This is an instrumental cover of Pretty in Pink I recorded years ago, back when my old band thought we could sneak a New Wave anthem into our mostly garage-punk-shoegaze setlist and make it work. We never actually played it live—something about the tempo always felt like it belonged to a different kind of heartbreak than we were used to performing. Still, I held onto this version. It sounds like 2 a.m. in someone else’s kitchen, the party long since over, with cheap strings of fairy lights still on and no one bothering to turn off the amp. It’s less about nostalgia and more about that fleeting moment where you thought reinvention was still possible—before the morning came and reminded you otherwise.

Pretty in Pink – Instrumental Cover of The Psychedelic Furs

An instrumental cover of Seona Dancing’s More to Lose, lovingly stripped of its synths and rebuilt with jangly, melancholic layers of guitar—because sometimes heartbreak sounds better on six strings. A sonic time capsule from the ’80s, reimagined in a bedroom studio three decades too late, hoping somewhere out there, Ricky Gervais pauses, smirks, and almost remembers being in a band.

More to Lose – Instrumental Cover of Seona Dancing

An instrumental cover of Boys Don’t Cry—the song that first tricked me into thinking new wave was a lifestyle choice and that playing guitar could solve emotional repression. I found it a decade late in the mid-‘90s, when it already sounded like a postcard from someone else’s youth. Still fun to play, even if I’ve long outgrown the whole “emotions are embarrassing” thing. It’s like visiting your teenage bedroom and realizing you turned out okay anyway.

Boys Don’t Cry – Instrumental Cover of The Cure

VIS Pomoćnici - Fantazije naše

Nearly a decade ago, I recorded an instrumental cover using a guitar, bass, drum pad, and a synth module on GarageBand for iPad—meant for a girlfriend to sing over, though that never happened, the way the relationship didn’t quite either. It sat unfinished, waiting for a voice that kept postponing itself, much like we did. Now it’s just a loop of almosts: a space left open for something that never came, a quiet timestamp of a feeling that tried to become a song but settled, instead, into memory.

Bizarre Love Triangle – Instrumental Cover of New Order

Eileen

Every Little Thing She Does is Magic (Out-Take)

Up the junction

Up the junction (in the style of Squeeze)

This Dutch synthpop track opens with lush analog synth pads and subtle ambient noise, slowly merging into a steady, propulsive 92 BPM kick and snare groove, Emotional dutch female vocals lead the verse over minimalist synth arpeggios and muted, fuzzy guitar swells, 

Even maar - Instrumentaal

Ice Sled
$TRAY/strayiscanceled
HMU For Music Inquiries
Email:strayiscanceled@gmail.com
IG:@strayiscanceled

Ice Sled [3AM POST]


(ай)
я разбитый, ничё не слышу (нет)
эти дыры от пуль судьбы
не вижу смысл, я один тут (один) я один
почему мои ноги продолжают идти? (ха?)

почему (эй) ноги, вросшие в цемент делают мув?
почему? почему (а?) правда, бьющая так метко имеет муть?
просто я понял, что это не мой путь

время не вернуть, так что будь аккуратней (ай)
каждое твоё решение повлияет на завтра
травля в школе и лишения
и я точно получу, чего у меня не было (i swear)

и я не шучу над судьбою, (ха-а) она имеет волю
снимает кожу, она колит, она делает больно (ай)
на притоне, между бетоном
эй, я о том же, и я о том же

в моей руке кость, она меня косит (кха-кха)
нужно кокосовое молоко, я обезвожен
им в наследство дом, а мне - малокровие (хм)
уже забились лимфы, уйду достойно, умру достойно

я разбитый, ничё не слышу (нет)
эти дыры от пуль судьбы
не вижу смысл, я один тут (один) я один
почему мои ноги продолжают идти? (ха?)

Разбитый (prod zxndrr)

cxdin - Tone (prod.playalocc)

ARTEFFECT

cxdin - Domain! (prod.prawjex)

DUG LEEF/ TAKLEEF

4e son de l'ep "Jeune paumé de Zane
Prod by me

WG90 (dj mix 1983) *Identified as Robert Marlow - I Just Want To Dance*

ALL GAS NO BRAKES
im an artist why stick to one sound 🔊
Don’t Forget 2 Follow 📌

I've been singing since the early 1980's, bringing decades of passion, soul and storytelling to every note. From classic vibes to fresh takes, my journey spans genres and generations. Whether you're here for nostalgia or new sounds, welcome to the music!

Jeune artiste
Je fais du son depuis assez peu de temps, je tourne autour de ce qu'on pourrait dire rap ou rap alternatif.
Pour me contacter:
mail: zane55194@gmail.com
Insta: zane.2036

De AfterParty maakt een sfeervolle mix van indiepop, downtempo elektronica en nostalgische grooves. Met warme synths, vloeiende vocalen en subtiele ritmes creëren ze muziek voor de late uren — introspectief, dansbaar en vol gevoel.

Als collectief van muzikanten, producers en beeldmakers bouwen ze aan een herkenbare sound die even filmisch als persoonlijk is: muziek voor alles wat gebeurt nadat het feest voorbij is.

Looking for help with identifying these tracks from various 70s/80s/90s dj mixes. Thanks in advance!

We are an indie electronic music label that support DIY music projects regardless of their genre.

Hamburg/Germany Based Part Time Musician
https://open.spotify.com/artist/0M7Fjef4dLBwOI6Akb8kh9?si=7WZWIAKCSZ6_HoJijnA6dw

https://www.facebook.com/ruebihamburg

https://www.youtube.com/@ruebi3382

contact: 
vk: vk.com/trydaster23
Instagram: @Unskill25
Gmail: max2005pizza@gmail.com
tg: @trydaster

New tracks tagged ##new wave