펠릭스 멘델스존
세 개의 현악 사중주, op.44

전체 연주시간 80분 7초

“탈리히 현악 사중주단은 우선 그들 자신이 충만한 행복을 느끼면서 멘델스존의 현악 사중주들을 연주하고 있다. 멘델스존의 유창한 음악언어로 쓰여진 이 작품들은 듣는 이들을 단 한 순간도 지루하게 하지 않는다. 또한 과연 어느 누가 탈리히 현악 사중주단의 귀를 놀라게 하는 해석에 무감각하게 있을 수 있겠는가 말이다.” (클라시카)

멘델스존, 현악사중주, 3번, D장조, op.44, no.1 (몰토 알레그로 비바체)

Creativity is not something that can be turned on and off like a tap . . . 
Art is a labour of love, a question of patience and concentration. To place demands on it, criteria, quotas, damages it, slowly kills it. Art, like nature, must be allowed to develop and to grow, in order to attain plenitude. Following this principle, La Dolce Volta prefers to privilege quality over quantity. Releases are limited to ten albums a year, but each of them is the fruit of in-depth work, and above all a special relationship between the soloist and the composer. The artists’ virtuosity is coupled with their ineffable and highly personal approach, a feeling that can only be expressed through music. 
And since jewels worthy of the name can only be offered in special cases, the albums La Dolce Volta releases are themselves works of art: each record cover is an original work of art; the digipack’s inner sleeve includes a booklet in four languages and an interview with the musician. A bandeau is wrapped around each album, on which is printed the name of the soloist, the name of the composer, and the work performed. 
For La Dolce Volta, music is not just a shrink-wrapped object for sale. Like all beautiful things in life, it must come to fruition naturally, the result of careful craftsmanship, and offered like an exquisite flower. 
For La Dolce Volta music is a question of elegance and beauty without concessions.

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