If you can figure the time signature this is, you win one pillion dollars

Time is Nothing

Upon My Own Stones

A call and response featuring a bright synth and a stormy piano. Watch the drums.

Captain

Experimental synthy track I put together while trying out some synth patches in my DAW, and experimenting around 6/4 time signature.  Hope you enjoy listening.

Moongaze

I've done a little work to the track, hope you enjoy. :)

~NAVIks~

Experimenting (Updated)

This shit is Stupid

ig: kuwrld
spotify: kuwrld

sennsashun:感覚 (77)

"Kapar Kapar" aka "W międzyczasie"..

It's an experimental track recorded in 2022. It contains a 303 bassline, 808 drums and kind of an AFX vibe, if you know what I mean ^^

Photo: Szklarografie
Artwork: Michał Antosik
Mastering: Mislaw

Kapar Kapar

Download

thought I'd just drop it here ;)
21 March 2024
this song is the first time I wrote, composed, arranged and played live a song on my own 

I want to thank PETITBAZARTS, Mauro, Aïko, Emma, Vincence, Noa, Finke, Luna, Kaat and myself for it 
This was the third night we played our set list made from original songs of our own in front of a public

I would also like to share parts of the story of this song with you :)

I started writing fragments of lyrics around last november inspired by a movie from Bertolucci "Sheltering Sky". 
I was amazed by its colors, images, scenery, music but also the story and the main actress. 
Little by little, I started adding more personal sentences, words; in a perspective of really writing a song with it. 
In the end, around begin February, where I focused on it for the first time; the lyrics were much more related to me in a sense of a general feeling and not specifically literally. 
I continued with the idea of something very visual, like pictures of scenes, decomposing the whole focusing on pixels 

This sentence came very naturally and is the essence of the whole song 
"The grains of the images multiply 
The colors blend and I love to see 
The way I end up seeing reds in shades of blue"

Then I had to find chords and a melody line for the voice. 
I had two days left to do it. 
I just sat at a piano at the conservatoire, and started trying out stuff, recording with my dictaphone, listening again and picking out parts I loved to fix them. 
It was very hard in the beginning before I actually started doing it, because I tend to accumulate lyrics and conceptual ideas for songs, but putting them concretely into music all by myself is a step I found hard to make sometimes. 

Anyways, after those two days where I spent 3-4 hours working on the song, it was almost ready. 
A week afterwards I started puzzling with parts in my song to make some transitions more fluid, because there was something missing, because of the many elements and parts in it. 
I started to feel frustrated with my own song and had no fun playing it anymore. 
But then I just let it go, and it all settled down. 
My class and friends were also very encouraging which gave me the energy to keep on believing. 

We then had three weeks to share our songs with the rest of our class, arrange them into multi-instrumental versions, with different dynamics, parts etc and to learn to play them on instruments we had just learned to play

Those were though weeks, we spend many nights and hours in our room 434, but it will always be one of the more special parts in my life 
There I tried to communicate the arrangement I saw for my song, finding it's sound, groove etc 
Again, it was something heavy emotionally because it's not always easy to be responsible for a whole group of people when everyone needs to know what they need to do, when I didn't know it either for them
But again, they were so supportive, wanting to bring life into my song, even though it was one of the hardest songs to arrange and play because of it's time/scale variations
4 days before our first live performance, we finally had the final version of Reds in Shades of Blue in a Sheltering Sky
and from there, all was smooth :))

thank you 
with PETITBAZARTS
All rights reserved to edith

Reds in Shades of Blue in A Sheltering Sky

Reds in Shades of Blue (in A Sheltering Sky) demo 2

thought I'd just drop it here ;)
20 March 2024
this song is the first time I wrote, composed, arranged and played live a song on my own 

I want to thank PETITBAZARTS, Mauro, Aïko, Emma, Vincence, Noa, Finke, Luna, Kaat and myself for it 
This was the third night we played our set list made from original songs of our own in front of a public

I would also like to share parts of the story of this song with you :)

