8. Disquiet

Took one of the most iconic love ballads of all time—Bryan Adams' "Everything I Do"—and gave it a sun-soaked, beachside transformation. This Tropical House flip rides a smooth groove, chilled beats, and shimmering pads that turn this 90s classic into a modern-day sunset anthem. But the real twist? I brought in a silky, retro-inspired 80s saxophone solo that completely changes the emotional landscape of the track. It hits you right in the feels.

This remix is all about creating that nostalgic glow while giving DJs a version that keeps crowds vibing in the mix. Whether you're setting the mood at golden hour or closing the night with a heartfelt moment, this one blends timeless emotion with fresh island energy. Press play, feel the breeze, and let that sax take you higher.

Bryan Adams - Everything I Do (VDJ JD Tropical House Flip)

Fire Stereo

Vocals forthcoming/lyrics: in the midnight haze
The words you say replace
The distant memory when you said you loved me
What did I do? What did I say?
To chase you far away?
Now my heart's in distress
Cold sheets and an empty chest
The silence shouts out your absence
Our love a distant memory

So tell me sweet (sweet) lies.
Don't say you found a new paradise
Let my love be your disguise 
Let my love be good enough for you
So you won't have to blame yourself 
Ohh-oh-oh-oh-oh-ohh!
Ohh-oh-oh-oh-oh-ohh!

I am at a loss for words when I fantasize
I guess I wasn't good enough
A fire slowly dies
Silence grows louder in the dark of the room
I'm breaking down, going under, my heart's on the floor 
It's getting harder for me to go on.

So tell me sweet (sweet) lies.
Don't say you found a new paradise
Let my love be your disguise 
Let it good enough for you 
Don't have to blame yourself 
Ohh-oh-oh-oh-oh-ohh!
Ohh-oh-oh-oh-oh-ohh!

Let your lies be the antidote 
A soothing poison empty my veins 
To numb the pain
A lie for my wounded soul

Ohh-ohh-ohhhhhhh...

So tell me sweet, sweet lies
Don't say you found a new paradise
Let my love be your disguise 
Let my love be good enough for you
So you don't have to blame yourself 
Ohh-oh-oh-oh-oh-ohh!

Cold sheets and an empty chest
The bedroom door 
Shouts out your absence.

Sweet Sweet Lies

Sweet Sweet Lies (lo-fi jazz instr) Bm 80-90bpm 4:00m

🔥 I Hate It – Nu Disco × French House × Soul Power 🔥
🎧 Tempo: 124 BPM • Mood: Fierce • Groovy • Unapologetic

She’s not heartbroken — she’s furious.
“I Hate It” is a firestorm of rhythm, soul, and revenge served in four-on-the-floor. When love leaves the body but stays in the blood, the only cure is bass, sweat, and melody.

This track blends a vintage French house pulse with soulful vocal hooks, hypnotic humming, and a deep emotional burn. It’s for nights you want to forget — and grooves you’ll play on repeat.

🎙️ Favorite lines:
“Still in my blood — and I hate it.”
“But the groove don’t care — it makes it.”

✨ What to expect:
– Confident female vocals with soul & sass
– Piano stabs, funky filtered chords, deep groove bass
– Background hums (hmm-hmm-hmm…) with looping energy
– A drop that hits like a broken heart in heels

💃🏼 For broken lovers who still slay.
🩸 For rage that moves.
🌀 For the beat that stayed… when he didn’t.

Lyrics:

hmm hmm hmm… oh-oh-oh… la-la-la…
🎙️ He’s still in my blood — and I hate it.

Didn’t ask to feel this fire
Didn’t beg to burn with desire
But he got in, deep and loud
Now I’m dancing mad, not proud

Tried to sweat him from my skin
New groove, new bass, new sin
But every kick, every floor I touch
He’s the beat that bites too much

I move like thunder, shake the night
But he’s still humming in my light
I drop the tempo, change the track
Still feel his rhythm on my back

🎙️ Still in my blood — and I hate it
🎙️ Bassline boom — can’t fake it
🎙️ Still in my blood — and I break it
🎙️ But the groove don’t care — it makes it
(hum-hum-hum… drop!)

I dance for freedom, not for him
But he’s still vibin’ in my limb
Like poison wrapped in velvet beat
He turns my power on repeat

So I turn it up, flip the flame
Make this groove scream out his name
I’m not crying — I combust
On that floor, it’s me or dust

🎙️ Still in my blood — and I hate it
🎙️ Bassline boom — can’t fake it
🎙️ Still in my blood — and I break it
🎙️ But the groove don’t care — it makes it
(drop it… shake it… ohhhh!)

He’s not the one — but he’s still the sound
In my sweat, in the underground
Burn him out? I’ve tried and tried —
But fire just loves to stay alive

🎙️ Still in my blood — and I hate it
🎙️ Bassline boom — can’t fake it
🎙️ Still in my blood — and I slay it
🎙️ Groove takes pain — and elevates it
(hum-hum-hum… drop the beat)

I Hate It

✨ Open Doors ist ein Dance-Pop-Song mit dem Herz der 80er – voller Emotion, Farbe und Romantik.
In einer magischen Bar-Szene treffen zwei Menschen aufeinander, sehen sich tief in die Augen, und plötzlich steht sie offen – die Tür zum Herzen.

