Feel free to remix our song NO PLAYBACK 2, send us your dopest version and let see.... 102 Bpm

Doppia erre & Dj Blackflame "No Playback 2" A CAPPELLA for producer 102Bpm

Here We Are - A Cappella

flash mob sur un marché dans le Tarn
le 28 juin 2025

Gaza

“Take A Chance” is a feel-good pop anthem with shimmering synth pads, retro ’80s drums, and soaring hooks. From a cappella-rooted group Ball in the House, it blends rich vocal textures with sleek synth-driven pop. Everything you hear is created by the human voice. Fans of The Weeknd, Pentatonix, and Zara Larsson will vibe with its nostalgic-meets-modern sound. A bold, heartfelt love anthem about risking everything for what matters most. Take the chance — you’ll be glad you did.

Written by Kevin Cincotta-Guest

Lead Vocals: Tyler Nordin
Vocal Percussion: Jon Ryan
Bass Vocals: Kevin Cincotta-Guest
Baritone Vocals: Oscar Hall
Tenor Vocals: Tyler Nordin, Wallace Thomas
Auxiliary Vocals: Kevin Cincotta-Guest, JourneyDay, Tyler Nordin, Wallace Thomas

Arrangement by Kevin Cincotta-Guest

Executive Producer: Ball in the House
Producer: Kevin Cincotta-Guest (www.kevincgmusic.com)
Vocal Production by Ball in the House
Vocals Engineered by Kevin Cincotta-Guest and Tyler Nordin (www.tylernordin.com)
Vocal Editing by Tyler Nordin
Vocal Percussion Editing by Kevin Cincotta-Guest
Mix Engineer: Kevin Cincotta-Guest
Mastering Engineer: Bill Hare for Bill Hare Productions (www.billhareacappella.com)

Recorded at the past residence of Kevin Cincotta-Guest, Northborough, MA, USA || The Record Co. (www.therecordco.org) - Boston, MA, USA || New York Hilton Midtown - New York, New York, USA

Recording began with the first sessions at Kevin’s past residence in Northborough, with Ball in the House recording “Take A Chance” at 1:00 PM on Tuesday July 23, 2024, and concluded with the last day of mixing the track on Thursday May 22, 2025

Ball in the House is:
Jon Ryan, Wallace Thomas, Kevin Cincotta-Guest, Tyler Nordin, Oscar Hall

Featuring: JourneyDay

© 2024 Kevin M. Cincotta-Guest © 2025 Ball in the House. All Rights on behalf of Ball in the House Publishing (BMI). All Rights Reserved. Used by Permission.

Take A Chance

Contemporary a cappella piece recorded by singers from Bushnell University.

Lord God Is The Grace

May the Lord Support Us

wannabeme (A Cappella)

Bluesy, gospel-tinged, improvised secular spiritual sourced from an April 2024 voice note on my phone. Title is self-explanatory. Expect voice note quality recordings with hiccups. This track is the beginning of what I'm thinking of as the Voice Notes Series. I'm emptying out one take songs, poems, verbal essays, straight from the voice recorder app via my Pixel 9 Pro. I need more ideas out in the world that can't do anybody any good on my phone. Transcriptions may be included in different formats.

Song: What To Do With My Life. 040524. Voice Notes Series

"Bad Liar" is a song by American pop rock band Imagine Dragons. It was released in 2018 on the band's fourth studio album, Origins. 

Solely natural intelligence was used to create this cover version, and I hope you'll enjoy it :)

Bad Liar (Imagine Dragons cover)

Greetings to the SoundCloud community! Gratitude to you all for your artistry and culture of kindness. 💕 

Due to life circumstances, I've had to step back from singing, but have decided to pull this song from the vault. 

I've been sitting on this one for more than a year, held back by the usual crippling perfectionism. I've decided life's too short to waste time hiding art, when it might possibly bring joy to someone else, so here it is in its imperfect glory. All vocals sung by myself - but I take no credit for the wonderful writing and arranging - please see credits below:

This is an amazing SATB choral arrangement of "I Love You" by Billie Eilish. Credit is due to both Billie Eilish O'Connell and Finneas O'Connell for the words and music, as well as Julia Dollison and Kerry Marsh for the choral arrangement. I came across it years ago, while working with a (fabulous) high school jazz choir. I fell in love with the crunchy harmonies, but had trouble deciding what colours I wanted for the instrumental part, which is part of the reason why it's sat in the vault for so long. 

In this particular choral arrangement, the instrumentation calls for piano, but here, I split it into a digital electric bass line, and electric piano. I kind of liked the funky, ethereal sound of it, but I wasn't sure if there was something else that might sit better against the SATB vocals. I'm curious, and open to hearing suggestions for other instrumentation options. Folks who know me know that I've got some experience with singing, but I am out of my league when it comes to arranging and recording, so I know there's always room for improvement.  

