Late At Night

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Hydra by Rightsify "Chinese Pipa Relaxing 50bpm"

Dream Escape

Immerse yourself in a unique sonic journey with "Dream Escape," a composition that utilizes the evocative whole tone scale. This piece is structured in two distinctive sections, each offering a fascinating and enveloping musical experience.

Section A features a 16-bar crab canon. This canon, with its complexity and elegance, weaves a sonic tapestry that defies expectations, creating an atmosphere of dreamlike mystery. The sense of symmetry and reflection in the crab canon invites the listener to get lost in its intricate structure.

In contrast, Section B is a strict first-species counterpoint of 12 bars. Here, the interaction between voices is precise and rigorous, creating a harmonic tension that highlights the beauty of the whole tone scale. The severity of the counterpoint provides a sharp contrast to the fluidity of Section A, taking the listener through a diverse and dynamic soundscape.

With a slow, meditative tempo of 50 BPM, "Dream Escape" invites reflection and inner discovery. Each note and pause is carefully placed to guide you on a musical exploration that transcends the everyday and transports you to a world of dreams and infinite possibilities.

Chromatic Dreamscapes

Dream Escape

1hour Challenge (Astrantia) - 50BPM

Remastered

Nortz - Kurushisugi [FREE DL]

Long slow layers building up and looping.

Decade Stare

shells

Chord Arpeggio

~*+b3LL4k4*>*

++h3ch1z0**:

=::dEL!R!0+=::;;;:

9. les bains de soleil 2bis 50bpm_boosted

Les bains de soleil

Endurance

SCREAMBOMB

Alternative beats with deep groove in Vast space.

A Secret Path To Everywhere

Audio Engineer/Mixing Engineer/Acoustician🎶
PDX 🌲

underground artist trying to make it big one day

Rightsify is proud to introduce an innovative music generation model designed for both commercial and artistic applications. Our model, developed with Rightsify's expansive music library, is here to revolutionize the way you create and utilize music.

Hi! I'm David De Quinto, a passionate and multifaceted composer. My main motivation for creating music is to express my moods. Throughout my career, I have learned and composed classical and tonal music, and gradually, I have been experimenting with other compositional forms such as modes, exotic scales, pitch class set, Bartók's axes, cardinal points, and atonalism.

I had the privilege of learning harmony and tonal composition, as well as jazz, from the great composer, bassist, choir and orchestra director, and excellent teacher Julio Blasco, to whom I am deeply grateful for his teachings. Additionally, I explored new sonorities and discovered the works of Bartók, Philip Glass, among many others, atonal music, and musique concrète through my instrumental training and music didactics professor, Nieves Hernández, whose guidance has been invaluable.

I love composing ethereal and ambient music, though I often return to my classical roots with its characteristic instrumentation. Synthesizers are essential in my compositions as they allow me to explore unique textures and atmospheres.

At 51 years old, life has greatly influenced my musical career, providing me with a variety of both good and bad experiences. My musical influences include artists like Brian Eno, John Carpenter, Paul McCartney, Jean-Michel Jarre, Tangerine Dream, Aphex Twin, Nacho Goberna, Mike Oldfield, Erik Satie, Kebu, and Arvo Pärt.

The genres I enjoy composing the most vary depending on my mood, but I often lean towards creating sad and melancholic pieces. I enjoy composing and listening to lofi, ambient, dark ambient, ambient black metal, minimalist music, psybient, illbient, and dark wave. I am particularly proud of "Veil of Mist" and "Arabian Nights" because they explore atmospheres that are different from what I usually compose, and I believe they turned out quite well.

Currently, I have several projects in mind, including creating a series of symphonic poems for 4 or 5 synthesizers and for flute, violin, viola, cello, and piano. I am also exploring synthwave composition and have several pending collaborations that I am excited about.

At this stage of my life, my biggest dream is to compose music that expresses my feelings, and it brings me joy when listeners can decipher the emotions I try to convey with my compositions. Besides music, I enjoy writing short stories, especially horror, and listening to a lot of music, as music is life for me.

I began in music as a form of personal expression, finding it easier to compose a piece to explain how I feel than to say it in words, as I am a person of few words. I invite you to immerse yourself in my musical world and join me on this sonic journey. I hope you enjoy my compositions as much as I enjoy creating them. Thank you for listening!

minimal. industrial groove. Also Duo as JOY X Libeau. We release singles time to time :) Hope you like both.

Musician, instrumentalist, composer, sound engineer.
Hope for Humanity, for our mother Earth, goal to green, equality for people, ending of misery imbalance. Destruction of greed and people who do go with.

Just demos and maybe a cover here and there

Hours later there came a change... We seemed to be floating in a pure vacancy. There were no lands, no sun, no stars in sight: only the radiant abyss.

Radian Abyss is the vanity label for Canadian artist Daniel G Sinclair for publishing any related project. Here you will find music from Daniel's entire musical career—learning to multi-track with an old PC and a Tape deck, to multitrack recordings done with a Fostex 4 track, and on to complex electronic creations.

New tracks tagged #50bpm