🔥 Linkin Park – Emptiness Machine (KAZY x WOPA Bootleg)
Dark energy meets machine precision — our DnB bootleg of Emptiness Machine is out now.
Free download available below 👇

🎧 Free Download: https://shorturl.at/Vh1nu
📱 Follow us:
KAZY – https://soundcloud.com/kazydnb | https://www.instagram.com/richard_kazy/
WOPA – https://soundcloud.com/matejorlik | https://www.instagram.com/matejorlik/

⚡ Big love to everyone supporting and sharing this one ❤️

DOWNLOAD

Linkin Park - The Emptiness Machine (KAZY & WOPA Bootleg)

Sins and Wins


Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'informations.

Check This Sound - TOLTEC - Live aux JEUDIS ELECTRO 2025 (2025-10-18)

BassX: HARD DARK JUMP-UP PROMO MIX

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"Self-Charging" is a cool, confident anthem for the self-sufficient. Moving beyond simple declarations of independence, it paints a portrait of a person who is a complete, closed-loop system—their own power source, their own universe. With a minimalist dancehall groove and sharp, sophisticated lyrics, the track rejects the need for external validation with a knowing smile. It’s not about being loud; it’s about being the main grid. This is the sound of potent, quiet confidence that doesn't need to ask for a spark because it generates its own.



My Own Engine

All Fired Up

New #2025 Heat by Agreen208 ALL HAIL THE KING

Heating up

Buy and download this course now at www.glocourse.com

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Email: Maris.amandateam@gmail.com

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Course list: course24h.com/courselist/

[Glocourse.com] Cameron England - License and Scale

Official trailer: https://youtu.be/Wn-nPby2pUo?si=NFXoDrD9VTom2HJV
This track is taken from the original motion picture “VAKHIM” by Francesca Pirani, screened on September 6, 2024, at the 81st Venice International Film Festival – Giornate degli Autori (Notti Veneziane). I composed and produced the original soundtrack, basing all the work on the search for sounds capable of representing and evoking the deep memories of the protagonist’s early years in Cambodia, and connecting that world with the Western one into which he was projected after being adopted by the same director at the age of four. The soundtrack moves between thematic lines linked to the emotional realities of the characters and indeterminate sounds, with detailed spatial design created through the Dolby Surround 5.1 system. This piece, combining symphonic orchestra and Cambodian ethnic instruments, represents a sonic synthesis of the entire soundtrack. It was conceived and mixed in Dolby Surround 5.1, where the Western orchestral sounds are positioned in the front and the Southeast Asian instruments behind, creating an immersive spatial dialogue between the two musical worlds. My compositional poetics clearly emerge in the relationship between music and image, where sounds become part of the visual movement itself, treated as “images within the scene.” The most intense moments are interpreted by the beautiful voice of Lavinia Mancusi. The film received numerous awards, including the Special Mention at the 34th African, Asian and Latin American Film Festival, the Signum Audience Award at the 18th Salina DocFest, three recognitions at the Cambodia Town Film Festival (USA), the official selection by the University of Auckland (CINEDANTE), and the Audience Award at the Rome International Documentary Festival – RIDF. It also achieved great public success (sold out at Cinema Farnese, Rome), attended by the director and several renowned figures, including Maestro Marco Bellocchio.

Questo brano è tratto dalla colonna sonora del film “VAKHIM” di Francesca Pirani, proiettato il 6 settembre 2024 alle Notti Veneziane – Giornate degli Autori (81ª Mostra del Cinema di Venezia). Ho composto e prodotto la colonna sonora originale basandomi sulla ricerca di sonorità che potessero rappresentare ed evocare le memorie profonde dei primi anni di vita del protagonista, vissuti in Cambogia, mettendo in relazione quel mondo con quello occidentale nel quale è stato proiettato dopo l’adozione, avvenuta a quattro anni da parte della stessa regista. La scrittura musicale si muove tra linee tematiche legate alle realtà emotive dei personaggi e suoni indeterminati, con un accurato lavoro spaziale realizzato in Dolby Surround 5.1. Questo brano, con orchestra sinfonica e strumenti etnici cambogiani, rappresenta una sintesi sonora dell’intera colonna sonora: gli strumenti occidentali sono disposti in primo piano e quelli del Sud-Est Asiatico sullo sfondo, creando un dialogo immersivo tra i due mondi musicali. Nel rapporto musica-immagine emerge la mia poetica compositiva, dove i suoni diventano parte integrante del movimento scenico, trattati anch’essi come immagini nella scena. I momenti più intensi sono interpretati dalla splendida voce di Lavinia Mancusi. Il film ha ricevuto la Menzione Speciale al 34° Festival Cinema Africano, d’Asia e America Latina, il Premio Signum del Pubblico al Salina DocFest, tre riconoscimenti al Cambodia Town Film Festival (USA), la selezione ufficiale alla University of Auckland (CINEDANTE) e il Premio del Pubblico al Rome International Documentary Festival – RIDF. Grande successo di pubblico (sold out al Cinema Farnese di Roma), alla presenza della regista e di importanti esponenti del cinema, tra cui il Maestro Marco Bellocchio.

LA SPERANZA NEL FUTURO  - from the original motion picture VAKHIM (feat. Lavinia Mancusi)

Glocourse.com | License and Scale by Cameron England

License and Scale by Cameron England | Glocourse.com

Buy and download this course now at www.glocourse.com

Or contact me for 10% DISCOUNT for PAYPAL and 20% for CRYPTO

Email: Maris.amandateam@gmail.com

Discord: Maris246

Course list: course24h.com/courselist/



[DOWNLOAD] Cameron England - License and Scale | Glocourse.com

[Glocourse.com] License and Scale by Cameron England

Minds Eye

All The Things she said - Enimatix Bootleg [FREE DOWNLOAD @ 1K PLAYS]

I’m a composer, songwriter, arranger, orchestrator, orchestra & choir conductor, music producer, mentor, writer, and researcher.
My work moves freely across different forms of expression — from Progressive Rock and Modern Symphony to Classical Piano, Songwriting, and Cinematic Music.
Over the years, I’ve shared projects with remarkable artists — including collaborations with Francesco Di Giacomo and Rodolfo Maltese of Banco del Mutuo Soccorso — and composed original scores for film, television, and symphonic productions that have reached international audiences.
As a mentor and educator, I’ve created the ANORA method, together with formative paths and musical laboratories exploring music as a uniquely human language — expressive, relational, and representative of inner experience.
In my poetic vision, sound itself becomes an image — a mental landscape that connects the composer’s inner vision with the listener’s imagination.
Each work blends tradition and innovation through orchestral writing, progressive structures, and storytelling soundscapes.
Every “side” of my music reflects a different perspective — all parts of the same creative vision.

MURDER X ™ is a So Cal, L.A. based Power Metal band, with a vision to create a new onslaught of Power Metal sound! Combining and delivering a full range of influences from the old school classic metal to modern power edge sounds of bands like Nevermore and Iced Earth!!

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am skilled in producing a wide range of musical styles, even those in languages from different cultures. Crafting music is not just a pastime for me, but a passion that brings me great pleasure. If you have a specific genre or style

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Nihil decoded through hardware

Hi, we’re KAZY & WOPA — a drum & bass duo bringing you the darker and heavier side of DnB. If that’s your vibe, you’re in the right place.

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