Quick beat I did for a scene that I had to score over the summer. All rights are mine though. 808 samples courtesy of Cymatics.fm.

Crash

I love this beat but the vibe just isn't right for me. If it is for you send me a DM on IG and lets talk about getting you on the track @kairo.techne

You ever going to bed? Am 95bpm

Luv Letter

Hold Me Tight

Come & GO

Cave

I got idea about this track when looked on sky after rain. I hope you like it.
Made in A Minor, 140 bpm.

Skyful

A limitless freedom above the clouds.

(Instrumental).

Above The Clouds

Voltage Tide unleashes a dark trance–progressive journey, charged with techno power and hypnotic psytrance undercurrents. Relentless energy, soaring synths, and pulsing basslines crash like electric waves — built for peak-hour sets, underground clubs, and late-night playlists.

👉 Promo: https://distrokid.com/hyperfollow/bassvoid/voltage-tide

Voltage Tide

Positive Tensions

I’m John AI Smith — producer, songwriter, and sonic architect. My music explores what it means to feel in a digital age, where every track is a meeting point between intuition and algorithm.

🎧 The Algorithm of Emotion — that’s my compass, and the heart of everything I make.

Explore my universe through ten unique artist identities:

Nordskygge – melancholic Norwegian folk
Vargkald – Viking spirit & Nordic ambient
Isak Evermore – cinematic melancholy
Calisnor – dreamy ambient & piano
Chill Fader – chill & deep house
OrchraX – cinematic soundscapes
Bassvoid – bass-driven abstraction
Obscyron – 80s nostalgia & synthwave
Strengevind – Norwegian folk-rock

And here: John AI Smith – the origin, the core, the experiment.

This page is my playground — where ideas are born, where tracks evolve, and where I can share music with you first. Thanks for listening, commenting, and being part of this journey.

prod.4JAY | ࿏
nothing w/o you
loop email 📧: officialprod4jay@gmail.com
instagram 📸: @prod4jay
beatstars 🎶: @prod4jay
soundcloud 💥: @prod4jay

I believe that life, nature, feelings, moments....all of it....create a  sound(scape) inside, and that this sound is unique and private.; so, these are attempts on re-creating some of mine.
mail : lydstria@yahoo.com.

My gear

AudioThing Noise Generator (Heinbach)
Donner DDP80 (midi piano-controller)
Zoom H5 (field recordings)
MicroKorg (analog synth)
Arturia KeyLab 61 (midi controller)
EVO 8 (audio interface)
Yamaha MX61 (digital hardware synth)
Spitfire Libraries (samples)
Crawhill Libraries (samples)
Native Libraries (samples)
Pianobook (samples)
iZotope Plugins (Effect plugins + EQ/Mastering)
u-he Software Instruments (samples)
XLN Software Drums (samples)
Dreamtronics Voice Synthesizer (AI-Voice)
USB Condensator Microphone
Logic Pro X
Apple Hardware
Adam Audio Studio Monitors

🌧PNW raised
✏️writer/🎤rapper/🎧🎹producer
join me on my journey to grow as an artist and as a human being
https://linktr.ee/KairoTechne

"Redder" is a palindrome. Like "racecar" or "level". These pieces of music ain't.

Hi, I’m Volker – or "docredder"/"redder" when it comes to music. My journey into sound started early: as a child I sang Bach in a boys’ church choir, and that’s when I discovered how music can feel like both mathematics and magic at the same time. Later in life, I studied science and technology, but music has always stayed with me, as a way to process emotions, ideas, and imagination.
I’m not a virtuoso on any instrument, just a little guitar and some keyboard, but that never stopped me. For me, music is not about technical perfection, it’s about creating moods, telling small stories, and experimenting with sounds. That’s why I produce everything myself: the writing, the arrangements, the vocals, the mixing, and even the cover artwork. It’s a DIY approach, but it allows me to keep every piece authentic.
My influences are eclectic. I’ve always admired the timeless soundscapes of Pink Floyd and Genesis, the storytelling of Supertramp, the bold arrangements of Yes, Electric Light Orchestra and Muse, and the free spirit of Miles Davis. From progressive rock and indie pop to touches of jazz, funk, or ambient - I enjoy blending different textures until something new emerges.
Over the past years I’ve released a wide range of tracks, from introspective ballads like "Lament of the Last Generation" and "The End of Our Human Days" to playful experiments such as "Anna Sutter" or "Das Sein im Tinder-Schein". Some songs are melancholic, others ironic, some are inspired by literature, history, or science fiction. What connects them all is that they come straight from the heart - and from curiosity.
Every song is a little adventure for me. Sometimes it begins with a lyric, sometimes with a guitar loop, sometimes just with a feeling. I use simple tools like GarageBand, samples, my own voice and AI voices, but I try to arrange and transform them in ways that keep the listener surprised. My hope is that, even if just for a few minutes, the music opens a window into a different perspective.
I’m grateful for everyone who listens, shares, or gives feedback. Music for me is about connection - and every play, every comment, every message makes this journey worthwhile. If you enjoy honest, handmade songs that mix styles and don’t always follow the rules, I’d love for you to join me on this path.

New tracks tagged #A Minor