4é du concours URTI 2002, remixé via Spat et Dolby Atmos 2024

FEUnnm-2002-Spatial remix

H.E.A.D.

V.A.N.N.

Info

V.A.N.N. (Viewing A Nasty Neigbourhood) - BINAURAL

I’ve been in love with the Alien series for as long as I can remember growing up, I watched it over and over, captivated by its atmosphere, mystery, and tension. That lifelong fascination inspired me to create this track for the upcoming Alien Earth series. Hidden deep within the track are subtle alien sounds. This is a small tribute to the world that’s fueled my imagination for years.

Alien Earth

Technology demo using Arturia Buchla Easel V, Cycling '74's Max, ICT Ambisonics (3D Sound)

Buchla 3D Demo 1

The Gardens Between The Pillars

The Gardens Between the Pillars is one of five movements of The Elemental Cycles, where each cycle uses a primary element as the principal character.  In fact, all five cycles are considered works for “cinema for the ear.”  For this cycle, the sole element used is wood, including sound images pertaining to wood.  There are books and creaky doors, wood surfaces where steady and irregular footsteps walk, the flow of trees pertaining to The Pillars, as well as divine and earthly creatures, and pure and warpy, rough music to accompany this cinema for the ear.

The Gardens, first and foremost, are made up of interior and exterior scenes, motions and projections, and the emergence of figurative and explicit sounds from the decentralization of The Pillars.

In search of a narrative, doors open and close, pages turn,
The duality of images that represents:

Theory and Knowledge
Beauty and Violence
Life and Death
Temptation and Enlightenment

The duality of these sound-images contains the same motion ‘not two’: Advaya
The Pillars points at transcending this duality through 
The reallocated sound images, sound function, and motions
As ways to navigate The Gardens Between

The Pillars¬ are the paths, which reveal the interconnection of the natural, the inter-complexity of the nurtured, and the intervening of scenes through insertion
Which often feel that what is represented is horrific and cruel

We recognize from the far plane The Gardens as a gestalt labyrinth
Up close we perceive the many, many paths and narratives
Between The Pillars, we are presented implications of sounds that have neither beginning nor end

A wanderer severed from illusion in the infinite forest
An area of the Everblossom trees, a life of fleeting beauty 
It is the worldly sculpture of the Bas and High-Relief 

Realms of the Divine and Mortal

An immersion of boundless rhizome—a chiasmus of sonic ascription
An immersion of all materials of wood perceived 
A duality must be understood to walk the way broadly 
And you will hear it in everything 


The Gardens Between The Pillars

Good Old Times is OUT NOW!

A journey through garage, hip hop, jazz, soul and deep house, crafted in 432Hz and immersive 3D sound.
Reflects human unity, love and laughter before the world teaches separation.
A nostalgic nod to youth and life before technology, it reminds us of the pure joy of connection and the timeless beauty of memory.

Welcome to my world — enjoy the Zaneev experience!


linktr.ee/zaneev


This is the sound that lives in my heart and soul.
I create outside the industry’s mirror—it’s a hall of echoes, not truth.
I silence the skeptics, the narrow minds, the shadows that shrink vision.
The Creator placed this calling in me for a purpose only I can fully grasp.
Record labels, publishers, gatekeepers, they hold no sway over authentic expression.

Be unapologetically YOU, in any art form.
The world is starving for real; there’s enough fake and copy.

Good Old Times

▪️Independent Artist | Perfectly Imperfect

Journey through sound where dancefloor energy meets introspection. 
Tuned to #432hz and crafted in 3D space.
Welcome to my world.

[linktr.ee/zaneev]

🔺Zaneev🔻 is a sonic alchemist. 
He doesn’t just make music; he translates human experience, energy and the natural world into sound. 
His creations exist at the intersection of organic and electronic, primal and futuristic, physical and spiritual. 
Each track is a journey, a ritual, a moment captured from life’s raw pulse. ☯️

Perfectly Imperfect means , I don’t chase radio mixes or trends. I chase the feeling. 
Sometimes the kick is too loud, sometimes the vocal cracks , sometimes I hit the wrong note and wrong key …
the whole industry says it’s wrong… but when you play it in your car at 2 AM, it hits your soul different. That little imperfection? That’s where God lives. That’s where Zaneev lives.