In this era of auto-tune, I would encourage listeners (and myself!) to embrace the imperfection of real, un-corrected vocals. Art doesn't have to be perfect to have value... right? I hope to convince myself...  🙃

Lyrics: 

It's not true
Tell me I’ve been lied to
Crying isn't like you, ooh
What the hell did I do?
Never been the type to
Let someone see right through, ooh

Baby, won't you take it back?
Say you were trying to make me laugh
And nothing has to change today
You didn’t mean to say "I love you"
I love you and I don't want to, ooh

Up all night, on another red-eye
I wish we never learned to fly
Maybe we should just try
To tell ourselves a good lie
Didn't mean to make you cry, ooh

Baby won't you take it back?
Say you were trying to make me laugh
And nothing has to change today
You didn't mean to say "I love you"
I love you and I don't want to, ooh

The smile that you gave me
Even when you felt like dying

We fall apart as it gets dark
I'm in your arms in Central Park
There's nothing you could do or say
I can't escape the way I love you

I don't want to, but I love you
Ooh

I Love You (Billie Eilish cover - SATB choral arrangement)

You're Walking on a Cloud

Song composed of two original mantra
written by: Milalai 6 August 2018 
and 23 June 2022 @ 2:10PM revised on 2 July 2022 @ 4:29AM

Song for Zipporah

When humans and robots quarrel, sparks fly. Yo, this is the scene.
Original concept, vocals, prpts, mix/mast/prod: duudleDreamz
Creative collaborator, vocals: Kezuki Nova

Droid Domestika

Island Anthems

Semoga Bahagia

Not Alone

Not Alone (feat. Iman Fandi, Rai & Justin Misson)

如燕

duudleDreamz

Droid Domestika dD2

Droid Domestika dD3

Domestika Droid dD4

Classically trained soprano Merina Dobson-Perry is a working artist and the owner of South Winnipeg Studio, a private voice instruction studio.

I'm a music artist looking for a label!
All my songs are made only by me (I write, sing, produce...)!
2000's pop vibes

Weaving moods, sounds, harmonies, emotions, rhythms into tunes. Inspired by life, moments and everything in between.

Organist, composer, and choral conductor, Alvez Barkoskie IV is a native of St. Augustine, Florida. In 2021 he completed his Doctor of Musical Arts in organ performance at the University of Oklahoma with his dissertation “An Analysis of Three Recital Pieces by William Lloyd Webber.” He also holds a MM in Organ Performance (University of Oklahoma, 2014), a MM in Composition (University of Texas – Austin, 2012), and a BM in Organ Performance and Composition (Stetson University, DeLand, Florida, 2009). He has studied organ with John Schwandt, Gerre & Judith Hancock, and Boyd Jones. He has studied composition with Marvin Lamb, Yevgeniy Sharlat, Dan Welcher, Donald Grantham, Sydney Hodkinson, and Manuel de Murga.

Barkoskie has performed on the organ in such venues as St. Mark in Venice, St. Ignatius Catholic Church in Rome, Christ Church Cathedral in Dublin, St. Columb’s Cathedral in Derry, Peterskirche in Vienna; Central Synagogue in New York City; Our Lady of Angels Cathedral in Los Angeles, St. Louis King of France in Austin, Texas, Trinity Episcopal in Tulsa, Oklahoma, and Jacoby Symphony Hall in Jacksonville, Florida.


His first publication was “Ave Maria” for SATB choir, published by Santa Barbara Music Publishing in 2014. That same year he also received an E. Power Biggs fellowship to attend the Organ Historical Society Convention in Syracuse and won the hymn composition contest celebrating the 300th anniversary of Bruton Parish in Colonial Williamsburg. His composition "Pedals, Pipes and Percussion," for organ and percussion was broadcast on the Nationally Syndicated Program "Pipedreams," hosted by Michael Barone in February 2012. His compositions have been performed in the United States, Czech Republic, Austria, Ireland, Northern Ireland, Italy, Croatia, Slovenia, Philippines, and United Kingdom.

Barkoskie is currently a full-time Organist and Director of Sacred Music at St. Francis of Assisi Catholic Church in Oklahoma City and the School Mass Choir Director at St. Philip Neri Catholic Church in Midwest City.

5 guys. 5 voices. Music that'll move you.

I Am MILALAI: One Who Sings Praises. Extra-Celestial Poet. Word Physician. Reciter of All Holy Scriptures. Knowledge Seeker. Ambassador For Peace. Mission: Two Words, ONE TRIBE!

JD Green is a classically-trained vocalist with a love for all things funky, soulful, & free. She is from the old school of spirituals & roots music, stomp-yo-foot blues; of the pocket & a funky groove; sweet ballads; jazz standards, something to pop your fingers & shake your head to. She loves to explode & recombine musical categories while always holding onto the essential kernels of a song's integrity, seeking always to connect to folk on the level of soul.

JD Green uses vocal soul music to engage, encourage, and transform. Though the sweetness of her voice may be what attracts, it is her thoughtful lyrics, her “quirky, yet funky” ability to tell the truth and cut to the marrow of our experiences that make JD Green’s brand of soul music necessary and timeless. 

linktr.ee/londyjamel 

Composer/Arranger, Jazz Fusion band/musical director, University Music Instructor

Hi, I'm Rob.

I'm a singer, well you figured that out by yourself if you listened to my music....
I'm also Welsh, so what can I do?

I love music, so listening to all the great talent here on SoundCloud - whether it's raw or refined - is an immense pleasure. Thank you all for that.

I hope you get some joy out of listening to me.

Due to some health issues I'm not always capable to listen to your music, interact as much as I'd like to or reply to your comments in a timely manner. It doesn't alter the appreciation I feel for each and every one of you. Please bear with me.

la muuuusique fait que leeees gens vieeennent eeeeensemble... ouais...

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