[VERSE]
Down the road which asters tangle,
    Thro' the gap where green-briar twines,
    By the path where dry leaves dangle
    Sere from the ivy vines

[VERSE]
    We go--by sedgy fallows
    And along the stifled brook,
    Till it stops in lushy mallows
    Just at the bridge's crook.

[PRE-CHORUS]
    Then, again, o'er fence, thro' thicket,
    To the mouth of the rough ravine,
    Where the weird leaf-hidden cricket
    Chirrs thro' the weirder green,

[CHORUS]
    Oh, the wood with winds a-wrestle!
    With the nut and acorn strown!
    Oh, the wood where creepers trestle
    Tree unto tree o'ergrown!

[VERSE]
    There's a way, o'er rocks--but quicker
    Is the beat of heart and foot,
    As the beams above us flicker
    Sun upon moss and root!

[VERSE]
    With a climb the ledging summit
    Of the hill is reached in glee.
    For an hour we gaze off from it
    Into the sky's blue sea.

[BRIDGE]
    And we leap--as wildness tingles
    From the air into our blood--
    With a cry thro' golden dingles
    Hid in the heart of the wood.

[CHORUS]
    Oh, the wood with winds a-wrestle!
    With the nut and acorn strown!
    Oh, the wood where creepers trestle
    Tree unto tree o'ergrown!

[VERSE]
    But a bell and sunset's crimson
    Soon recall the homeward path.
    And we turn as the glory dims on
    The hay-field's mounded math.

[VERSE]
    Thro' the soft and silent twilight
    We come, to the stile at last,
    As the clear undying eyelight
    Of the stars tells day is past.

    Thro' the soft and silent twilight
    We come, to the stile at last!

Adapted from 'The Ramble' by Cale Young Rice 

Wood with Winds

#THEHUMBLEACORN

I originally wrote Red Autumn Leaves whilst testing a rare 1984 UMI-2B MIDI interface and sequencer running on an Acorn BBC Micro Model B computer after returning it to life a few years back.

Composition & Recording Copyright D.A.Wilson, Hideaway Studio 2025.

Red Autumn Leaves...

D.A.Wilson is an Electronic Engineer, Sound Designer & Vintage Synth Specialist with a particular interest in combining vintage tube, classic analog and modern digital technologies working as a synth engineer looking after a very considerable amount of vintage studio equipment for Will Gregory (Goldfrapp / Moog Ensemble) and a number of other internationally celebrated electronic musicians and producers.  Having undertaken several major restorations and produced custom electronic designs for a number of major artists including Jean-Michel Jarre, Dani is also known for fully restoring two out of the world's four remaining 1979 Crumar GDS and partially restoring 1938 Novachord 346 (the only known operational Novachord in the UK) to playable order along with developing and producing the new Elfin family of 8-bit polysynths and the popular MIDI Front Panel Animator (FPA), Filter Defeat Module (FDM) and XD-280 Drive Emulator upgrades for the AKAI S612 sampler.

Demos of the S612 Upgrades in Action: 

https://soundcloud.com/hideaway-studio/sets/hideaway-studios-s612-front


Hideaway Studio Kontakt Sound libraries may be purchased directly from: 
https://www.lootaudio.com/category/kontakt-instruments/hideaway-studios
 

..and a nice introduction by Cory Pelizzari to the Hideaway Studio Kontakt Libraries:
https://www.youtube.com/watch?v=k-C7a3ChC9U&feature=emb_title


For more on releases from Hideaway Studio for Kontakt please visit the blog at:  www.hideawaystudio.net

Music Studio, covering any genre, any kind of artist.

New tracks tagged #ACORN