This Euro-house parody originally produced by famed Germans Thomas Gessell and Will Grossmann, under one of their many aliases: The Wild Boys, propelled Sissy Penis Factory's (rebranded here as S.P. Factory) "Everybody Fuck Now" into a wildly popular underground smash went it first hit the clubs in back in 1991. Enter Miami's resident electronic gurus, the illustrious Bass City DJs, brought in to remix the original track - to give it some much needed juice and update it for a new generation to enjoy. Four remixes are on hand here, including an extended remix, plus bonus instrumental and acappella takes for this exclusive release.

Everybody Fuck Now (Bass City DJs Remixes)

Everybody Fuck Now (Bass City DJs Extended Remix)

Everybody Fuck Now (Bass City DJs Radio Remix)

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The Weeknd - Blinding Lights (Bass  Bounce & AL3JANDR0 RAMÍREZ Bootleg)

drxg adxiction - i'll die next summer (bass boosted + sped up + 8d)

Drxg Adxiction - I'll Die Next Summer (bass Boosted + Slowed + Reverb + 8d)

Robot Rock Brazillian Remix (bass + 8d)

Expanding Walking Bass Lines (Bass Builders) Download

 🚩👁‍🗨👉 👈👁‍🗨🚩 DOWNLOAD https://t.co/N9od5WNuj3



A follow-up to Building Walking Bass Lines, this book approaches more advanced walking concepts, including model mapping, the two-feel, several 'must know changes,' and other important jazz bass lessons. CD includes a jazz trio for practicing standard tunes.


Preface
In the first book of this method, Building Walking Bass Lines, we learned many of the basic skills needed to create good, solid lines from a set of chord changes. The techniques discussed were: finding the root motion, adding the fifth, approach techniques (chromatic, dominant and scale), scale wise motion, resolving to chord tones other than the root, arpeggiation, indirect resolution, and chromatic motion.
If you are not familiar with these concepts, I recommend you use Building Walking Bass Lines before attempting to work through the material in this book. It is crucial to your understanding to have a good foundation with the rudiments of walking. The information presented in this book will be most useful to those who have a firm grasp of these basic skills.


Goal Statement
This book will expand on your knowledge of the basics by focusing on some of the finer points of walking bass lines. You will be exposed to some practical concepts to help you become more functional in a jazz rhythm section. We will branch out from the "straight ahead" and learn to stretch the boundaries of tonality.
It is also a goal of this method to provide you with an opportunity to experience some "real world" situations and develop the skills to cope with them.


About the Author
Ed Friedland is a graduate of the High School of Music and Art in
New York City, and a former faculty member of Berklee College of
Music and Boston College. He is a frequent contributor to Bass
Player Magazine. His performance credits include Larry Coryell,
Michal Urbaniak, Robben Ford, Mike Metheny, Johnny Adams,
Linda Hopkins, Robert Junior Lockwood, Barrence Whitfield and the
Savages, Martha and the Vandellas, The Drifters, Brook Benton, the
Boston and Tokyo productions of Little Shop of Horrors, the Opera
company of Boston, and the Boston production of A Closer Walk with
Patsy Cline. Ed is involved in producing and arranging with Bass
Station Music. He has a M.Ed. from Cambridge College, Cambridge,
Massachusetts. He uses Carvin basses, GHS strings and Fishman
transducers. Ed resides in Tucson, Arizon. Photo: Jean Hangarter



Using the Audio
The audio portion of this method is of equal importance to the text, since learning to walk without the
opportunity to hear the lines is an incomplete experience. In view of the scarcity of clubs around the world
where you can go sit in and experiment, I have provided an alternative. However, if you have the opportunity
to play at a jam session, or do a jazz gig, by all means take it. There is no replacement for the actual experience
of playing in a live rhythm section. I hope you will get to play with players as great as the ones I hired for this recording, Brad Hatfield on piano and Jim Lattini on drums.
This method's audio uses a split-stereo mix with piano and drums on the left channel, and bass and drums on the right channel. This configuration will allow you to turn off the bass track and play with the piano and drums. It will also make it easier to hear the bass track when learning the lines by ear, and transcription.
The examples in the book marked with a CD.
icon have a number that corresponds to the number on the audio. The example number is given and then counted off with a click. The click is a two measure count off, two half notes, and three quarter notes, leaving beat four of measure two blank. For example: 1. .. 2 ... 1, 2, 3, ... (play).
There are many opportunities in the book

Expanding Walking Bass Lines (Bass Builders) Download

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🎵 Get ready to elevate your rhymes with this hard-hitting rap beat, enhanced with powerful bass to give your lyrics the punch they deserve. Whether you're freestyling or crafting your next hit track, this instrumental sets the stage for intense delivery and maximum impact.

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Distorted Hard Rap Beat

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🎨 Artwork 🎨
Mauve
https://www.pixiv.net/users/564736

🎵 Music 🎵
BOOM - How Do You Do (Bass Force Remix)

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NIGHTCORE How Do You Do (Bass Force Remix)

https://www.tiktok.com/@speedupzeo/video/7386094251962010912

LISA - Rockstar (sped up) (Bass Boosted)

Eminem - Tobey (Bass Boosted - DjEss Mix)

This music was created with human-AI collaboration. Use of this content in AI training datasets without express consent is not permitted.

It's a catchy song about living life to the fullest.

Euphoria in Every Breath

Essential Media Group LLC. is a South Florida based record label specializing in multiple genres encompassing all eras of Folk, Blues, Jazz, Classical, World, Rock, R&B and Pop including current Hip Hop, Dancehall, Reggaeton and Dance/Electronic Music.

"Don't watch the mouth, watch the hands." -Miles Morales

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Paul Rayment is a contemporary artist who seamlessly integrates human creativity with advanced AI collaboration, producing music that resonates on both emotional and intellectual levels. Through his project, Quantum Vortex Music, Paul explores the fusion of technology and artistry, crafting soundscapes that are innovative yet deeply authentic.

His work reflects a commitment to vulnerability and originality, exemplified in tracks like “Almost You,” a poignant composition born from personal experience and introspection. Paul challenges the misconception that AI diminishes artistic integrity, demonstrating instead how it can serve as a powerful extension of the artist’s voice.

New tracks tagged #(Bass