Song composed & created by The Boilerman
Eric created & plays: all clean wah-wah & distorted lead & rhythm guitar
Eric created & mix's: all drum, bass, ambient, atmo & synth
P.L.O created & speaks: all spoken word
Production by E.H.T Studios
Thank you for listening!

Into The Deep

Lyrics:

Intro
C#m | Asus2 | E | E
C#m | Asus2 | E | E

Strophe 1
C#m | Asus2 | E | E
What is wrong here?
C#m | Asus2 | E | E
What is wrong with me?
C#m | Asus2 | E | E
Can you help me?
C#m | Asus2 | E | E
Can you help me out?

C#m | Asus2 | E | E
I don’t want this despair
C#m | Asus2 | E | E
And I don’t know anymore
C#m | Asus2 | E | E
I wish there was a way
C#m | Asus2 | E | E
Out of this shithole

C#m | Asus2 | E | E
So please, please…
C#m | Asus2 | E | E
Please guide me out of this misery
C#m | Asus2 | E | E
I can’t take this any longer
C#m | Asus2 | E | E
I can’t take this anymore

Strophe 2
C#m | Asus2 | E | E
If I can’t change my fate
C#m | Asus2 | E | E
Can I change myself?
C#m | Asus2 | E | E
Are you there with me?
C#m | Asus2 | E | E
Are you there at all?

C#m | Asus2 | E | E
I feel so empty inside
C#m | Asus2 | E | E
And I never knew
C#m | Asus2 | E | E
How to satisfy this emptiness in me
C#m | Asus2 | E | E
I need something real

C#m | Asus2 | E | E
So please, please stay…
C#m | Asus2 | E | E
And guide me out of here
C#m | Asus2 | E | E
I can’t make it without you
C#m | Asus2 | E | E
Stay...

Pre-Chorus
F#m | F#m | C#m | G#m
If I could rewind time
F#m | F#m | C#m | B
I wouldn’t know what to change

Chorus
C#m | G#m | A | E
Please…
C#m | B | A | E
Please…
C#m | G#m | A | E
Stay…
C#m | B | A | E
Please… stay…

Strophe 3
C#m | Asus2 | E | E
I came to the conclusion
C#m | Asus2 | E | E
That nothing matters when nothing holds
C#m | Asus2 | E | E
So am I really here?
C#m | Asus2 | E | E
Am I really here right now?

C#m | Asus2 | E | E
My vision is blurred
C#m | Asus2 | E | E
And my throat is dry
C#m | Asus2 | E | E
My strength has already left me
C#m | Asus2 | E | E
I waited for too long

C#m | Asus2 | E | E
But please, please…
C#m | Asus2 | E | E
Stay…
C#m | Asus2 | E | E
But I need some time
C#m | Asus2 | E | E
Stay…

Pre-Chorus
F#m | F#m | C#m | G#m
If I could rewind time
F#m | F#m | C#m | B
I wouldn’t know what to change

Chorus
C#m | G#m | A | E
Please…
C#m | B | A | E
Please…
C#m | G#m | A | E
Stay…
C#m | B | A | E
Please… stay…

Outro / Wiederholung
C#m | G#m | A | E
Stay…
C#m | B | A | E
Stay…
C#m | G#m | A | E
Stay…
C#m | B | A | E
Stay…

Stay V0.5

Drift into the expansive soundscape of this atmospheric progressive rock odyssey, where 1970s space rock meets modern introspection. Built on a foundation of hypnotic rhythms and lush synthesizer textures, "Mirror in the Rain" unfolds like a cinematic meditation on time, identity, and the fragmented nature of reality.
The track weaves together effects-laden guitars drenched in chorus and delay, deep melodic basslines, and ambient soundscapes that pan across the stereo field. Occasional saxophone flourishes and Hammond organ swells add organic warmth to the cosmic atmosphere, while acoustic interludes provide moments of intimate reflection between the song's expansive instrumental passages.
Melancholic vocals with a distinctly British character explore existential questions - "If time is a thief, what's left to steal?" - delivered through layered harmonies that float above the reverberant mix. The lyrics paint surreal imagery of backwards-ticking clocks, dancing shadows, and stars that don't care, all anchored by the haunting refrain of being "a mirror in the rain."
This is music for late-night contemplation and cosmic wandering - a seamless blend of Pink Floyd's spaciness, early Genesis' theatricality, and the ambient textures of Brian Eno. Let the gradual build-ups and extended instrumental stretches carry you through this introspective journey into the space between dreams and reality.

A Mirror in the Rain

Guitar-centric sound painting with multi-layered sonic colors. Recorded in Studio One Professional using a Fender Tone Master Pro pedal board, and a PRS SE Custom 24 guitar. Other sounds triggered with a Komplete Kontrol S49 keyboard, as well as some loops.

