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苏业田博士牧师 // 宣教是神的心意，你是否看见了神的心意呢？

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第一交响前奏曲《时代》 Op.21

作于1999年5月。1999年获建国50周年世界华人交响乐作曲比赛大奖，曾获首届“中国音乐金钟奖”。2005年在中国首次征集“维也纳－中国新春音乐会乐队音乐作品”活动中，在百余部作品中《时代》以第一名成绩入选并在维也纳金色大厅欧洲首演。
该作品的创作，作曲家寻找了最古老的与最现代的两种创作素材，一个是取材于中国古老的民间器乐曲牌，人称“天下同”的《老八板》其中开始部分的音乐素材；另一个是取自于当时社会生活中随时随地都能听到的寻呼机的声音，它也是最能代表当今信息时代。在乐曲总体创作技术上融古今中外之手法为一炉，力图创作出既蕴涵中华民族音乐之神韵，又充满时代气息的当代乐队音乐作品。

Symphonic Prelude for Orchestra №1 ‘New Times’ Op.21
EXPLANATION

Symphonic Prelude for Orchestra № 1 ‘New Times’ Op. 21, for large orchestra, completed in 1999; and got the prize of MORGAN STANLEY of USA support National Symphony Orchestra celebrate China 50 Anniversary of International Chinese Symphony Competition in the same year; Premiered in Beijing at Zhongshan Concert Hall on August 15, 1999 by China National Symphony Orchestra and conducted by Li Xincao and got the unanimous favorable comment. And performed again in Beijing Concert Hall on September 3; and at ‘2cd Beijing International Music Festival’ on November 11. Premiered in Hong Kong by Hong Kong Sinfonietta Orchestra, conducted by Tsung Ye in May 28, 2000. And got the First Chinese Musical Golden Bell Awards on May 19, 2001, and premiered at the 56th Tokyo International Art Festival of Japan, and in USA by National Repertory Orchestra conducted by Tsung Ye in July 2003. In the Collection of 2006 “Vienna - China New Year’s Concert” Outstanding Orchestra Work hold by Chinese Musicians’ Association, China Record Company and Beijing Starlight International Co. etc. in 2005 publicly through media to society for the first time, only select in the competitions of two in over one hundred works, “New Times” was selected as first one achievement. And the composition premiered at Goldenersaal, Musikverein of Vienna at Jan. 15, 2006 by Grazer Symphony Orchestra. The composer was invited to Vienna too. In Oct. 2006, ‘New Times’ performed in Tokyo and Osaka in ‘Asia Orchestra Week 2006’ in Japan, and performed in the ‘Salzburg Festival’ in July 27, 2010 in Austria，and Korea international festival and so on. 
In drawing materials, the composer orients two pieces of the limit - the oldest and most modern. While creating like this, having looked for two main music materials, one is draw materials in the old name of tune of folk instrumental music of China called ‘Lao Ba Ban’ the beginning material. Another material is the rhythm material of taken from the sounds of BP and mobile which we can hear whenever and wherever possible in social life. It can have most on behalf of nowadays information-intensive society and have a model symbol meaning most. It develops later in the work and become loud and sonorous, clarion call type like, full of vigour, give somebody the strength of urging people to advance courageously. Professor WANG Ning attempts to use this simple and honest old tone and current most representative sound of information-intensive society, create and appear and is full of modern style orchestra works appealing to both academy and popular. The form structure of this piece has drawn lessons from the Chinese opera style, form and material, the circulation structure characteristic of the main, whole for single theme, permeate variation and circle round principle: start, carry on, transformation and reappearance four part structure. It is a stove to melt the tactics at all times and in all lands on the overall technology of creating of the work---western tradition and modern technology to compose, and add Chinese nationality folk local opera music, modes in Chinese operatic music, Chinese percussion in opera, pass with such techniques of expression as the national instrumental music etc.. And western harmony, polyphony, micropolyphony, minimor, neoromantic style etc; 
The purpose of composer is to make a contemporary orchestral composition which full of style and feature of today from the very old Chinese folk music. Try hard to create out the contemporary orchestra works not only contain the romantic charm of Chinese nation's music but also full of times flavour.

