Everything but Mine

Haunting and heartfelt, “Memories of You” blends cinematic Americana with classic country storytelling. With vivid imagery of wild horses, open skies, and lost love, this ballad captures the ache of longing and the quiet beauty of memory. Perfect for fans of modern outlaw country, rootsy folk, and slow-burning Western soundscapes. Brooding and poetic, the songwriting cuts deep—equal parts lonesome road and emotional reckoning.

Memories of You - Matt Blais

#JackGarrattHigher 

Jack Garratt - Higher (Miss T Remix)
@JackGarratt
_______________

Follow Miss T @:
www.instagram.com/elisespieces23
www.facebook.com/misstmusic
www.twitter.com/misstmusic

Jack Garratt - Higher (Miss T Remix)

"We went back to our lives
Not a sound, beside, besides
You've gone your way
I've gone mine
There's nothing left to hide"

Some threads can't be broken, even across time and distance. Like stories written in stone, the art of losing what we thought we'd keep is a singular form. One Art.

✨ "One Art" arrives September 4th ✨

With a very special guest VIP who helped bring this vision to life 🎼

"And the friends we used to know
They call our names by different tones
Never know of what we've sown
Not even us"

Inspired by poetry, parallel worlds, and the invisible strings that connect us even when we think we've lost each other completely.

The art isn't in the losing – it's in what we create from what remains.



One Art (Sync Edit)

Written, Arranged, Performed, and Produced by Kyle Bolan
art by Kyle Bolan

Lyrics:

Salt air
Land locked shore
Clipped hair
Clipped hair
Dusting the floor

When the reason's her
When the season's here
Not stuck anymore 
When the reason's her

Going stir
The voice of an Age
Cut off
At the fur
At the fur
Red apple rage

Windowless her
Windowless her
Nausea I could not 
assuage

Tongue tied blur
Tongue tied blue
At the hopelessness
of the page
All the hope I have/hold 
of you

Windowless her
Windowless her
            April 24, 2025

Windowless Her


“Oversized” is a catchy and ironic pop track that takes a playful jab at outdated ideals of masculinity. The song kicks off with a nod to the action movie heroes of the past and nowadays those coldhearted, muscle packed guys straight out of the Stone Age, mowing people down without a blink. But let’s be honest that’s not what’s attractive anymore. At least not for me

This song flips the script: it’s not about the oversized ego or biceps. It's about emotional intelligence, vulnerability, and a man who can hold a real conversation. “Oversized” champions the kind of modern masculinity that isn’t afraid to show feelings or admit doubts.

With sharp lyrics, humor, and a beat you can’t get out of your head, “Oversized” is both a critique and a celebration calling out old clichés while making space for something more real and relatable.

So if you're tired of tough-guy tropes and ready for a new kind of hero, this song’s for you.







Oversized

That Old Sun

https://open.spotify.com/track/519Kpy6dr2uclZUVrgUj5z
Hey there!
Kiru and I had the honour of participating in ANV10 this year, and this was the track that we created. It's about realizing the way you've been living is all twisted, and the drive to change that.  The track started with the "deliver me from sin" idea that is the prechorus to this song, which spawned the verse lyrics, which lead to Kiru coming up with the chorus.
When it was time to start producing, I had a blast making the "bitpop"-y verses while Kiru went crazy mode on the chorus. 
I think what made the transition between our respective sections so smooth is that we split the middle in half. I produced the initial acoustic-sounding offshoot from the verse, while Kiru followed it up with a more EDM-focused second half that really lead in well to his drop.
During the contest we produced endlessly with short breaks in between, but it never felt like we were running in circles. This is what makes the song special: it was produced stream-of-consciousness style. I don't know if it was in the caffeine of the tea I drank or the spoonful of lion's mane I had that morning, but we were able to quickly capture 70-80% of our vision for a section and move onto the next. 
It felt special to me particularly because this was the first time I gave a vocal performance I was (mostly) satisfied with throughout, especially in the timbre of my singing.
The most important thing that made this track was the time constraint: it forced me to invest time in the most "bang for your buck" elements, and forgo excessively sweating the details. Ironically, because of that, this turned out to be the most complete and detailed song I've made so far.
I want to thank ANV10 for hosting this competition because without them this song would've never been made, and Kiru, for inviting me to be his collaborator, being a legendary teammate, and providing me with the fantastic opportunity to supercharge my skills as producer.

Enjoy,
Feldma

re:claim:live:start [ANV10 Submission]

Here is my self-taught flute cover of Dandelions by Ruth B. 
📹-https://youtu.be/Jwk2OvKpCCM 


Dandelions-Ruth B

A heartfelt acoustic cover of Big Thief’s All Night All Day. I wanted to keep the intimate, atmospheric mood of the original while giving it my own touch. This live recording reflects the emotional, moody side of my songwriting and love for indie, folk, and singer-songwriter music.

For fans of indie folk, indie rock, and acoustic covers — soulful, deep, and storytelling vibes. Recorded in London under the name Olliray.