I'd Do It All Again

cherish these memories, closely

absence

There is a heavy rhythmic element to this track, emphasised in serial delays created in vsts such as Tantra, Valhalla, Breeze and BX Pulsar ... A Cymatic drum sample provides further rhythmic support to a pensive and mysterious composition. 

satin moments 002

Slipping Away  -  is my latest track with a twist in the tale.
Video here:  https://www.youtube.com/watch?v=icquwBbOHLc

Slipping Away

茜色の夕日が　わたしの影を
長く落とす
いつか歩いていたのは
同じ道の気がした
ああ
寂しいのかな
そうでもないのかな

心は　思っているよりも
もてあまして
自由になるものは
どれくらいあるんだろう？

ふところから
ころげおちていく
蜻蛉のうすい　羽根
散って落ちて
すくいあげようとしたら
消えるんだね
ああ
秋がきてしまった


その日は　思い出すよりも
もっと重くて
もてるものは
どれくらいあるんだろう？

心から
ころげおちていく
わたしのうすい　羽根
散って落ちて
ああ
消えることは ない
ああ
秋がきてしまったね

日が沈んで
暗くなって
月が昇るね


Pre save!

Autumn Song -秋のうた

This track began taking shape back in February 2025, during a period of experimenting with different guitars and hardware pedals—especially lots of echo effects. From the outset, I decided to abandon any formal plan or structure. My approach was simple: plug in a guitar, play whatever came to mind, and keep whatever felt promising. I just wanted to create something organic, hand-played, with some kind of consistent flow... 

Over time, ideas started to accumulate, and it felt generally fun to just keep recording. 

I’ll admit, part of the inspiration came from a beautiful trip to a magical northern spot, home to a stunning waterfall (see my art cover). Whether that feeling made it into the music—well, I’m honestly not sure.

The final result is this 7-minute progressive guitar journey, featuring two electric guitars, two steel-strings, and one classical guitar. 

Feel free to take a listen and let me know what it brings to mind!

WATERFALL SESSIONS

THE WATERFALL :: DS 2025

THE FALL  [Prod.05alagen x taymxru]

Mirrors With Eyes

i might be falling into psychosis ngl... (prod. wixxy.mp3)

Light carries intelligence, the Matrix is alive.

Atomic Light

Instrumental melodic metal. Progressive and melancholic.

Search for Meaning

Lintangasa Records

Tetap Berdiri

Interlude 7

Hi. I mostly write and produce Electronic tracks (most subgenres) but also do Pop. I have my own individual style, so my work either sounds fresh and interesting or unconventional sometimes. Anyhow, I hope you find something you like 🙂

learn more about me https://linktr.ee/ninevoltbattery
##depleted

Writing for over 35 years, from emotions, passions and free thoughts at heart. 

Always feel independent and free. That's what creativity is all about!

Original electronic music. No AI is used in my music.

Lintangasa Records is an independent record label from Indonesia, empowering original music and long-term artist growth. We prioritize transparency in copyright management and royalty tracking.

Scottish writer of songs. Lyrics (and some of my other writing) are to be found on my SubStack page - https://murray512.substack.com)

The SNAFU Company Music lives where music is created by Humans, by AI, and by Humans and AI together.

True to our 'perfectly imperfect' mindset, we embrace the beautiful and sometimes challenging subject-subject collaboration: glitches become grooves, errors turn into features, and accidents spark inspiration. Through playful experimentation with a wry, good-humoured touch, we publish sonic experiences that let the making be heard, encourage participation, and move both mind and body.

Our foundation is Shared Emergence, which is a generative approach to relational co-becoming across human, technological, ecological, and organisational spheres. In these domains, two or more entities (people, AIs, teams, systems) engage as peers in mutual actualisation and transcendence, realising outcomes none could achieve alone.

We hope it sparks your self-actualisation and transcendence. Enjoy!

Composer of multi-instrumental music, with a preference for longer, progressive and complexly arranged pieces.   

Have played guitar for many years, but I am probably a slightly odd type of guitarist. Not particularily interested in the guitar genre, not too keen on listening to long solos, etc. I don't enjoy playing for people - a party-killer, in short. However, leave me alone with this wonderful tool (or the keyboard, which I play too), and I will start experimenting with it, searching for something to develop. 

Strongly interested in classical music and anything remotely related to that. I want to construct music with a similar structure and complexity, although with other instruments, and in my own way...  
___________________________________________________________

During 2010-2013, I worked on a suite of related pieces, GUITARS PLAYED BY DS, with every sound played on the electric guitar. A major undertaking, and (all-in-all) 45+ minutes long, all complexly related and released in five segments.

During 2014-2015, the main focus was on the full-format 'LONG INSTRUMENTAL', a progressive work with lots of different instruments and sounds, restless and complex. Some sections stand on their own feet: MYSTERY, and FANFARE. 

The 2014-2015 recordings also resulted in two shorter pieces: CAMBRIAN EXPLOSION and CLUSTER OF WARNINGS.

During 2015 I initiated a suite played on classical guitars - GUITAR STRUCTURES. It is a series of slowly changing ideas, a weave of melodies and harmony, the first section out in April 2015 (the 2nd came 2 years later).  

I played guitars on Tolubai's wonderful ambient piece 'MEMORIES' (August 2015).

EARTHSHINE came out in January 2016; a darker and slightly dissonant progressive piece, and one of my personal favorites. So is SILENCE, out 1st July 2016. September 2016: IGNITION  with TOLUBAI and LET THERE BE LIGHT 22th Sept 2016 with PuppyWolf. 