I started writing fragments of lyrics around last november inspired by a movie from Bertolucci "Sheltering Sky". 
I was amazed by its colors, images, scenery, music but also the story and the main actress. 
Little by little, I started adding more personal sentences, words; in a perspective of really writing a song with it. 
In the end, around begin February, where I focused on it for the first time; the lyrics were much more related to me in a sense of a general feeling and not specifically literally. 
I continued with the idea of something very visual, like pictures of scenes, decomposing the whole focusing on pixels 

This sentence came very naturally and is the essence of the whole song 
"The grains of the images multiply 
The colors blend and I love to see 
The way I end up seeing reds in shades of blue"

Then I had to find chords and a melody line for the voice. 
I had two days left to do it. 
I just sat at a piano at the conservatoire, and started trying out stuff, recording with my dictaphone, listening again and picking out parts I loved to fix them. 
It was very hard in the beginning before I actually started doing it, because I tend to accumulate lyrics and conceptual ideas for songs, but putting them concretely into music all by myself is a step I found hard to make sometimes. 

Anyways, after those two days where I spent 3-4 hours working on the song, it was almost ready. 
A week afterwards I started puzzling with parts in my song to make some transitions more fluid, because there was something missing, because of the many elements and parts in it. 
I started to feel frustrated with my own song and had no fun playing it anymore. 
But then I just let it go, and it all settled down. 
My class and friends were also very encouraging which gave me the energy to keep on believing. 

We then had three weeks to share our songs with the rest of our class, arrange them into multi-instrumental versions, with different dynamics, parts etc and to learn to play them on instruments we had just learned to play

Those were though weeks, we spend many nights and hours in our room 434, but it will always be one of the more special parts in my life 
There I tried to communicate the arrangement I saw for my song, finding it's sound, groove etc 
Again, it was something heavy emotionally because it's not always easy to be responsible for a whole group of people when everyone needs to know what they need to do, when I didn't know it either for them
But again, they were so supportive, wanting to bring life into my song, even though it was one of the hardest songs to arrange and play because of it's time/scale variations
4 days before our first live performance, we finally had the final version of Reds in Shades of Blue in a Sheltering Sky
and from there, all was smooth :))

thank you 
with PETITBAZARTS
All rights reserved to edith

Reds in Shades of Blue (in A Sheltering Sky) demo 1

UNDERSCORE WITH ELECTRIC GTR
INVESTIGATIVE
MID TEMPO
LOW ENERGY
6/4 METER
DEEP DRUM HITS, SYNTH PULSES, BOWED METALS, PALM-MUTED ELECTRIC GUITAR WITH DELAY FX, PALM-MUTED ELECTRIC GUITAR WITH RING MODULATORLicense @
https://thesupervisor.com/

CCX Beyond Damage A (Full)

The chords in this song were actually produced by me accidently overblowing on a double native flute and getting an awesome progression with fifths and key changes.
This track was made for another game that we didnt finish nor will finish (i think)
Time signature: 6/4
Key:D minor / G minor

Whispers in the Stalactites

64Breakcore2406

Exodus

Burn

2:43 AM on a Saturday night in 1999. Get in the puddle, NOW!

Cuddle Puddle

thank you.

estimates from memory:
114 hours spent in an fl project file
130+ samples used
90+ samples used from my sample pack
~40 unique instruments
~15+ hours spent mixing and mastering

UPON THE TREES OF THE FOREST, I CHOOSE LIFE (I) [Single]

UPON THE TREES OF THE FOREST, I CHOOSE LIFE (I)

homage

Widespread ink - 0tumn
2024

Carpe diem, my friends!

Widespread ink

enjoy my music made with love<3
merci 🌞
Also, I'm on spotify youtube deezer and all;)

Musician, Artist
If you want to work with me text me on Discord: pravi_81
Join my Discord Server: https://discord.gg/6hcdZNpdeU
All cover images are made by me

post-genre

i'm not a bot lol.

i'm just a little weird.

all instruments produced, recorded and performed by sonik mystique.