Dieser Song ist eine Einladung, mutig zu lieben und das Innere eines Menschen zu entdecken.
Mit retroinspirierten Synths, einem tanzbaren Beat und einem Hauch von Sehnsucht ist „Open Doors“ mein musikalisches Plädoyer für echte Verbindung.

💿 Written & produced by Cleimo, composed on Udio
🎧 Gemastert mit Logic Pro
📀 Cover & Vision: 80s meets Heartbeat

⸻

🇬🇧 Description (English)

✨ Open Doors is a dance-pop track with the soul of the 80s – full of emotion, color, and romance.
Set in a glowing bar scene, two people lock eyes, and suddenly – the door to the heart swings open.

This song is an invitation to love courageously and discover what lies beyond the surface.
Driven by retro synths, a catchy beat, and heartfelt vibes, “Open Doors” is my musical call for real connection.

💿 Written & produced by Cleimo, composed on Udio
🎧 Mastered in Logic Pro
📀 Cover & vision: 80s meets Heartbeat


Open Doors

Echoes of Eternity

Do You Remember is a deeply personal and evocative album that journeys through two decades of memory, emotion, and sonic exploration. Performed by the mesmerizing voice of Lucy, the album is a retrospective collection of songs written between 2000 and 2020, each piece a time capsule — preserving moments, people, and places that have shaped a life.

The tracks on Do You Remember are not simply songs; they are emotional postcards from the past. With each melody and lyric, Lucy invites the listener into a world of introspection and vulnerability, where the boundaries between nostalgia and presence blur. Whether recalling a faded summer on the coast, a fleeting romance in a foreign city, or the quiet ache of growing older, the album captures the universal longing for what once was — and what still lingers in the heart.

Musically, the album is a seamless blend of vintage warmth and contemporary clarity. It was recorded between late 2024 and March 2025, using a legendary PPG system for its lush digital textures, and mixed through an Oram analog console, lending the sound a tactile depth and analog soul. The production is intimate yet spacious, allowing Lucy’s voice — full of fragility, strength, and grace — to shine at the center.

Every element of Do You Remember feels intentional, from the ambient synth washes to the understated arrangements that leave space for silence, breath, and emotional resonance. It’s an album best listened to in twilight moments — on a long drive, through headphones on a quiet night, or with a glass of wine as memories surface and settle.

For fans of introspective songwriting, analog warmth, and heartfelt storytelling, Do You Remember is both a confession and a gift. It asks a simple question that echoes long after the final track fades: Do you remember?

Here are the lyrics of the track:

[Verse 1]
The ocean's cold and it burns like fire
A neon haze in a world of wire
The moon is cracked like a shattered light
We're lost in the rhythm of 90 nights

[Chorus]
90 nights where the shadows play
Dancing alone in a storm of grey
We’re the whispers in the city's sigh
90 nights till the morning dies

[Verse 2]
A rush of waves and the city's glow
We’re chasing time but it moves so slow
The skyline hums with electric cries
Our hearts are beating in 90 nights

[Bridge]
Can you feel the pull of the undertow
A fever dream where the lost souls go
We’re the ghosts of a fleeting high
90 nights where the echoes lie

[Chorus]
90 nights where the shadows play
Dancing alone in a storm of grey
We’re the whispers in the city's sigh
90 nights till the morning dies

[Outro]
So hold your breath as the darkness creeps
A restless tide where the secrets sleep
We’re caught in the glow of the fading lights
Forever haunted by 90 nights

90 Nights

Digital Nightfall

Parnasse

I love listening to music creators. I'm a singer-songwriter & former brass instrumentalist. I can sing bass-baritone (A2 to E4). 

I have nearly 50 original tracks waiting for me to vocalize so I post a lot of demos. 👍 Like & repost if you enjoy what you hear & maybe I'll work on it next.

💬 Reach out on YouTube too—I follow everyone back! 🚧 Sorry to say, if you come at me trying to sell something, I will block & report you. 🚧 Let’s keep" true love "  flowing. 💕🎧

YouTube (AROCHOM): https://www.youtube.com/@mannyreymusic

PEACE always 🪘🤟🏻❗

 Support with likes/reposts. Label: ToldYa LLC. Visit my SoundCloud "floor" for updates coming soon! PEACE always 🪘🤟🏻❗

Visit my YouTube channel & reach out that way. My moniker (AROCHOM) —  https://www.YouTube.com/@mannyreymusic


LANDOLSI | Architect of neon soundscapes where 80s nostalgia meets desert heat. Synthesizers, palm trees, and cyber sunsets. 🌴🔮 #Synthwave #Retrowave #Outrun #Neon #Chillwave #Electronic #80s #Retro-Synthwave-Disco  #Neonmusic #Dreamwave #Nu-Disco #LANDOLSI #TunisianSynth #Tunisia

Joshua Duerksen, renowned by his DJ name DJ JD, was raised in the Mid-West and California, where his musical tastes were shaped by a diverse range of genres, spanning from Classic Rock and Country to Hip Hop and 90's Dance. He firmly believes that "Good music knows no genre."