20/11-2016: The OORT CLOUD PROJECT I-IX. An 18+ minutes long progressive synth-based instrumental, with lots of short guitar phrases integrated. Also, the spin-off PASSAGE was released. 

GROTESQUE released too in the end of 2016. The 19th January 2017, I released the sketch OMMA CONTRAPUNCTUS PROJECT. The 4th February 2017, the track '3 WORLDS COLLIDE' was released.

'Guitar Structure No. 2' out in March 2017, took 2 years to complete.

BEST OF 2 WORLDS was released in November 2017, another personal favorite composition.

APPROACHING: an unfinished sketch released 1st April 2018. TAURUS IV released 8th April 2018.

New Years evening 2019, quickly improvising a track: DECADE. Uploaded 23:58 local time. It was a very fun way of ending the year and I used a symbolic art cover with red sweeping in, but I wouldn't have dreamed of what was to come soon.

One main project this year is the SNOWFLAKES VARIATIONS suite; the Prelude was released in January 2020.

8th April 2020: CREATURES RISING was released. CREATURES OF THE RAINFOREST also a spinoff track (released 2021).

In the Lockdown March-April 2020, I recorded 'Era', out of frustration...

5th June 2020: REPORT FROM PLANET THREE, which was initiated 31st May 2019. 

31st July 2020: FORECAST was released. April 2021: SUMMER SNOWFLAKES, a 25 minute long track and perhaps my most ambitious ever. 

OCTOBER 22, 2021: OUTPOST. Was hell of a lot work behind this, which started out as the "Conquerer" project already in 2017. 

APRIL 28, 2022: The Disclosure (Part I).
SEPTEMBER 23, 2022: PEACE GUITARS. A track very dear to me, much of it written outdoors at the shores with my lovely dog with me. 

OCTOBER 6, 2023: SHAMBOLIC GUITARS.  Intensive recordings!

DECEMBER 7, 2024: TABOOOO released. (Oldfield Tribute)

SEPTEMBER 6, 2025: WATERFALL (part 1). Another part will follow in 2026!
 ___________________________________________________________
Many thanks for visiting here, and for the comments, 'Likes' & reposts.

D. Svensson Sept. 2022

*********************************************
All rights to the audio/tracks, and album photography are reserved, and respectfully belong to the owner. 

© DavidSvensson.

Guitar player.


Guitars > Washburn acoustic, Schecter & Ibanez
Amps > Line6 Helix Rack mount, Line 6 Pro X POD HD, Marshall Code
Sound Engineering> EHT Studios

Thank you for listening!
Best Regards,
The Boilerman

'like' me at https://www.facebook.com/MusicByJohnAshford/

Haga187= (Hagakure/ One Eight Seven*)  
One man band created by Peter Dos Santos. 
Bass Guitarist, Guitarist, Pianist and Improvised Songwriter
Compositions,Samples and Bass lines.
Open to collaboration. I can’t follow back anymore, maximum suscription on SoundCloud. 

Haga187Peter Dos Santos: Synth Drums, Bass Guitar, Guitar, Keyboards, Synths, Singing, Lyrics. 
All credits on the songs. 
All the tracks are made with Universal Audio Volt 276, Fender Jazz Bass Mexico, Squier Telecaster Butterscotch, Sherwood SH930CEQ Electro Acoustic Guitar, Korg D1BK, GarageBand except for Fantastic Mr Fish and Breakfast in Kreuzberg ( No soundcard at the recording.)
A few songs are supposed to become animated clips soon. (2024/2025)
All rights reserved (Imbd-Haga Records)
Influences (Bass): Jean Jacques Burnel-The Stranglers,Simon Gallup: The Cure (especially Three Imaginery Boys), Larry Graham ( Graham Central Station/Sly and The Family Stone,Betty Davis)Bobby Vega ( Sly Stone- Sly and The Family Stone,Tower of Power), Peter Hook (Joy Division/New Order), Tina Weymouth (Talking Heads), Paul Simonon (The Clash), Noel Redding (Jimi Hendrix), James Jamerson (Marvin Gaye, The Four Tops,The Temptations), Jaco Pastorius (Weather Report, himself),Glenn Cornick (Jehtro Tull),Les Claypool ( Primus), John Cale ( Solo, Velvet Underground)

Just a russian guy who makes music for fun

As primarily a guitarist, I use several different guitars, Gibson Les Paul Studio Session,  several PRS SE models, Sire Larry Carlton S10s, and more. I record using a Line-6 Helix processor and a Fender Tone Master pedalboard.  I use Studio One Professional DAW and have a deep library of sounds, samples, and loops to create with.  The keyboard I use for triggering sounds and playing keyboard parts is a Komplete Kontrol S-49.

You'll see on my page (below) that my music also gets posted to several other platforms. I use CD Baby to publish my music to a greater audience.

Thank you to those who take the time to listen, comment, and repost - I appreciate it.  I know what I do is not for everyone, but I am happy to reach some who may find it enjoyable to listen to.

New tracks tagged #AMBIENT ROCK