Thank You for being part of this journey. 🫶🏼


G>∧∨

David Quang-Minh Nguyen is an audio engineer, sound designer/re-recording mixer, and composer of concert music. His current interests lie in composing acousmatic works that explore multi-channel loudspeaker expansion, various types of sound spatialization, and immersive audio.

Recognized nationally and internationally, David has had his works presented at the June in Buffalo New Music Festival, where he received individual master classes with Harvey Sollberger, Martin Bresnick, Roger Reynolds, and Brian Ferneyhough. He was an active participant in the Festival DME under the direction of Åke Parmerud, Musique & Recherches Académie d'été de composition électroacoustique under the direction of Annette Vande Gorne and João Pedro Oliveira, and the Sounds Around Me Festival under Thomas Gorbach. He was also selected by Master Artist Robert Normandeau for a residency at the Atlantic Center for the Arts.

His works have been presented at more than fifty national and international events, and he is a laureate or finalist in numerous competitions.  He has been published on ABLAZE Records' Electronic Masters Vol. 7 and received an honorable mention at the XII° Destellos Electroacoustic Competition 2019 for his work Misprints.  He also placed 2nd in the XIII° Destellos competition for Adumbrations, was a finalist for the PRIX CIME 2019, and won 2nd place for the ASCAP/SEAMUS Award for his work Weight Stranding. In 2021, his SEAMUS-commissioned piece Whale Song Stranding was selected for presentation on the SEAMUS 31 CD and received the Ars Electronica Forum Wallis selection.  David was awarded the Prix CIME 2023 Residency Award for Whale Song Stranding.  His work Texture Arc the Points won 1st place in the ULJUS Međunarodno Pijanističko Takmičenje Smederevo Competition and 2nd place in the prestigious Concours Biennal de Composition Acousmatique Métamorphoses.

David Q. Nguyen holds a BM from Old Dominion University, where he studied with Andrey R. Kasparov and Mark Chambers.  He also graduated at the top of his class from The Omega Studios School of Applied Recording Arts & Sciences with a focus on Audio Engineering in the Music Industry and Film/Television.  He has received his Master and a Doctor of Musical Arts degree at the University of Illinois Urbana-Champaign, where his primary teachers are Reynold Tharp, Erik Lund, Eli Fieldsteel, Sever Tipei, and Scott A. Wyatt.

Born 1960 in Vienna. Austrian composer, improviser and performer. He studied composition with Friedrich Cerha and musicology in Vienna. Besides writing experimental instrumental music, he performs on his own electronic instrument m@ze°2, develops software environments for computer-aided composition and creates generative sound and video environments. Since 2007 professor of composition for electro-acoustic and experimental music at the University of Music in Vienna.

Karlheinz Essl performs on a laptop computer that he has transformed into a live electronic musical instrument. The result is exciting and musical. You just won't hear these sounds anywhere else. He performs solo and in duets and trios, responding with sensitivity to fellow musicians, producing fascinating sound transformations, creating spontaneous surprises, and moving quickly from loops to cacophony to tiny clips of vocal sounds to all kinds of textures and ideas. He does all this with his m@ze°2(Modular Algorithmic Zound Environment) performance software. (Joel Chadabe, CDeMusic, Januar 2002)


My journey into music began back in 2009, during my freshman year of high school, where I first started producing trance. Over the years, my sound gradually transformed, finding its true voice in the atmospheric and emotional world of Future Garage, a genre defined by its haunting textures and calming depth.

When I'm not making music, you'll find me working on cars, riding motorcycles, grinding at my full-time job, or just enjoying life with family and friends.

Music is more than a passion, it's the future I'm working toward. My dream is to one day make this my full-time career.

New tracks tagged #3D Sound