Played at Bongwonsa Temple(해독: 戒定慧), 2025.06.01. For meditation.

BANNYA

Buy this beat: traktrain.com/m1v1x?t=1386475

christmas3

C#Phrygian

404: Track Not Found on Shazam

Always loved this track so I thought I would explore sounds to see what came out. I stumbled on a sample that gave it that Super 80s Cheesy vibe with a hint of edginess;) I wanted to sing it from a women's perspective.

Sunglasses At Night - Harborfront

This is another song that was daunting and almost sacrilegious to cover, because the Jimi Hendrix version is beyond incredible with his guitar riffs. I can't remember if I got the idea to cover it and then went hunting for samples or if I stumbled on this one and it inspired it but either way, it was fun singing it to a complete different vibe. Hope you can appreciate it even though it's quite a departure from the original.

All Along the Watchtower - Empirical

Elephant

Who Took The Light Out Of Your Face

a willingness to go tell upon the mountains

frailty

Operating at the interstice of synthetic resonance and ontological abrasion, Warship Hymn orchestrates a dialectical disassembly of conventional sonic architectures. Utilizing an eclectic convergence of modular algorithmic artifacts and corporeally mediated instrumentation, the project manifests as an audile bricolage—one that is neither reducible to genre taxonomy nor subjugated by temporally linear narrativity.

Informed by an autodidactic traversal through disparate modalities—ranging from recursive rhythmic hyperstructures to the liminal aesthetics of post-industrial dreamstates—Warship Hymn extricates vibratory phenomena from the inertial drag of categorical expectation. The resultant compositions function as both phenomenological confrontations and mnemonic provocations, invoking affective states that oscillate between contemplative suspension and visceral destabilization.

Simultaneously embracing opacity and accessibility, the work is underscored by an intentional obfuscation of authorial presence, opting instead for a cultivated mystique wherein the listener becomes complicit in the hermeneutic construction of meaning. Warship Hymn thus eschews expository elucidation, privileging instead the emergent semiotics of the engaged auditory interlocutor.

Presently exiled from the quotidian labor of the service industry, the architect behind Warship Hymn transmutes decades of vocational subsistence into a praxis of sonorous transmutation, wherein entropy, repetition, and digital alchemy coalesce into an evolving praxis of experiential invocation.

Thank you for visiting! I've always felt a strong need to express myself creatively. During the pandemic, music production became my personal outlet. I love exploring samples, composing, singing, and playing instruments like the flute, piano, and didgeridoo—always seeking out sounds that inspire me.
Since I began learning dance styles such as salsa, bachata, and zouk, my music has been deeply influenced by their rhythms, beats, and tempos. This fusion continues to fuel my artistic journey in exciting ways.
It’s very important to note that my songs are works in progress. I do the best I can with the limited time I have, so currently, each song is posted “AS IS”! Trust me, I hear all the imperfections..😒 My hope is to someday carve out more time and resources to polish and refine these tracks, so they can truly align with my original vision 😊.

New tracks tagged #75BPM