Chapter eight for the podfic To The Lonely Sea And The Sky by zythepsary on AO3. You can find the fic at : archiveofourown.org/works/40963257

Fic summary: The core concepts had always seemed fairly simple to Stede: block like that, swing like this, try not to get stabbed. Izzy made it look infinitely more complicated and somehow, too easy. He moved like water, without hesitation.

Izzy decides Stede needs proper swordplay lessons.

Chapter summary: Stede asks Izzy about his ring. Ed tells Stede how he met Izzy.

Fic Tags:
Post-Season/Series 01, Slow Burn, Swordplay, Scars, Frottage, Knifeplay, Deepthroating, Choking, Kneeling, Intercrural Sex, Face Slapping, Light Bondage, Shaving

Chapter Eight TTLSATS (OFMD)

This is chapter 1 for “To the Lonely Sea and the Sky” by zythepsary
Rated: Explicit
Pairing(s): Blackbeard | Edward Teach/Stede Bonnet/Israel Hands, Blackbeard | Edward Teach/Stede Bonnet, Stede Bonnet/Israel Hands
Fic Summary: 
The core concepts had always seemed fairly simple to Stede: block like that, swing like this, try not to get stabbed. Izzy made it look infinitely more complicated and somehow, too easy. He moved like water, without hesitation.

Izzy decides Stede needs proper swordplay lessons.
Chapter Summary: The lessons begin. Stede gives a soliloquy.

Original fic found here: https://archiveofourown.org/works/40963257

Author’s Tags: Post-Season/Series 01, Slow Burn, Swordplay, Scars, Frottage, Knifeplay, Deepthroating, Choking, Kneeling, Intercrural Sex, Face Slapping, Light Bondage, Shaving

The Intro/Outro is “Rule #27 - Drunk on Pride” by Fish in a Birdcage and Philip Bowen. You can find it here: https://open.spotify.com/track/2hhk7nZsDBQe4UlBR6o2PY?si=3af04df93a7240b0

Chapter 1 "To the Lonely Sea and the Sky" by zythepsary (OFMD) Updated Version

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"Fredagskväll i 240:n" är en explicit parodi på dansbandstraditionen som kombinerar två svenska kulturella element - Volvo-nostalgi och dansbandsmusik - i en vuxen kontext. Låten berättar historien om ett möte i en Volvo 240 där bilen blir platsen för ett intimt möte.
Berättelsen följer ett par som tillbringar en fredagskväll i en Volvo 240, där öl och passion flödar fritt. Fordonet beskrivs nästan som en tredje deltagare i mötet, med referenser till hur bilen "gungar" och motorn "går hett" under aktiviteterna.
Texten använder dansbandgenrens glada musikaliska struktur för att leverera explicit innehåll med en humoristisk twist, där svenska folkkära element som Falcon-öl och den klassiska Volvo 240 vävs samman med grova sexuella beskrivningar.

Fredagskväll i 240:n

"Stalker Ballad" is a deeply troubling country-blues ballad that portrays the disturbing thoughts and actions of a dangerous, obsessed stalker. The song begins as what appears to be a sad breakup story but quickly descends into a much darker narrative.
The song follows a narrator's psychological deterioration from initial heartbreak through stalking behaviors (watching through windows, going through trash) to increasingly violent and criminal actions. The lyrics reveal that the narrator has kidnapped, restrained, and assaulted the subject of their obsession, with clear indications of sexual violence and eventual murder.
Musically, the production utilizes elements of Gothic Americana and dark country, with mournful slide guitar and haunting harmonica that create an uneasy atmosphere fitting the disturbing narrative. The instrumental breaks become increasingly dissonant and menacing as the story grows more violent.
The final chorus removes any ambiguity about the narrator's actions and intentions, revealing plans for the victim's murder and burial. This content is extremely unsettling and portrays severe criminal behavior.

Stalker Ballad

"Jag Behöver Balle" är en explicit dansbandslåt som med tydlig humor behandlar stark sexuell längtan ur ett kvinnligt perspektiv. Med sitt typiska dansbandskomp och gitarrsolon skapar låten en intressant kontrast mellan det traditionella dansbandsoundet och det explicita innehållet.
Berättelsen följer en person som öppet uttrycker sin sexuella längtan utan omsvep. Texten beskriver hur berättaren "vaknar upp med längtan" och har "fantasier som dansar" i huvudet, vilket kulminerar i den direkta och upprepade refrängen.
Musikaliskt följer låten dansbandsgenrens konventioner med energiska gitarriff, rytmiskt komp och livliga gitarrsolon. Produktionen innehåller även typiska dansbandselement som dragspel och den a cappella-del som bygger upp till slutrefrängen.

Jag behöver balle

It was a sad day... for Willy B. Hardigan’s junk.
When your manhood grows a mind of its own, hops off the body, and steals your ride — you know it’s one of those days. Buckle up for a ridiculous, raunchy, and surprisingly emotional tale of betrayal, hot pursuit, and unexpected detours... like the gay bar.
Willy B. Hardigan’s debut track blends humor, absurdity, and dirty beats into a wild narrative only Mad Habitz could spawn.

