insects/weather, heavily processed instruments and field recordings are woven into five tracks aimed at the subconscious.

They Give Rain For Tomorrow

A Golden Becoming

Disorganised Religion

The Process Of Dying Is The Process Of Living

Try Not To Step On People's Shadows

Finally, more than a year after the initial idea, I can share this concept about the seasons with you.
It consists of several songs merged into a single track. The initial idea came about when I released the song Winter's Ending.
All the tracks are published individually here, with the exception of the interlude Maj (an improvised draft from 2022)
and the track Last Summer, which was completed recently.
Below is the timeline for the entire song.

0:00:00.000 ->  rites of passage
0:05:51.000  ->  Le printemps (avec l'hiver au coeur)
0:10:06.032  ->  Go outside
0:16:51.500   ->  Maj
0:18:30.000  ->  Last summer
0:21:54.022  ->  Autumn
0:26:03.405 ->  preludio all'inverno
0:31:22.534  ->  Winter's ending

I did a rough mix of everything, making sure there were no volume peaks.
There will definitely be further adjustments to follow within the structure to make the mix more consistent.

In the song Last Summer, two samples from freesound.org (processed by me) were used.
Thanks to: https://freesound.org/people/Robinhood76/
                      sample: https://freesound.org/people/Robinhood76/sounds/269471/
Thanks to: https://freesound.org/people/dobroide/
                      sample: https://freesound.org/people/dobroide/sounds/74317/

Due to SoundCloud's terrible algorithm, this track will not be highly recommended... It took me a lot of hard work to create it.
I am sharing it freely with you (beauty is free, at least I believe so)...
Therefore, if you like it and if you have the opportunity,
please consider sharing it with a repost, so that it reaches your followers or anyone else
Thank you for being here.


Stagioni *read notes please

HOMO is, since 1995, the vehicle for the solo work of Filipe Silva, also a member of Porto-based SOOPA Collective & the Skull Dub ensemble HHY & The Macumbas, among other musical, intermedia & teaching projects.
HOMO explores the potential of sound in its physical & physiological manifestations, namely as a tool for reconfiguring the perception of space-time; the evocative, invocative, mnemonic & devotional power of music; & the frail & uncertain balance between song structures and the innefable, transhuman architecture of Reality, the great Fourth Wall demolisher.

I produce head bops nothing else
#FlStudio
#flowartist
Creator

experimental musician/soundmaker from Apuliae
Born in 1978

Welcome here to everyone.

I hope what you'll hear inspires you.

For your growth or fall
Through the cathartic world of sounds 
that I try to propose. 

A test area 

A search for meaning 
Of this passage for ours.

Sound as a primordial frequency
Before any acquired significance

If what you hear resonates with your tuning fork
A like and a repost would be of great support.

May your journey be pleasant and constructive
in this sea of instants called life

The eternity of our days.



New tracks tagged ##concrete