Timing One

Societies One

Perspectives  Three

Contrasts One

Contrasts Three

Timing Two

Perspectives Two

The Beauty of Decay

Timing Three

From the soundtrack to the film Till Death Do Us Part. Directed by Jessie

Till Death Do Us Part

From the short film Till Death Do Us Part. Directed by Jessie

The Chase (Till Death Do Us Part)

"No dejes para mañana lo que puedes hacer hoy" ponte verga

En Transiciones

A track I created with My mother and its about her time as a Child when she used to live in a small village in Southern Lebanon. 

The Lyrics translated goes:

"Once upon a time
I went down to the well
theres a small cave
That brought back the past

I went down to the Cave
A place in the valley
Its water is magic
I brought me back the past"

So basicall to add to the context, her now brothers and father who passed away, would be brought back to life if shes just touched the water in the cave. 



Free Download

Wadi feat. Nabila Fneich

🎹 Take My Hand (House DJ Edit) – Matt Berry
That viral piano riff just got the dancefloor treatment. 🪩

Matt Berry’s “Take My Hand” gets reimagined at 120 BPM with an extended build, Afro House shakers, classic house drums, crisp hi-hats, and FX sweeps to set up the drop.

Perfect for open-air sets, rooftop grooves, and deep house transitions. Let it breathe. Let it move.

Take My Hand (House DJ Edit) – Matt Berry

There is another instrumental beat of my work....

produced by bo nobody

instrumental beat - fire

bada bing

Where From
====================================================================
Key: Ebmin
Tempo: 120 BPM
---------------------------------------------------------------------------------------------------
This chill trap beat floats through space like a memory lost in translation.
Vocal samples echo like distant signals, wrapped in smooth pads and soft 808s.
It’s slow-motion gravity, confusion, and beauty all at once.
====================================================================
“Fell from somewhere—still not sure where I was supposed to land.”

Where From

STFU by AP Dhillon & Shinda with an Afro touch by your's truly! 
This is your afro house fix for the day.

AP Dhillon- STFU | Afro House edit | ADI

dm @androgrd on instagram  if interested to buy

759 (prod. 18Dre)

Syd/Eora
Featured on BBC Asian Network
Founder- Dub Sultana
Bookings: Officialadi.dj@gmail.com
Supported by: Coke Studio, Talwiinder, Seedhe Maut, Hamdi & many more

George Nash is a Welsh film composer, currently based in Nottingham, England. He specialises in percussive fingerstyle guitar playing, a technique that forms the foundation of his musical identity and his unique approach to film composition. George meticulously crafts each piece on the guitar before expanding it into his full orchestral arrangements. This method allows him to blend the intimacy of solo guitar with the grandeur of orchestral music, resulting in a sound that is uniquely his own.
​
Educated up to a masters level in both film and music, George is very well versed in the world of music and film. George's compositions are characterized by their emotive power and intricate orchestration, seamlessly blending traditional and contemporary elements. His unique ability to transform guitar-based pieces into lush, cinematic scores sets him apart from other film composers, making his work instantly recognizable and deeply impactful.
​
As George Nash continues to compose for film, his distinctive style and his Welsh heritage, deeply influencing his artistic sensibilities whilst bringing a rich and evocative quality to his compositions, promises to leave an indelible mark on the industry. His work captivates audiences and filmmakers alike.

Entropic Front is an early 21st century digital music project, of bracing symphonic structured staccato instrumental electronica songs, having no vocals or lyrics. Tonal aspects contrast from the stale to the enjoyable, in living, and elicit a range of alternating dour and uplifting demeanors of sound or blend the two counterpoised opposite casts concurrently. Interval, entropic-duration gaps very short to medium, and reapproaches to suddenly halted tonal portions after very recent halts, are mainstay for Entropic Front. The music is strongest suited when listeners desire refreshing dynamic in music, such as when living in impromptu and spur of the moment irregular non-scheduled non-patterns, and the music is least fitting when listeners desire steadier and more gradual building progressions, such as when living in very regimented routines, daily.

I Love to do music in anyway.

!!! Check it out and follow me, if you like my music !!!

Who I´am and what i doe´s?

I´m (born 15.01.1988) are a crative german guy, who love it, to do music. My music is a mix between some kind of electronic music. I have no fix genre about how doing music, but most i produce "techno" beats but also other Genre i try my best.

New tracks tagged #120bpm