Released through Sm:)e Communications in 1996 and featuring DJ Scott Henry of Washington, DC's infamous Buzzlife crew, the promoters of the equally-infamous Buzz night at Nation (called Capital Ballroom at the time this was released). It ranges from breaks, to house, to uk hardcore to trance. All tracks are from sm:)e records except for the last track by Fade (who later did release some work on the label). This mix further cemented Scott Henry's influence in the US rave scene.

Track Listing: (Time, Artist, Track)
0:00 - 06:35, Blue Amazon, 4 Seasons (Original Mix)
06:35 - 09:59, Brother Grim, Radiate
09:59 - 12:36, G-Netic, Feel The Rhythm (Eat Me Mix)
12:36 - 17:27, Love Inc., R.E.S.P.E.C.T
17:27 - 19:53, Peter Vriends, Joy (Tunes Of Burning Desire Mix)
19:53 - 22:02, The Mighty Dub Kats, Magic Carpet Ride
22:02 - 26:37, DJ Trance, Melanie's Song
26:37 - 31:26, Bizz O.D., I'm Coming Out Of Your Speaker
31:26 - 34:35, 4 Hero, Mr. Kirk's Nightmare (10" Energize '96 Mix)
34:35 - 36:02, Kicks Like A Mule, The Bouncer
36:02 - 39:31, 2 Bad Mice, Bombscare ('94 US Mix)
39:31 - 42:29, Baby D, Let Me Be Your Fantasy
42:29 - 47:50, Nikolai, Are You Ready To Flow?
47:50 - 56:00, Fade, All I Got

Scott Henry - Sm:)e Mix Session 1

Scott Henry - Sm:)e Mix Session 1 - Full Track Listing

For those that know...and for those that don't...better get to know...🎉🚀
Absolutely love this genre of music, amazing piano, cool vocals and incredible use of the amen break...takes me right back to Bagleys night club, Kings Cross...remember and enjoy...😎🤩

4 O'clock in the Morning - Old Skool set (Ratpack, Prodigy, Baby D)

TRACKLIST:

Joy Orbison – Bernard?
Solange – Stay Flo
Everything But The Girl – Corcovado
Chicane – So Far Out to Sea
B-awhe – Circles (Tommy villiers Remix)
2 Bad Mice – Gone Too Soon (Sully Remix)
Peshay – Feel it
Take Van – Time Goes By
Gum.mp3 – Midnight
Eldia – Archive000
Chediak – 111
Various Artists – All good? (Mj Cole mix)
Frankie Knuckles & Adele – Passion & Pain
Lumidee – Never Leave You
Lumidee – Never Leave You (Big$hot Remix)
Bodysync – fantasy
Britney Spears – I’m a slave 4 u (Miguel Migs Petal Pusher Dub)
Various Artists – Love oyster
Various Artists -Body n soul (Kevins edit)
Kerri Chandler & Jerome Sydenham- Koko (vocal)
Rosie Gaines – Closer than close (Tuff Jam’s Even Closer Mix)
Kenny ‘Dope’ Gonzalez – The Bomb
Solange – I’m a witness
CFCF – Self service 1999
Ishi Vu – This is your life
Pretty Girl – Sun phase
u-Ziq – Hasty boom alert
Minor Science – Natural way
DMS & The Boneman X – Catch 22
Pendulum – Plasticworld
Netsky – Everybody loves the sunshine
Tabu – Ocitocina
Sade – like a tattoo (Skeps Jungle edit)
Young Money – Bedrock (dj paypal edit)
Swami sound – I said (OJC edit)
Here I am (kaskade radio edit)
Deep 88 – intoxication of the power
Swami sound – midnight dominator (dream beach edit)
Dazegxd – fragile
Daft punk – face to face (demon edit)
Mj Cole – sanctuary
H.E.A. (Gemi Remix)
Age & Dazegxd – Figure
DJ Q – I Couldn’t See
Gemi – Flutter
Dazegxd & Camoufly – ID

dublab.com

TWO STEP VERIFICATION VOL. 19: DUBLAB

The UTDF podcast presents the legendary 2 Bad Mice set recorded live at Up To Date Festival Secret Location 2023. Fat breaks, unexpected genre changes, suspense and musical cliffhangers - this is just a foretaste of what you can expect. Remember: hardcore will never die.

