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fuck KMT

08. Call Us By Our Names (a Sequel To 請問芳名 Should You Ask My Name) - Feat. 林理惠 & LEO37

這是之前在火星熊選歌時沒有選到的曲子DEMO

是一首關於穿著羊毛背心的男孩

心碎的故事

羊毛背心   詞曲/林理惠

呼吸的越急 代表你越想靠近
微醺的表情 放肆著你的神經
接觸的親密 遠近間差之千里
觸感的回憶 似是而非的友誼

你的羊毛背心 偷偷的掩飾你內心的著急
你的羊毛背心 無意識的讓彼此更加接近
你的羊毛背心 出乎意料的在獨處時候清晰  我們之間的距離


羊毛背心

這首DEMO
是假想著用福音歌曲的形式來寫的
故事是
如果一切都早知道
或許
浪漫就不會開始
遺憾也不會成立了
不是嗎?


知道  詞曲/林理惠   

知道你最後會離開
知道所有的事情停留在遺憾
知道這一切是完成一種美感
突如其來 無法表態

知道這一切都不該
越知道不能觸碰越是放不開
知道這一切都是氛圍在作怪
結局好壞 留下空白

平靜下的澎湃
一次一次的重傷害
無法附加的愛
妳一遍一遍的拋開
卻步下的依賴
你卻從來都不明白
為何還不停擺

知道這一切都不該
越知道不能觸碰越是放不開
知道這一切都是氛圍在作怪
結局好壞 留下空白 x3


知道

https://www.facebook.com/pages/Sonic-Deadhorse 

http://www.myspace.com/sonicdeadhorse

This is a one-man band, but which also can be played around by joining many people. Because of being fascinated with “Sonic Youth,” because of having been hooked by “Guns N' Roses,” and the most main reason is because of “Sonic Death Monkey”—the band formed by Barry, the lippy clerk of a record shop in my favorite novel “High Fidelity,” I grudgingly pay a tribute to the inexistent band by having the name Sonic Deadhorse.” 
 
It’s the music for lonely urban women and men, the youths captivated by literature and art, dumb rockers, and the crazy raversIt’s the music embracing indulgency of 70s’, melancholy of 80s’, nihilism of 90s’, and isolation of the new century. It is post rock whimpers affecting 
sorrow violent electro, which is a smart-ass with poor. 

As everything faded away with the booming bass drum of TR808, those belonging to love and ignorance of youth seemed to vanish and be gone with Truffaut’s films. After these indescribable sentiments being extracted, I finally decided to play this band sincerely.

Have a long term cooperative relations with  Burma director Midi Z,and Variety said that  Midi Z's last film Poor Folk “ Have the excellent score by Sonic Deadhorse includes some terrific combinations of electronics and acoustic guitar.” 

Now Sonic Deadhorse is a  solo audio/visual controllerism artist  since 2011

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