This is the deluxe edition of the album that I created using Bosca Ceoil: The Blue Album! It has a vague fictional storyline about a girl's peregrination, which means (as per Google), "a journey, especially a long or meandering one", which is definitely what the album feels like lol. The REVIVAL edition of the album continues the storyline.

Revival

Ultimatum

Purgatory

Long Road -Revision (WIP)

sample: https://www.youtube.com/watch?v=0DVdDa0qKoc (1:42)

XOXO <3

Lyrics:

[Verse]
Welcome to the carnival inside your screen
A pixel parade where nothing’s as it seems
Spinning lights and code collide
A neon world where you can’t hide

[Prechorus]
Clocks don't tick and wires hum
You’re the player
But who’s the drum

[Chorus]
It’s the amazing digital circus
Where the pixels spin and the data’s reckless
Round and round
You can’t escape
Every byte’s a twist of fate

[Verse 2]
The trapeze swings on electric threads
Clowns of chrome with binary heads
Your laughter’s caught in a feedback loop
Reality’s just a pixel soup

[Bridge]
Who’s the ringmaster behind the screen
A phantom built from electric dreams
Step right up
Take your place
The circus knows your every face

[Chorus]
It’s the amazing digital circus
Where the pixels spin and the data’s reckless
Round and round
You can’t escape
Every byte’s a twist of fate

It's The Amazing Digital Circus

PROGRAMZ FUCKING DIES

End Again

el duende

A Broken Promise

"Hold me!" is a fast-paced 8-bit electro-pop song inspired by the classic sound palette of the Commodore 64. Sparkling chiptune arpeggios, punchy retro drum patterns, and driving synth bass lines create a vibrant, nostalgic energy. Despite its upbeat tempo, the song carries a deep emotional core: a story of reunion, longing, and the fear of losing someone again. The contrast between heartfelt lyrics and vintage game-console textures gives the track a bittersweet, neon-colored atmosphere. It feels like a love letter played through pixelated memories—warm, bright, and emotionally charged, wrapped in a distinctly retro-futuristic sound.

Originally written in 1985 and sung by Sabine P.

Here are the lyrics:

[Verse 1]
You are here again
And it feels like back then
Last goodbye, so close
But no words for what I’m feeling
Here and now and soon
All I want is touch you
By my side a ghost
And I know I am falling again

[Chorus]
Oh, hold me—wherever you are
Wherever we will meet again
Whatever may come
And please don’t ever let me go
No, please don’t ever let me go
Oh, please don’t ever let me go

[Verse 2]
Endless love and pain
All we have is hoping
Days are standing still
Yet the time moves softly around us
Words we never said
And no strength for silence
Still I stand with you
Yet your mirror shows someone else

[Chorus]
Oh, hold me—wherever you are
Wherever we   will meet again
Whatever may come
And please don’t ever let me go
No, please don’t ever let me go
Oh, please don’t ever let me go

[Instrumental]

[Verse 3]
Shadows on the wall
Trace the nights we wasted
Breathing in your name
Though your voice is fading around me
If we meet once more
Will we still remember?
All the things we lost
On the way to finding each other

[Chorus]
Hold me—wherever you are
Wherever we will meet again
Whatever may come
And please don’t ever let me go
No, please don’t ever let me go
Oh, please don’t ever let me go

[Instrumental]

Hold me!

It's Chiptune Time!!

I got a little bored of doing the usual Undertale/Deltarune recreations so I decided to actually make a "cover" this time (this was definitely not an excuse to make more Tenna covers). I'm not gonna lie I don't really know what I was doing other than restricting myself to only use chips and no samples (except for the drums) so I'm not really sure if this counts as chiptune.

Original: https://www.youtube.com/watch?v=F2PJbTuZlTU

Link: https://tinyurl.com/29r57lff

Youtube: https://www.youtube.com/watch?v=IMrGiqQ5EGU

It's TV Time! - 8 bit/Chiptune Cover

6 track video game and cloud trap inspired album by Count Kush, featuring 8-bit production and sounds, futuristic synths, and a tinge of nostalgia.

OFFENSIVE

TIME & PRICE

Y U MAD

LOVEHURTS

POKEMON

ROCKST4R

🦎🦎🦎🦎🦎🦎🦎🦎
member of jungle empire
https://soundcloud.com/jungle_empire?ref=clipboard&p=a&c=0&si=df4106609f1047e8b3aa23e13a67810c&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

helloooo :33 hru? I make music every now and then. mainly recreations/music but its still good imo

we make songs with good quality and from games,youtuber,movie and more

Whisp_irl in oscial media. 
Author of lyric, CG videos and book Eternity.

Making chiptune, video game style music with Bosca Ceoil at the moment!

i don't post here really soundcloud pay is shit imo

octave plateau – music by Gerhard Andreas Schreiber

Gerhard Andreas Schreiber. Since the 1980s,  composing and producing music under the name octave plateau. What began in the shadowed clubs of the post-punk era and the neon-lit pulse of the Neue Deutsche Welle has grown into a lifelong journey through diverse soundscapes and emotions.

Back then, working with artists like Markus, capturing the spirit of a generation in transition – between analog grit and melodic futurism. But the musical path didn’t stop there.

Today, octave plateau bridges four distinct yet emotionally intertwined genres:

Smooth Jazz – music like warm light on late-night streets; gentle grooves, atmospheric chords, and melodies that breathe and linger. It’s the sound of reflection and release, crafted with subtlety and soul.

New Wave – shimmering synths, melancholic harmonies, and rhythm-driven storytelling. A style rooted in the 80s, but constantly reinterpreted to reflect the tension and beauty of the now.

Deutscher Schlager – emotional, melodic, and lyrical. I approach this genre with both respect and reinvention – drawing from its traditions while reshaping its form for contemporary ears.

Neue Deutsche Welle (NDW) – raw, ironic, and rhythmic. NDW has always been the rebellious heart of octave plateau, combining German lyrics with electronic textures, punk aesthetics, and a dose of playful absurdity.

In 2024, these songs – some newly written, others rediscovered and reimagined – are being produced in the octave plateau studio in Berlin. Here, the past and the present meet in harmony and friction. Analog synthesizers hum alongside digital clarity. Stories unfold in every track – sometimes with a wink, sometimes with a sigh.

octave plateau is not just a musical alias. It’s a lifelong project, a personal archive, and a sonic playground. Welcome to a place where genres speak to one another – and where every note has a memory.

New tracks tagged #8 Bit