Join us at Electrum Up To Date Festival 2024 in Białystok! See you 30.05-02.06.24 🌞

Podcast UTDF prezentuje set legendarnego 2 Bad Mice nagrany na żywo podczas Up To Date Festival Secret Location 2023. Grubiutkie breaki, niespodziewane zmiany gatunku, napięcie i muzyczne cliffhangery – to tylko przedsmak tego, czego możesz się spodziewać. Pamiętajcie: hardcore will never die.

Zapraszamy na Electrum Up To Date Festival 2024 w Białymstoku! Do zobaczenia 30.05-02.06.24 🌞

Recorded @ UTDF 2023
Mix / mastering @ Coastline Studio / Coastline Northern Cuts

UTDF Podcast #4: 2 Bad Mice

Been wanting to do this mix for years. Drum and bass became a standalone genre around 1994, but there was a period before that, that lasted probably 8-10 months where the sound was no longer Belgian influenced hardcore with stabs from tracks like Spectrum (Joey Beltram) but where the music was being inspired by the Jamaican influences found in London. Artists like WAX doctor were discovering beats but DNB was not yet a genre. Tracks like Rocket by EZE-OZO, or “This is not about hate” by Clive “flash” Gordon are from 1991! It was going to be a full 3 years later that the first release of Metalheadz was going to come out. 3 YEARS! You want prototype jungle; you need to go back. You’ll find a guy called Gerald, that two years before is writing acid house with 808 states to writing breaks and sampling dancehall and mixing it all together. Sometimes this music sounds lost and without format (and try mixing it on vinyl!!), but remember that you are listening to music that was being created from a complete cauldron of sounds, in bedrooms and dropped onto vinyl. Chucked in the back of car and sold in shops in London (“yeah the records are warped because they were on the back seat of the car and took sun while I was driving around, sorry!”). 1991 was undoubtedly the greatest year ever in what is called dance music or EDM today. We did not have genres we simply had music that we young people listened to. 6 months after many of these tracks were released, another up-tempo shift happened where BPMs increased. That meant that many of the tracks in this mix were never heard again. Despite being slow on BPMS these are some of the hardest breaks that were ever written (Check Konspiracy at 35m, utter filth!). For the purists, yes, I did slip in a track by Roger Johnson near the end as it just rolls so perfectly into Jack n Phil. Mixed down on the Allen & Heath Xone32 with 1200 MK2s fitted with ortofons.

You’re going to here: Micky Finn, Eze ozo, a Guy Called Gerald, Top Buzz, 2 Bad Mice, Kev Bird & Wax Doctor, DJ Mayhem, Hedgehog Affair, Konspiracy, Roger Johnson, Jack n Phil, and some other white labels.

The photo on this mix is the Four Aces Club in Hackney. Now it's a set of apartments, but it was one of the clubs that drove the genre forward.

Proto Jungle Sound - The Birth of Jungle (1991)

Klubbheads - Klubbhopping
Underworld - King of Snake (Dave Angel Remix)
Felix - Don't You Want Me (Hooji Mix)
Master Techno - My Noise
Aphrodite, Micky Finn, Urban Shakedown - Some Justice
Benedict Brothers - 4 Those That Can Dance
Fatboy Slim - Star 69
2 Bad Mice - Bombscare
Fatboy Slim - Everybody Needs a 303
Hyperlogic - Only Me (Red Jerry 95 Remix)
Leftfield - Space Shanty
Sons of a Loop da Loop Era - Far out
Perpetual Motion - Keep on Dancing (Lets Go)
BK, BDM - Hold it (In2Orbit Mix)
D'Angello & Francis - Blade