Wang Ning 王宁：Symphonic Prelude 'New Times' 交响前奏曲《时代》 Op.21. China National Symphony Orchestra

Resume of Wang Ning
Dr. Wang Ning, famous composer, music theorist, educator. Professor, doctoral tutor and academic leader of Composition Department of China Conservatory of Music, former director of Composition Department and Multimedia Music Center. Now he is Council member and Composition Committee Deputy director of Chinese Musicians’ Association, director of Hong Kong Philharmonic Symphony Orchestra, Resident Composer of Shen Zhen Symphony Orchestra, Resident Composer and Guest Conductor of Heilongjiang Province Performing Arts Group, director of Harbin Youth Symphony Orchestra, Association Central Art Committee member of China Association for Promoting Democracy（CAPD）, deputy executive director and creative director of the Chinese Orchestra Association, Vice-President of Electroacoustic Music Association of China, adviser of Chinese Music Association of British Columbia of Canada, music director of Chinese Symphonic Music Season, etc.. He is also the jury of many national music awards. He had won the 'China Academy Award', 'Outstanding Contributor of Prosperous Capital Literature and Art' honorary title etc..
Ning is a worldly influenced Chinese composer. He has been commissioned by orchestras, foundations and institutions and his various compositions are distributed throughout the world and performed by hundreds of orchestra and troupes. Many of his compositions had won awards domestically and internationally. Over the years, he remained committed to his concept of compose: as 'Personalized is the center, study both of traditional culture domestic and western techniques'. His compositions cover a wide range, from symphony (9), operas (3), and many music for orchestra and Chinese orchestra, chamber music, vocal, electronic and film music etc., and had attained both achievements and acclaims in these areas. The styles of his writing are diverse, innovative, widely appealing and charming. His compositions have excellent techniques, profound ideological content, distinctive writing personality and sincere concern for the real world and the destiny of humanity. His Fifth Choral Symphony 'Ode to Humanity' had been invited by UNESCO (United Nations) to perform at the UNESCO hall in the 'International Day of Peace' in Sep.21 in 2013 at Paris. The symphony was also invited by United Nations of '69th United Nations Assembly' in United Nations Headquarters in New York and performed by Philadelphia Orchestra of USA. This symphony is the special recommended and the only one composition to worldwide by UNESCO. His symphonic prelude <New Times> had been got many awards, and won the first awards of Call For The New Year Spring Concert Of Vienna Musikverein from world Chinese composers more than one hundred sixty compositions, and performed in Vienna Musikverein. His monograph 'Orchestration Based Course' is China's first published orchestration course written by Chinese and were evaluated as ‘Excellent Teaching Course’ and selected as 'National Planning Course Materials' by Ministry of Education.
Wang Ning also conducted Harbin Symphony Orchestra, Heilongjiang Symphony Orchestra, chamber orchestra, choirs and other orchestras give concerts.

王宁 博士，作曲家、音乐理论家、教育家。中国音乐学院作曲系教授，博士生导师，学术带头人。历任作曲系多媒体音乐中心主任、作曲系主任等职。现为中国音协理事，创作委员会副主任，香港爱乐交响乐团总监，深圳交响乐团驻团作曲，黑龙江省交响乐团驻团作曲、客席指挥，哈尔滨青年交响乐团艺术总监等。
王宁是中国当今具有世界影响的作曲家，受海内外多家乐团等演出机构委约创作并由百余家海内外演出院团上演，多部作品获奖。多年来他坚持着他的“以个性为中心，外学西方技术，内习传统文化”的“一个中心，两个基本点”的创作理念进行创作。其创作涉猎广泛，从交响乐（9部）、歌剧及轻歌剧（3部）、管弦乐、民族管弦乐、协奏曲、室内乐、电子音乐、影视音乐、声乐等数十部各类作品，诸领域皆有建树且广获好评。他的创作风格多样，勇于创新，雅俗共赏。作品功底深厚，具有深邃的思想内涵，鲜明的创作个性及对现实社会和人类命运的真诚关怀。中国国家交响乐团、深圳交响乐团、哈尔滨交响乐团、江苏交响乐团、黑龙江交响乐团等多家乐团都曾举办过王宁交响作品专场音乐会。他的第五合唱交响曲《人文颂》受联合国教科文组织邀请于“国际和平日”在巴黎总部上演、受联合国大会邀请于纽约联合国总部上演。该作品是被联合国教科文组织向全世界特别推荐的唯一交响乐作品。他的交响前奏曲《时代》曾获多项大奖，曾在一百六十余部应征作品中以第一名入选维也纳金色大厅新春音乐会，并由奥地利格拉兹交响乐团在金色大厅上演，及在日本东京国际艺术节、萨尔茨堡国际音乐节、日本亚洲交响音乐周、韩国国际音乐节、香港、美国等海内外各类音乐节频繁上演。
他撰写的《管弦乐法基础教程》是中国首部国人撰写出版的配器教程，其中开创性地提出“单一、统一、对比、混合”四大音色分配法则。该教材被评为精品教材，并列入国家级规划教材。王宁曾指挥哈尔滨交响乐团、黑龙江交响乐团等各类乐团及合唱团举办音乐会。

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