#bigthief #allnightallday #cover #indie #indiefolk #indierock #folkmusic #singersongwriter #acoustic #acousticcover #olliray #london #moody #emotional #atmospheric #intimate #livemusic #indiemusic #indieartist #newrelease #newsingle #newmusic #musiccover #soulful #chill #vibes #deep #storytelling

All Night All Day – Big Thief (Cover by Olliray)

SHAWN ELIZABETH LIVE AT USSH AUG 28 2025

You Look at Me Like Art

One Nation, Torn is a heartfelt anthem about unity in a divided time. Written by Ken Goodwin, the song transcends politics — it’s not about left or right, red or blue. It’s about us. About finding common ground, healing, and choosing hope over hate. Stream it now and share the message.

One Nation, Torn

“Party’s Come to an End” is an indie pop-rock song wrapped in bittersweet melodies. Eirianlys blends shimmering guitar tones with heartfelt vocals, capturing that fleeting moment when the lights dim, the crowd fades, and the high of the night gives way to quiet reflection. Both nostalgic and cathartic, it’s a song for anyone who’s ever felt the beauty—and melancholy—of party endings.

From the Mixed Emotions Album

Party's Come to an end

Download Here

Party's come to an end

Bad Reputation 🖤

Verse 1:
Heard I kissed your ex last spring
I was bored, he meant nothing
Heard I keyed his car last June
I was home by ten past two
 
Verse 2:
Claimed I cried to get my way
I was silent every day
Now they paint me cruel and wild
Funny, I was just a child

Chorus:
This is what you get with a bad reputation
This is what you get with a bad reputation This is what you get with a bad reputation
With a bad reputation

Verse 3:
Said I slept to earn my name
Must be nice to pass the blame
Let them say I’m too unkind
Better feared than left behind

Chorus:
This is what you get with a bad reputation
This is what you get with a bad reputation This is what you get with a bad reputation
With a bad reputation
This is what you get for your self-preservation
This is what you get for your soft-spoken patience
This is what you get for the wrong conversation
The wrong conversation

Bridge (will be the chopped vocal and redone vocals, this is just a demo):
Bad reputation
Bad reputation
Bad reputation
reputation
Bad reputation
Bad reputation
Bad reputation
reputation

Chorus:
This is what you get with a bad reputation
This is what you get with a bad reputation This is what you get with a bad reputation
With a bad reputation
This is what you get for your self-preservation
This is what you get for your soft-spoken patience
This is what you get for the wrong conversation
The wrong conversation
This is what you get from a good-girl fixation
This is what you get when you bow to the nation
This is what you get when you crave validation
Guess I crave validation

Bad Reputation

~  ROYALTY FREE MUSIC - SUPPORTING CHARITIES ~ 
Based in Eryri (Snowdonia), North Wales,
Eirianlys Music is a Small, Personal Independent Studio that Writes, Records & Produces a Myriad of Unique & Different ROYALTY FREE Albums Supporting Children's Charities.

*** MAIN Charity: Supporting Hope House/Tŷ Gobaith Hospices ***
https://www.hopehouse.org.uk/
https://www.hopehouse.org.uk/ty-gobaith
Twitter X : @HHTGhospices

Second Charity: BBC CHILDREN IN NEED
Twitter X: @BBCCiN

Miss T has worked as a songwriter, engineer & producer with Universal, Jive Records, Krucial Keys team, Beluga Heights (JR Rotem), Carvin Haggins & Ivan Barias, Omen, O-Town & Nas to name a few.   Miss T has enjoyed successful releases on Colorize/Enhanced Music, Silk Music, Bonzai Progressive, Emergent Music & Nuevadeep, with multiple tracks charting on Beatport & compilation albums.

Dhwani • 14 🎶
🖤Literary Pop 🖤
Turning teenage chaos into 3-minute movies

Roots-rock troubadour Matt Blais makes his message clear on his newly released album, In Shadow and Light: We need to disconnect to reconnect.  The standout opener, “Everything Connected,” muses on technology’s effect on social isolation amidst a whirl of toe-tapping harmonica riffs. The song appropriately sets the tone for the songwriter’s third full-length record in which he goes in search of authenticity in an increasingly deceptive world. 

“In a world of influencers and online personas, what’s real is blurred and connection even more scarce,” says Blais. “Despite these forces of oppression, we’re all connected spiritually and technologically, and so I created this album with a lot of hope. Ultimately, there’s a call to action in these songs – to restore what’s been lost, to unplug and look around.” 

Blais reveals his chops as a chameleonic songwriter, weaving heavy blues influences, rock ‘n’ pop hooks, slithering atmospherics, and twangy flourishes – all with his sit-up-and-listen harmonica work and belting vocals throughout. Indeed, Blais is an artist that fits as comfortably alongside the best of his bluesy roots-rock contemporaries as he does the revolutionaries of Canrock. Versatility his greatest asset, Blais carefully customizes his instrumentation and set lists designing unique shows for each audience. As a singer-songwriter, his wit and storytelling both charm and inspire. With his backing band, the live show is a dance floor provoking spectacle.