Gisburn Forest ‘25

Catch me every Sunday at 4pm till 7pm playing live on www.Numerounoradio.com

1. The Party (Jo Manj mix) - Kraze 
2. Let Me Love You for Tonight (Stuart Ojelay Bootleg) - Kariya 
3. Closer (Stuart Ojelay Bootleg)  - Liquid 
4. The Sound of Eden (Stuart Ojelay Bootleg) - Shades Of Rhythm 
5. Let The Passion Pump - Doug lazy vs 4for money 
6. I Need Your Loving - (Stuart Ojelay Bootleg) - Baby D 
7. Break Of Dawn (Framewerk Rewerk) - Framewerk 
8. Passion (Naked) (Framewerk Rewerk)  - Framewerk 
9. SWEET HARMONY (LIAM DUNNING REMIX) - Liquid 
10. Move Your Body - Marshall Jefferson x Solardo 
11. The Vamps Back - Sean Demaine 
12. Renagade Master (Nick H's Oldskool Ravey Acid Breaks - Wildchild 
13. Welcome (The New Ecstasy Dose) - Gino Latino 
14. Last Rhythm (Originl 12" Mix) - Last Rhythm 
15. Bombscare (Stuart Ojelay Bootleg)  - 2 Bad Mice
16. Show Me Love (Miami House Party remix) - laid back Luke, Robin S 
17. High -  Sean DeMaine  ( Hyper GO Go remix)
18. Ultra Flava (Pierre J Remix) - The heller N Farley Project 
19. Just cant get enough - Herd & Fits
20. Brothers and Sisters 7" Mix - 2 funky 2
21. Im Gonna Get You (Le Mash Remix) - Bizzare inc
22. Dreamer (Original Club Mix) - livin Joy
23. 1 Felt Wonderful - (House About Mix) - Sean Demaine 
24. Dont give me your live - Alex Party 
25. Dont go ( Stuart Ojelay Bootleg) Awesome 3
26. 
27. U Girls (Stuart Ojelay Bootleg) -Nush
28. YOU Used TO Hold Me (Miane Edit) - Ralpni Rosario
29. DJ Deejey - The Deejay Project
30. BLURRED - PIANOMAN
31. Peace & Harmany VS NC Undertaker - Project D
32. Project Powder (RATT) - The Deejay Project
33. Are You Wling To Testify - Lionrock
34. Closer To All Your Dreams - Rhyinm quest
35. Cafe Del Mar (Three N One Remix) - ENERGY 52
36. Lil Louis - French Kiss Vs Fingers Inc-Jack
37. Bounce to the Beat (Chris Stussy Remix - Edit) - Todd Terry ft Shannon
38. Son Of A Gun (Candy Girls Where's The Crack Remix) - Jx
39. Playing with stones - Big Bass
40. Ride on time ( love to Infinity DMC mix) - Black box 
41. Deeper vs bits & pieces- Aretha Franklin va Artemesia 


Numero Uno Show 24.08

I believe that there's no such thing as one favourite genre, just one for whatever mood I’m in....It's all about the music, all about the bounce, all about the vibe....🙌🔥

I begun DJing in 1990 back in the day when people were producing tracks in their bedroom and it seemed as though there were more bootlegs on the market than general releases. The labels didn’t have a clue what was going on and D-construction was a small dance label that was signing acts like N-Joi rather than Kylie. I did two years in the smoke playing sets to crowds of 2,000 party people that really knew their music.

If you were a DJ playing old records, you’d get booed off the stage, or the crowd would leave the room and go upstairs. I kept it close with my crowd, people would come up to me and ask if I had this tune, if it wasn’t in the box I’d play it next week. But it wasn’t a case of these people making jukebox requests but rather that they wanted to feel a part of the scene and know that they had some hand in making the night.

Out of the club into another, the nights were long and people just kept on going. 200 cars in convoy going down the A1 that was a real feeling of unity. You’d end up in a field with or without a generator, but someone would light a fire and, in the end, you might be dancing around a car stereo but it still sounded good, people believed that they were part of a new expression, a new movement.

