베드리히 스메타나 
현악 사중주 1번, E단조, “나의 생애에서”
현악 사중주 2번, D장조, “미완성”
즈데넥 피비쉬 
현악 사중주 1번 A장조

전체 연주시간 68분 22초

“탈리히 현악 사중주단의 열정과 절망이 교차하는 밀도 높은 표현력과 뉘앙스와 억양의 정교하고 엄격한 표현을 바탕으로 하는 해석은 정말로 빼어나게 아름답다. 세부적인 표현에서 파악되는 이들의 놀랄만한 절제는 스메타나의 작품들의 서사성을 가장 심오한 방식으로 빛나게 한다. 탈리히 현악 사중주단은 이 작품들에 대한 정신적인 지평을 환상적인 궁극으로 도달하게 한다.” (디아파종) 

스메타나, 현악 사중주, 1번, E단조, “나의 생애에서” (알레그로 비보 아파시오나토)

Creativity is not something that can be turned on and off like a tap . . . 
Art is a labour of love, a question of patience and concentration. To place demands on it, criteria, quotas, damages it, slowly kills it. Art, like nature, must be allowed to develop and to grow, in order to attain plenitude. Following this principle, La Dolce Volta prefers to privilege quality over quantity. Releases are limited to ten albums a year, but each of them is the fruit of in-depth work, and above all a special relationship between the soloist and the composer. The artists’ virtuosity is coupled with their ineffable and highly personal approach, a feeling that can only be expressed through music. 
And since jewels worthy of the name can only be offered in special cases, the albums La Dolce Volta releases are themselves works of art: each record cover is an original work of art; the digipack’s inner sleeve includes a booklet in four languages and an interview with the musician. A bandeau is wrapped around each album, on which is printed the name of the soloist, the name of the composer, and the work performed. 
For La Dolce Volta, music is not just a shrink-wrapped object for sale. Like all beautiful things in life, it must come to fruition naturally, the result of careful craftsmanship, and offered like an exquisite flower. 
For La Dolce Volta music is a question of elegance and beauty without concessions.

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