Music about the duality of man and yearning for connection in a detached world, the record features nine of Blais’ strongest songs to date – road-worn and refined, introspective and biting, illuminating within them the light that is found in the darkness. Featuring contributions from producer Brian Moncarz (Our Lady Peace, The Trews), JUNO Award-winning engineer Josh Gwilliam (The Road Hammers, George Canyon), and guitarists Jimmy Boskill (The Sheepdogs) and Russell Broom (Michael Bernard Fitzgerald, Jann Arden), In Shadow and Light has a duskier quality to it than the shimmery indie-pop-meets-blues-rock of The Heartbeat (2013) and vintage soul/funk leanings of Let It Out (2010). 

In the six years Blais spent between albums, he’s collaborated with Sam Roberts, played nearly a thousand shows, including opening slots for Monster Truck, The Strumbellas, The Trews, and Blue Rodeo, trod some of Alberta’s biggest festival stages—Calgary Stampede’s Coca-Cola Stage, Big Valley Jamboree, and more. With awards such as "Male Artist of the Year" at the Calgary Music Awards (2018) and "Best Rock Song" at The Great American Song Contest (2016), he has solidified his reputation as a musical force both on and off the stage.

Look for Canadian tour dates in support of In Shadow and Light throughout 2020.

Originally from the Allegheny Forest, Jennie Kay Snyder is a veteran of the LA and Austin music scenes. She was one of three founders and lead singers of Ventura, CA based Western Swing band, The Tatters, whose self-titled, critically acclaimed debut record garnered a "Top Ten DIY Picks of 2001" honor from Performing Songwriter magazine. After 911, she took a five-year hiatus to focus on songwriting in the Wallowa Mountains of Eastern Oregon, where she was awarded a scholarship to participate in the songwriting workshop by the prestigious Fishtrap Summer Gathering. 
While in Austin,Texas, she occasionally sang with old friend and rockabilly queen Rosie Flores, was guest vocalist for the Texas Swing Kings and the Magnolia Band, and played keys, sang, and recorded with electronic pop/rock group The Noise Revival, led by now international composer, Nathan Felix, also known as Nathan Noise.
In her 30-year career, she has been on bills with Southern Culture on the Skids, The Red Elvises, Townes Van Zandt, The Blind Alabama, Albert Lee, Tony Gylkeson, Big Bad Voodoo Daddy, Victoria Williams, and Timbuk 3, and appears on dozens of live and studio recordings as a lead and backing vocalist.

She recently won a second scholarship to Todd Snider's Camp What The F*lk to study further with Todd and Otis Gibbs.

Her roots-flavored original songs have been described as universal and timeless; her performance style exuberant and soulful, and her voice has drawn comparisons to Emmylou Harris, Julie Miller and Iris Dement.

olliray is a singer-songwriter based in London, United Kingdom, known for his distinctive sound that blends and pans between traditional instrumentation and modern electronic elements. A skilled pianist and guitarist, olliray's musical journey spans from classical piano foundations to experimental electronic soundscapes. He released his debut single, "BoxRox," in 2017, followed by his first album, Stuck in Traffic. He has since released Between and Piano for Yoga, with each project showcasing his evolving style. Recently, he launched his album Lost Romance and has already begun work on a new album, though it's uncertain whether it will feature electronic or acoustic instruments.

Dave Barnes is a Nashville-based singer/songwriter who has found sustained success both as a recording artist and songwriter for multiple acts across pop, CCM, and country music. Having already established himself with several well-received independent albums, Barnes made his major-label debut in 2008 with Me and You and the World. His easygoing style blended mainstream rock with singer/songwriter storytelling and spiritual themes, helping 2010's What We Want, What We Get notch prominent placements on Billboard's pop, rock, and Christian charts. The following decade saw Barnes win a Dove Award, launch his own label, and release a pair of Christmas albums. He has remained prolific with albums like 2020's Dreaming in Electric Blue and 2023's Featherbrained Wealth Motel, and hosts his own podcast.

Singer/Songwriter/Poet with over 400 songs/poems registered with the Library of Congress.  On a mission to tell the stories, heal the hurt, ease the pain, and sing light, love, and life into every day.  Life is a song and we can all relate.

Jazz Pop Blues R&B. Easy to listen to. Closeness, sound quality and lyrics you can relate to while your driving, chili´n by yourself or with others. I love music, like you do and I am fortunate to create music with people I care about and respect. You listen to my music you get to know me and yourself. We`re the same.

#StartTheNextWave - New Wave. Post Punk. Art Pop Experimentor. New songs always in the works. Stay tuned.

'Homebound' out now. Be part of the #homeboundproject: https://youtu.be/YVeBThLMlTU

New tracks tagged ##singersongwriter