Hey there.  I am a music college student from Aberdeen.  I am mainly using this site to post ideas and some finalized compositions.  My work mainly consists of instrumental compositions, usually orchestral, but I am working to experiment with some dance, electronic and some rock / pop songs with vocals, as well as some other genres.   I hope that some of you like what I am doing and enjoy listening! :) I think this is a great site to have a look at what some other composers are doing!

A lifetime of music, realized by Ikhed, published by Eigenstate.

All of this music is Copyright 2024 Ikhed.

It is NOT public domain or Creative Commons.

Metal. Big influences are NIN, Pantera, Megadeth, Fear Factory, Alice in Chains, etc. Always on the quest for that heaviest sound!

You can now License my music through: 
https://thesupervisor.com/
for all of your T.V. and Film needs.
Over 500 tracks and all made easy to use.

Composer/ Producer/ Sound Design/ Guitar/ Partner at Deep Blue Jam
Sims Composer 1995 to 2005
https://music.apple.com/us/artist/kirk-casey/217508019/see-all?section=top-songs.
https://open.spotify.com/artist/2XvjTcekLJ4djL1Jt5wQxl
Kirk Casey Music Production
1986– 1995 
1995 to 2005 Electronic Arts
2005 to Present Kirk Casey Music Production
www.Taymusic.net
Partner @ Deep Blue Jam.
www.deepbluejam.com

Kirk Casey has been Performing, Composing, and Producing music most of his life. With over 464 works of music registered with ASCAP Cue Sheets: 169. Series: 64 Episodes: 160 Non-Series: 9
Working for ELECTRONIC ARTS and MAXIS from 1996 to 2005. He has credits on over 19 SIMS games. Current sales exceed 200 million. Other Clients include, http://www.imaginaryfriendsmusic.com/, Gary Yost, Young & Restless, CSI Miami, "Season for Love", Hallmark, Duck Dynasty, Killer Couples, Discovery Channel, Toyota, GMC Trucks, NBA, Alamo Car Rental, One Music, Private Waves Music,ScoreKeepers, American Idol Rewind-BG Cues, Nip Tuck, Americas Got Talent, Biography Cues, Doctor 90210 Cues, I wanna Be a Soap Star, Jorden, Lounge Lizard,"Proactive" and "Reclaim" commercials and many more. Production for many Bay Area bands and solo artists, as well as performing and touring for the past 40 years.

Currently, Kirk is Composing and Producing music for Film and T.V. .

Also, Kirk is Producing, Composing and Playing Guitar with Deep Blue Jam  band with Lorin Rowan.
www.taymusic.net
www.deepbluejam.com

Producer / Live performer / DJ
@konekt-festival co-founder

__________
Upcoming gigs
29.11.2024 TBA, Kraków

__________
Past gigs

(2024)
12.07 KONEKT Festival 2024, Chocicza
10.05 Radost, Bratislava (SK)
07.04 Snowee Music Trip, L2A (FR)
23.02 Ciało, Wrocław
19.01 STK 47, Kraków

(2023)
24.11 Ciało, Wrocław / b2b Patron
10.11 Radar, Reykjavík (IS)
13.10 Transformator, Wrocław / b2b Szermi
15.09 Ciało, Wrocław
07.09 Dalston Den, London (UK)
01.09 Rockhouse Bar, Salzburg (AT)
05.08 Transformator, Wrocław
04.08 Wyspa Tamka, Wrocław / b2b F141
08.07 KONEKT Festival
26.05 Drugi Dom, Gdynia
13.05 Jilská 22, Prague (CZ)
30.04 Door2 Be Lake, Wrocław
24.02 SiXa, Katowice
03.02 STK47, Kraków

(2022)
25.11 Club Spock, Breda (NL)
22.09 Wyspa Tamka, Wrocław
13.08 STK 47, Kraków / live
11.06 KONEKT Festival, Gorzanów / live
26.03 Wrocławski Klub Formaty, Wrocław / live

(2021)
11.09 kNight LIFE, Gorzanów / live
15.08 Odra-Pany, Wrocław / live
06.08 Wake Up! 4.0, Wołów / live
30.06 LAS Festival, Paczyn / live
11.06 Breslau Techno Fest, Gorzanów / live
29.05 Castle Rave, Gorzanów / live