Following his graduation from high school, JD enlisted in the United States Navy, dedicating a decade of service to his country. While stationed in Norfolk, Virginia, he had the privilege of meeting several influential DJs who became his mentors, imparting invaluable knowledge about the various aspects of DJing.

In between deployments, JD diligently honed his mixing and performance skills, gaining experience as a Club DJ, Mobile DJ, and Dive Bar DJ. After completing his naval service, he relocated to Idaho and founded a mobile disc jockey entertainment company, specializing in providing exceptional DJ services for weddings, birthday parties, and school dances.

In 2009, JD embarked on a new venture, joining XMiX DJ Music Pool as a video editor. In this role, he skillfully re-edited music videos to match the remixes produced by the talented editors and producers at XMiX, catering to the needs of Video DJs and facilitating seamless music video mixing. During his tenure, JD significantly enhanced his audio editing prowess and mastered the art of creating audio edits and remixes. These creations have been featured in nationally syndicated country mix shows and embraced worldwide, wherever country music finds appreciation.

🎵 Music has been a part of my life since early childhood. Inspired by my father, I started playing the accordion at a young age and soon discovered my love for composing. Encouraged by my teacher, I attended music school for several years, which helped deepen my understanding of melody and harmony.

As a teenager, I began writing my own songs and taught myself to play the piano – driven by passion and curiosity rather than formal rules.

Over the years, I’ve drawn inspiration from a wide range of genres: pop, rock, soul, funk, but also classical, Latin, and folk music. I never limited myself to just one style – for me, music is about emotion, connection, and expression, not categories.

For a long time, I lacked the technical equipment to bring my ideas to life. But now, with every beat, chord, and lyric, I’m finally sharing my musical world with you.

🎧 Come along and be part of the journey!

Hi there — welcome to my corner of the web.

I’m here for one simple reason: to share my music with you.
Take a listen, explore, and I hope something here resonates with you. Enjoy the vibe!

octave plateau – music by Gerhard Andreas Schreiber

Gerhard Andreas Schreiber. Since the 1980s,  composing and producing music under the name octave plateau. What began in the shadowed clubs of the post-punk era and the neon-lit pulse of the Neue Deutsche Welle has grown into a lifelong journey through diverse soundscapes and emotions.

Back then, working with artists like Markus, capturing the spirit of a generation in transition – between analog grit and melodic futurism. But the musical path didn’t stop there.

Today, octave plateau bridges four distinct yet emotionally intertwined genres:

Smooth Jazz – music like warm light on late-night streets; gentle grooves, atmospheric chords, and melodies that breathe and linger. It’s the sound of reflection and release, crafted with subtlety and soul.

New Wave – shimmering synths, melancholic harmonies, and rhythm-driven storytelling. A style rooted in the 80s, but constantly reinterpreted to reflect the tension and beauty of the now.

Deutscher Schlager – emotional, melodic, and lyrical. I approach this genre with both respect and reinvention – drawing from its traditions while reshaping its form for contemporary ears.

Neue Deutsche Welle (NDW) – raw, ironic, and rhythmic. NDW has always been the rebellious heart of octave plateau, combining German lyrics with electronic textures, punk aesthetics, and a dose of playful absurdity.

In 2024, these songs – some newly written, others rediscovered and reimagined – are being produced in the octave plateau studio in Berlin. Here, the past and the present meet in harmony and friction. Analog synthesizers hum alongside digital clarity. Stories unfold in every track – sometimes with a wink, sometimes with a sigh.

octave plateau is not just a musical alias. It’s a lifelong project, a personal archive, and a sonic playground. Welcome to a place where genres speak to one another – and where every note has a memory.

Gerardo Guzman is a composer of electronic music of the Trance and Synthwave genres

He likes to be inspired to compose grooves with the Mashcine and MPC drum machines as well as the Ableton Live Session Sample Mix. 

The compositions in his songs are layered to generate emotional moments when making the transitions of sounds in the instrumental groups

He likes electronic music because of the groove and because it is a means of artistic expression that cannot be politicized and allows him to give emotional variety to music fans


Gerardo Guzman es compositor de musica electronica de los generos Trance y Synthwave

Le gusta inspirarse para componer los grooves con las cajas de ritmo Mashcine y MPC asi como el Sample Mix de Ableton Live Session. 

Las composiciones en sus canciones las estructura por capas para generar momentos emocionales al hacer las transiciones de sonidos en  los grupos instrumentales

Le gusta la musica electronica por el groove y porque es un medio de expresión artística que no puede ser politizada y permite darle variedad emocional a los fans de la musica

Spotify profile: spoti.fi/2UwdBT0 
Instagram: @gerhardguzman

New tracks tagged #80sVibes