ENCUENTRO EN LA MONTAÑA:
1. Cadencia
2. Resiliencia
3. Oscuridad
4. Camino a Vilcashuamán
5. El viento sopla levemente
6. Linea de tiempo

INTROFOLK
Guti Zapata (Voz, Guitarras Acústicas)

MÚSICOS DE SESIÓN
Giovanni Rossi (Guitarra Eléctrica y Bajo, Teclados, Bases Rítmicas)
Gigio Parodi (Percusión)

PRODUCTOR
Giovanni Rossi

PRODUCTOR EJECUTIVO
Guti Zapata

GRABACIÓN Y MEZCLA
Giovanni Rossi (Asteroide Estudios)

MASTERIZACIÓN
Estudios Panda

GERENTE DEL PRODUCTO Y MARCA
Guti Zapata

ILUSTRACION
Cesar Gamarra Valverde

IDEA DE PORTADA
Guti Zapata

Todos los temas compuestos y escritos por Guti Zapata.
Arreglos por Giovanni Rossi y Guti Zapata
(c) 2023 INTROFOLK
Mail: introfolk@gmail.com

Guti Zapata es: Anibal Carlos Gutierrez Zapata
Mail: anibalgutza@gmail.com

Camino A Vilcashuaman

Cadencia

La teoría de seguir intentando, for violin and piano (2023). Piece requested by the Musicantes Festival, Lima, Peru.

Violin: Carlos Johnson (PE/DE)
Piano: Katia Palacios (PE)

The theory of keep trying is just that—

keep going.

La teoría de seguir intentando, for violin and piano (2023)

Experience the soul-stirring magic of Val Staccato's rendition of 'El Cóndor Pasa.' Let the strings of the acoustic guitar transport you to the heart of Peru's musical heritage. Feel the Andean breeze in every note. 🎸🌄🎶 #ValStaccato #GuitarMagic #PeruvianMelodies

Val Staccato - 'El Cóndor Pasa' Guitar Instrumental

Incan Beat

Colaboración con DaSoulspace.
Beat, mezcla, master: Dr. Oldgun.

TrapJammin - Phylo ft. DaSoulspace, ShaviThc (Oldgun Prod.)

D'monios Rojos ft. ShaviThc X Neichalayé - 420 millas(Oldgun Prod.)

Pajarillo - Roxana Libertad

Side One (21:00) 

1. Adios, pueblo de Ayacucho (harp) (3:36) This piece, "Good-bye, people of Ayacucho," is a wayno, the ubiquitous dance of Peru's high sierra. We know from written accounts dating back to the early years of the conquest that the wayno was popular at that time. The early lexicographer Diego Gonzalez Holguin described the wayno as "dancing two-by-two holding and "dancing with the hands crossed." Although the harp is of European origin, the technique used here is uniquely Andean: for processions, the harpist places his light wooden instrument on the shoulder, playing as he walks. To make this possible, the left hand plays as usual, but a backhand technique is used for the right hand. The same technique is used while playing seated. Ayacucho, incidentally, is an important provincial center. 

2. Mauca zapotoyke (flute duet) (3:02) The Quechua title means "old shoes." Notched bamboo flutes called quena are heard here. The quena is of ancient lineage-examples made of bone are found in tombs more than 1,000 years old. 

3. Carrito pasajerito (song) (2:54) This wayno, in a mixture of Spanish and Quechua, tells passengers to Huancayo (a large mountain town) to "wait in the main door of the church." 

4. Panpipe ensemble (2:55) This band of sixteen sikuris (players of the siku, a double row of panpipes) and drums gives a good idea of how old Andean instruments must once have sounded. It comes from the shore of Lake Titicaca. The instrument's great antiquity is attested by earthenware examples recovered from tombs more than 1,000 years old. 

5. Wachaca (harp) (2:02) Another example of the Andean harp style. 

6. Carnaval ayacuchano (ensemble) (5:55) Young men celebrate the fiesta of carnaval - an ancient fertility rite for crops and livestock - with erotic rituals and bloody fights during the days and nights of dance and song. Naturally, the innumerable Andean fiestas, all bearing the names of Christian saints, actually pay homage to the old gods. As is true of all these fiestas, cocaine-bearing coca leaf is chewed while chicha (maize beer) and pisco (new brandy; are drunk to the point of stupefaction. In the bitter, harsh life of the sierra, fiesta time is seized upon as a rare opportunity for oblivion. 

Side Two (18:45) 

1. Toccto pachhape (ensemble) (2:18) This waynito owes its distinctive sound to the high-pitched strains of the charango, which plays the melody. Shaped like a miniature guitar, the charango has eight strings tuned in pairs to four notes, and the strings are strummed banjo- (H-72029) 

2. Flute solo from Apurimac (3.33) A typical tune from Apurimac is played on the quena by a blind beggar. 

3. Yawlina (harp) (2:51) Another wayno. 

4. Suqullay yamanyawy (song) (2:30) This song in Quechua tells of "the black eyes of my love." 

5. Pandillero (panpipe ensemble) (3:07) Still another wayno, and another example of the orchestra of sikuris, playing the double row of panpipes called siku. 

6. Torallay toro (guitar) (1:51) This music is heard during fiestas connected with livestock (hence the word toro, meaning "bull") in remote villages in the puna. 

7. Procession at Pisac (accordion, flute, conch) (1:40) After the Sunday morning church service at Pisac, near Cuzco (the ancient Inca capital), the local mayors walk back to the village in procession to this music."

- DAVID LEWISTON

Kingdom Of The Sun - Peru's Ancient Heritage (1968)

Instruments Used: 

The Kena - Straight flute made from a reed. This instrument existed at the time of the Incas. 

The Antaro - A kind of pan pipe also made from a reed. A pantatonic scale is obtained by blowing into the single row of pipes. 

The Zampona - Another sort of indigenous  pan-pipe made from wood. 

Flute Music of the Andes (2012)

Peruvian composer.

Taki 2021 prize winner.
Kajander-Laura Fiestas prize winner.
Co-founder and manager of Sinapsis Peru.
National and international premieres.

music is a mirror made of magic. 
IG - @sahar.studios

Explore the SoundCloud sanctuary of Val Staccato, where epic Peruvian electric guitar instrumental riffs come to life. Immerse yourself in a world of unique melodies and passionate compositions that channel the spirit of Peru through electric guitar magic. From captivating riffs to soul-stirring sounds, join me on this musical odyssey. 🎸🎶

New tracks tagged #‪‎peruvianmusic‬