(2020)
23.09 Transformator, Wrocław / live
27.08 LAS Tribe Open Air, Paczyn / live
14.08 Wake Up! 3.0, Wołów / live
08.08 Wake-room 29, Wołów / live
09.05 Tamka.TV, Wrocław / live
04.03 Wyspa Tamka, Wrocław / live
29.02 Ciało, Wrocław / live
17.01 Tunel, Wrocław / live

(2019)
14.11 TR29 Livestream, Wrocław / live
07.11 Ciało, Wrocław / live
12.10 Obiekt, Zielona Góra / live
31.08 Wake Up! 2.0, Wołów / live
26.07 Hultaj Festiwal, Gorzanów / live

2018-2024

thank you for everything. please support my friends:
https://soundcloud.com/gemaji ~ https://soundcloud.com/satisfiedtunes ~ https://soundcloud.com/eskvy ~ https://soundcloud.com/scavengersongs ~ https://soundcloud.com/arcerion ~ https://soundcloud.com/sakuro-dubstep ~ https://soundcloud.com/omatssu ~ https://soundcloud.com/kryokin ~ https://soundcloud.com/hyperspvce ~ https://soundcloud.com/freezigd ~ https://soundcloud.com/euphee ~ https://soundcloud.com/sorisofficial ~ https://soundcloud.com/zef-parisoto ~ https://soundcloud.com/ne10music ~ https://soundcloud.com/user-406690342

☆‎ inquiries: hey.euphoria@protonmail.com

yes I wrote some contracts through social media #Soundcloud

I'm a writer of uncannily tuned melodies and incorporator of irrational time signatures. If something hits you as odd that you play or see from my creations, it's because I want you to notice the beauty in deviance and dissonance for yourself. With each piece, I lovingly place nuance and hide meaning; songs should tell a story, even if only through instrumentation. 

With the name Shuriken Miasma, I’m trying to evoke the sound of my music; frequencies, like a cloud of tiny daggers, finding the vital spaces of your ear. Sharp highs and warm lows are the vehicles this assault usually takes. These songs use the full spectrum of stereo, which helps take you to the music. I also want you to feel the emotion or circumstance I’m writing about.
 
Most of my inspiration comes from my life experiences as a human, martial artist, student, and person with Dissociative Identity Disorder. 
(Click the YouTube link below for music videos, some including martial arts)

I’ve written about sunny days, walking along the sidewalk. I’ve worked arduously to convey moments of psychosis I experience due to my neurological disorder, even hallucinations, and feelings of unease. The song “Throw you in the River;” is what I would describe as a musical argument, in the form of call and response. The album "Creatura Thema" is an experimental attempt at sharing the phenomenon of hallucinations with the listener, but also has many thematic layers beyond that; an onion of an album. I guarantee there’s a song on here that will worm its little way into your brain funnels. 

I compose original music and strive to learn more with each song completion. I’ve been writing music for 10 years, and my knowledge has been enriched by several years of experience working as an audio engineer. My music theory is self-taught, and about five years in I began to experiment with modal music. 

Today I primarily work with modal music and like to challenge myself by constraining my compositions to various arbitrary rules from track to track. Sometimes nostalgia blooms and my song reminds you of a video game you once played. Other pieces will take you to the edge of sadness; if that's your thing I suggest you listen to my song "SAd Cacter;" purposely miscased to connote the key the song is in. 

Aside from here, you can find my music on all major platforms. If you want to use my music, or can't afford to purchase it but would like copies, please message me directly.


I nearly forgot to mention that all of this is musical Goetia. Cheers!
Welcome, and thank you for listening!

~[S]huriken [M]iasma~

An amateur music producer just out to make whateves..

死のステップは人生です

- Artwork by DEATHGASM: https://soundcloud.com/deathgasmstep -

Other soundcloud:
https://soundcloud.com/naviks2

Contact info:
Gmail : officialdjnaviks@gmail.com

~NAVIks~

New tracks tagged #6/4