Roll that musical clock forward and by 2011 what remained was a shrink wrapped corporately packaged scene that got its kicks from re-releasing and remixing tracks created from back catalogues of labels from the 70s and 80s snapped up for next to nothing. The majors took over distribution and the public channels of expression for independent producers has got even harder. Take a trip down the lane of the tracks that defined our genre and you won’t find too many happy faces. From Rappers Delight, through to Grandmaster Flash - Larry Heard, the man that gave you Fingers Inc - went off to become a programmer. LARRY HEARD!!! 

Back in the day a DJ would take two tracks and blend them to make a third with a mix that could last up to 4 minutes. That for me has always been a part of what a DJ should do. It's much easier now as all you have to do is push a button to beat sync it, whereas if you were mixing over the quartz lock crest of the 1210s you'd be moving it over and below the green light as you were mixing it up!

Music has today become much more disposable in the digital age, reducing people’s creative art to a click. Skip through it, break it down to a stem, no sleeve notes, no artwork visual dimension to the artists creation. All you get is track01 - 4.5MB! Do you want to download? That's today, but for me sleeve artwork for dance music has always been something special too.

DJ equipment is now cheap much more accessible – my Numark 1762 cost me nearly £400 back in 1990. My current Xone32 is still stupid money but you can’t beat the analogue circuitry inside.

The period 1988-1994 was to dance music what the 1960s was to free love. Either you were lucky to have been at just the right age to have been a part of it, or you missed out. We were the last generation to get a youth culture before the smartphone made the youth look inside instead of the world outside.

Music will take centre stage once again at some point in the future, but for all of use that were part of it we know we were part of something special, and this idea of one love guides us to this day. 

My thanks to the following people:
JJ Slide at St. Matthews Church in Brixton
Goa Nights at Tyssen Street Studios  in London
Global Dance 3,4 and weekly nights of Exposure at the Stour Centre in Kent
Buzzbys on a Friday night
SpiralTribe Sound
Chocki and the boys
Nicki Blackmarket
Ratpack
Fabio and Grooverider
Ellis Dee
Truelove productions
Heavenly Recordings
Blapps Posse
Break the Limits
Reinforced Recordings
K-Klass
Zoom Records (Camden)
Horace, (Camden Market)
Resistance D
P. Slaghaus (rip)
Leigh303 (for showing me the dance light)
K-Alexi Shelby....to understand means a way of life...

Keep listening.....to everything

Hailing from Lancashire, UK, Infrared is a dynamic DJ duo rooted in the underground house and techno scene. With a passion for pushing boundaries, they've been crafting their own productions in the studio testing genres and refining their sound.

Their journey has seen them share the stage with some of the industry's finest, warming up for artists like Saytek, Ronnie Spiteri, Jo Poole, Endor and Boxia. Their sets are a seamless blend of grooves, rolling basslines and high energy moments designed to move any crowd.

Beyond the decks, Infrared is dedicated to championing diversity in electronic music. They've thrown their own local events, curating all female lineups to celebrate and empower woman in the scene.

What sets Infrared apart is their ability to read the room. Whether its setting the tone with a deep and groovy warm up, unleashing peak time energy or closing out the night with euphoric intensity, they know exactly how to take the dancefloor on a journey.

For bookings & enquiries: infrareddjuk@gmail.com

A radio DJ based in Manchester, UK

I have a passion for curating an eclectic mix of music that spans decades. From the iconic Chicago House tracks of the 1980s to the freshest releases of 2025, I bring listeners a daily dose of diverse sounds and rhythms. Join me on my musical journey as we explore the rich tapestry of genres and celebrate the evolution of music.

If you like what you hear and want to give me a chance to play at your place of business do not hesitate to get in touch. 

DM / Email / Instagram  Details Below.

https://www.instagram.com/djdeanoanthony?igsh=OTR5ODZlb3Nna24z

Deano19892015@outlook.com

New tracks tagged #2BadMice