💿 Written by Mad Habitz
🎤 Performed by Willy B. Hardigan
🎚 Engineered at Mad Habitz Studios
💥 NSFW. NSFL. NS for your mama.

It Was a Sad Day

⚠️ Warning:
This track is rated High Altitude Only. Contains turbulence, adult situations, and extreme body heat at 30,000 feet. Not safe for work, not safe for prayer meetings, and definitely not for light sleepers. Listener discretion, hydration, and oxygen masks are advised. 💋✈️🔥

[Verse 1]
Flying redeye to Sicily, first class as usual;
Stepping onto A three eighty, air hostess greeting me;
That’s when I notice her: tall, stunning, supermodel type;
We take off, I spot her again;
She offers me a glass of Bordeaux, eyes lingering just a second too long.

Minutes pass, she comes back, a little sweeter this time;
Now my python senses something’s up
First-class suite, private bed, NO am not thinking dirty but....anything can happen.

She returns, hands me a magazine, talks about offers;
I take it, hold her hand for a heartbeat; she smiles;
Signals exchanged, I release her hands, green light.
Cabin lights go low, the night gets quiet; others asleep
She slips in, closes my cubicle door, stands right in front
No more questions.

She unzips my fly, stares with crave;
Says, “It’s so strong,” then goes to work;
Thirty thousand feet, nobody knows what’s going down.
Thirty thousand feet, pilot clueless;
We’re flying while making the sky our playground.

[Hook/Chorus]
Oh, thirty thousand feet, no one knows what’s going on;
Thirty thousand feet, flying high, bodies touching;
Pilot has no clue, hostess in my cubicle,
I pull her close, admire every curve;  goddess in uniform.
I slide her skirt down, passion in my hands;
I put her to bed, she moans, “What do you want to do to me?”
I whisper, “I’m about to put it all on you.”

[Verse 2]
I work those jugs like I’m hungry for milk;
She moans louder, I tease, “We’re just getting started.”
Lick every inch like melting ice cream;
Down the lip below her navel, the scent’s Chanel No. 5 and Edenberry,
I slide Victoria's secret aside
She pulls me closer, moans, “Don’t stop.” as she rubs my hair
I lick and wash, she moans dont stop
She said no one ever did it like that 

She says I should slide in, I take my rubber
She grabs the rubber, suits me up herself;
I slide in, she already wet, I full thrust slowly
She’s louder, begging for more,
Each time I slide out, she pulls me back in, then she locks me with her legs
So I give her everything, every inch,
She says she feels it all, climax building.
She climax 2 and 3

She goes wild, flips me, rides like a cowgirl;
Hands on my chest, her hair in my grip,
We meet eyes, craving what the ground never offered;
She grinds me, she rides hard, says she’s never felt this before
But you haven’t, not with the King in the clouds.

We climax together, a storm in the sky;
She gets up, tired, but dresses like nothing happened,
As I go to the shower to clean up, she slips in, locks the door
I wanted to say something but her lips plug my mouth
Round 4, hands on the sink, wild, unstoppable.

We clean up, she leaves first,
Before landing, another glass of Bordeaux,
She opens my wallet, takes my card, just a sly smile.

[Outro]
We land in Sicily, think it’s over
Doorbell rings two days later;
There she is, even more breathtaking.
No words, just heat at the threshold
We get it on from the door
And this is only part one.

Thirty Thousand Feet

iDreamz är mitt nya artistnamn. På grund av namnpolicy släpper jag inte längre ny musik som AiMusicDreams. Katalogen med cirka 450 låtar ligger tills vidare kvar under det namnet, men alla nya releaser kommer som iDreamz – här på SoundCloud och på Spotify, TikTok och Instagram.
Jag skriver egna texter på svenska och engelska och gör feel-good-musik med humor, hooks och en glimt av dansband – från sommarbangers till stämningsfulla ballader. Följ iDreamz för nästa kapitel!

Kontakt: aimusicdreams@gmail.com

Hi, thanks for listening.

Tap that vote button like you mean it 😎 your boy appreciates the love. Thank you for riding with me always 💯

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King Chico is a visionary songwriter, and multi-genre artist whose music defies boundaries. From sultry R&B and chart-ready pop to cinematic soundscapes, Gospel, jazz, hip-hop, EDM, and lo-fi. 
Every track is a world of its own. Each song tells a real story; sometimes yours, sometimes his, always unforgettable. Listen and experience the sound of a one-of-one..

If you like what you hear, hit that like and follow, repost, share, and show some love. You can even buy me that coffee, haha, yeaa ☕

Thank you! 🙏

And hey, if you think my music’s got that spark and you can sign me up for something big, drop me an email.
No scammers. No fake promoters. 
I’m about real work, real results.
Peace to you. ✌🏽🔥

Most of my catalogue is for OFMD, but I do branch out to other fandoms including The Locked Tomb series, Good Omens, The Magnus Archives, and more. If you have suggestions of fics you’d like to hear me cover, let me know here, or on Twitter. 

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New tracks tagged #ADULTCONTENT