Scene: The Flex is the how you come out of a period of deep work. The Horizon is the experience attained via the Flex. Vibe out.. short and sweet!

Flex Horizon

This is a small piece of a song i'm working on. It means a lot to me, I remember writing the lyrics on the beach of Sardinia, Italy in 2021, and finally I came up with something. Let's say it's metaphoric, talks about love but really has a special meaning: the exit of a situation that made me sick (in every way). I'm gonna fix it and then repost it. Thank you very much for listening and supporting!
G

Its Fine (RAW)

14ME(p.yvngonce)

Journey (p.xoolice)

Sippin On U (p.aloa)

Pink Flat (p.shango)

FF (p.margielq!)

Haunting and heartfelt, “Memories of You” blends cinematic Americana with classic country storytelling. With vivid imagery of wild horses, open skies, and lost love, this ballad captures the ache of longing and the quiet beauty of memory. Perfect for fans of modern outlaw country, rootsy folk, and slow-burning Western soundscapes. Brooding and poetic, the songwriting cuts deep—equal parts lonesome road and emotional reckoning.

Memories of You - Matt Blais

a moody instrumental I made that I don't plan to use for my own music, if anyone is interested in this or any instrumental posted here reach out to me Via Instagram @kairo.techne and we can talk

Dark Melancholy 160bpm Am

Awake Yet Dreaming

🌧PNW raised
✏️writer/🎤rapper/🎧🎹producer
join me on my journey to grow as an artist and as a human being
https://linktr.ee/KairoTechne

Just an Italian-ish girl with the will of singing for the rest of her life ;)
Let’s say I am in a rough place right now, some happy listeners would make me happy too, and please don’t be afraid of sharing your thoughts, suggestions or even stories with me cause I’m really trying to help everyone with my music.

my ig :-)

https://www.instagram.com/_giorgia_alexandru_?igsh=MWFhb2szeGduOWVsdQ%3D%3D&utm_source=qr

if you feel like supporting me and my music (if so thanks a looot), you can donate or do something fun: aak me as a commission to write a song, record a melody, or write some lyrics!
You can do it by clicking here-> https://www.paypal.me/GIORGIAaMUSIC?locale.x=it_IT

work in progress -> https://688911fb2dd6b.site123.me/

Roots-rock troubadour Matt Blais makes his message clear on his newly released album, In Shadow and Light: We need to disconnect to reconnect.  The standout opener, “Everything Connected,” muses on technology’s effect on social isolation amidst a whirl of toe-tapping harmonica riffs. The song appropriately sets the tone for the songwriter’s third full-length record in which he goes in search of authenticity in an increasingly deceptive world. 

“In a world of influencers and online personas, what’s real is blurred and connection even more scarce,” says Blais. “Despite these forces of oppression, we’re all connected spiritually and technologically, and so I created this album with a lot of hope. Ultimately, there’s a call to action in these songs – to restore what’s been lost, to unplug and look around.” 

Blais reveals his chops as a chameleonic songwriter, weaving heavy blues influences, rock ‘n’ pop hooks, slithering atmospherics, and twangy flourishes – all with his sit-up-and-listen harmonica work and belting vocals throughout. Indeed, Blais is an artist that fits as comfortably alongside the best of his bluesy roots-rock contemporaries as he does the revolutionaries of Canrock. Versatility his greatest asset, Blais carefully customizes his instrumentation and set lists designing unique shows for each audience. As a singer-songwriter, his wit and storytelling both charm and inspire. With his backing band, the live show is a dance floor provoking spectacle.

Music about the duality of man and yearning for connection in a detached world, the record features nine of Blais’ strongest songs to date – road-worn and refined, introspective and biting, illuminating within them the light that is found in the darkness. Featuring contributions from producer Brian Moncarz (Our Lady Peace, The Trews), JUNO Award-winning engineer Josh Gwilliam (The Road Hammers, George Canyon), and guitarists Jimmy Boskill (The Sheepdogs) and Russell Broom (Michael Bernard Fitzgerald, Jann Arden), In Shadow and Light has a duskier quality to it than the shimmery indie-pop-meets-blues-rock of The Heartbeat (2013) and vintage soul/funk leanings of Let It Out (2010). 

In the six years Blais spent between albums, he’s collaborated with Sam Roberts, played nearly a thousand shows, including opening slots for Monster Truck, The Strumbellas, The Trews, and Blue Rodeo, trod some of Alberta’s biggest festival stages—Calgary Stampede’s Coca-Cola Stage, Big Valley Jamboree, and more. With awards such as "Male Artist of the Year" at the Calgary Music Awards (2018) and "Best Rock Song" at The Great American Song Contest (2016), he has solidified his reputation as a musical force both on and off the stage.

Look for Canadian tour dates in support of In Shadow and Light throughout 2020.

You: "I'm looking for a producer."
Me: "I'm the producer you’ve been looking for."

- Even when it's chilly.

New tracks tagged ##moody