Aquí os traigo un Remix de otro Remix. Como siempre espero que lo disfrutéis‼️

CautionBass - About Love 🖤

Its about love

You are my diamond

BURNING BRIGHT is the newest melodic techno release by Maxim Black. It fuses cinematic emotion, hypnotic grooves, and glowing atmospheres into a deep sonic narrative about love, resilience, and internal fire.
Influenced by the soulful landscapes of Anjunadeep and the cinematic tension of Afterlife, this track takes listeners on an emotional rise — balancing warmth and longing with every beat.


MAXIM BLACK

MAXIM BLACK - Burning Bright

Burning Bright

about love is the opening track from honor ash's upcoming EP, holding words, which will be released on July 18th 2025.

holding words is a 9 track EP, oscillating between spoken word and lyric-driven song, covering themes such as heartbreak, imagined futures, community, and of course that most bittersweet of love. holding words carves a delicate space in the soundscape, with minimal production and instrumentation. The EP was recorded using a single vintage microphone at The Crunch, Great Yarmouth, meaning each track is a single unaltered take. ash's music hinges on its liveness, and this EP was recorded with the intent to capture and transmit the sacred intimacy of being in the room.

The cover artwork, as well as the sleeve and booklet of the CD and 12" vinyl release (available at elasticstage.com/holdingwords/), features photography by Maisie Radley (Flat Venus, Dog at the Opera) alongside handwritten elements by ash. The 12-page booklet included with the CD and vinyl contains lyrics for all 9 tracks, being that words are so central to this release.

honor ash is a songwriter and poet based in Norwich, UK. She believes that every poem is a love poem.

about love

ABOUT LOVE (Prod. wrongway!)

A track about the crazy love of a young couple.

You came like a wind in the night EP

You came like a wind in the night | Remix

You came like a wind in the night | Rmx

young girl - lyrics in rock

Verse 1
You waited by the old stone well,
Hair like night and eyes that fell.
Your laughter danced on summer air,
A secret song, a silent dare.

Verse 2
I came to you with empty hands,
A restless heart, no promised lands.
You smiled and traced a line in dust,
Said, "Every wish begins with trust."

Pre-Chorus
Your fingers cold, your voice so near-
You whispered, "Come, there's nothing here
But water deep and stories spun,
And shadows waiting for the sun."

Chorus
Don't lean too far, don't let me go,
The well remembers all we know.
One kiss, one lie, one final spell-
Love is a whisper in the well.

Verse 3
We threw our secrets, coin by coin,
Watched silver vanish, yours and mine.
You pulled me close, I lost my name,
The water called, it knew our game.

Pre-Chorus
Your shadow tangled up with mine,
A promise made beyond the line.
You said, "The world won't ever tell
What lovers lose inside the well."

Chorus
Don't lean too far, don't let me go,
The well remembers all we know.
One kiss, one lie, one final spell-
Love is a whisper in the well.

Bridge
Night grew thin, the stars looked down,
You wore the darkness like a crown.
I reached for you, you slipped away-
The well still waits for us today.

Final Chorus
Don't lean too far, don't let me go,
The well remembers all we know.
One kiss, one lie, one final spell-
Love is a whisper in the well.

Outro
If you return, I'll hear you call-
A voice, a wish, a shadow's fall.

Old Stone Well (Dark Fantasy castle core)

With the right partner you grow, feel that you are enough, and even begin to love yourself

Peace in my heart

https://instagram.com/cautionbass?igshid=ZDdkNTZiNTM=

holding words very carefully with cupped palms

🅰🅻🅻 🅽🅴🆆 🅼🆄🆂🅸🅲
      𝙏̵̩̍𝙚̵̩̍𝙘̵̩̍𝙝̵̩̍𝙣̵̩̍𝙤̵̩̍ /̩̍ 𝙃̵̩̍𝙤̵̩̍𝙪̵̩̍𝙨̵̩̍𝙚̵
🅵🅾🅻🅻🅾🆆 🅵🅾🆁 🅼🅾🆁🅴❗❗❗

Jag är författare och skriver noveller till  fyra damtidningar som tillhör ett stort medieföretag.
Förutom det har jag gett ut några böcker, men att skriva låttexter är nytt för mig. Skriver på svenska först och översätter sedan till spanska och engelska. Jag talar båda språken, men det grammatiska fuskar jag med.
Många av texterna skrevs när min sambo sedan över tjugo år fick bort i A.L.S. Jag har sedan förändrat och försett dem med refränger.
Jag njuter av att få skapa musiken med mp3 och lyssna på resultaten. Mina egna favoriter just nu är Sentiment is( felskrivning då mobilen är trött och enspråkig) och Christmas Heart. Jag är teknikanalfabet och har inte lyckats ändra titlarna så det lär bli fler.
Jag hoppas￼￼ du som är spansktalande anser att översättningarna är godtagbara.
Lämna gärna några ord om vad du tyckte om låten du lyssnat på. Jag vill poängtera att jag skrivit texterna till alla låtarna, men fått hjälp med översättningarna. Tack!

NEURO GOPAQUE is a Ukrainian music project that combines ethno-folk with electronic genres such as Neurofunk, Drum & Bass, Breakbeat, Jungle, JumpUP, Dub, and Dubstep. The project was founded in 2025 by sound producers and artists SunFixer and LeonID. The mission is to create innovative hybrid tracks that integrate traditional Ukrainian motifs with modern electronic rhythms, in order to popularize Ukrainian cultural heritage on the global electronic scene. The headquarters is located in Kyiv.

The project offers original tracks and remixes of Ukrainian folk songs in electronic styles. Key offerings include compositions such as "In the labyrinths of code I will find freedom", "Hey, brothers, keep in line!", "You came like a wind in the night | Rmx", "Unbreakable Motherland" (in several mixes: BKB, JumpUP, Main Mix), "Threat Vector UA", "Threat Vector", and "Growler". These tracks are available on platforms like SoundCloud and are aimed at an audience of electronic music fans with ethno elements. Markets served: Ukraine and the global electronic music community, with a focus on streaming services.

Key executives and founders: SunFixer (sound producer, artist, and songwriter) and LeonID (sound producer and artist). They jointly manage the creative direction of the project, focusing on production and collaborations.

The project operates in the electronic music industry with ethno-folk elements, positioning itself as an innovative fusion project in the Ukrainian scene. It competes with other Ukrainian electronic artists, such as those featured on platforms like Music Export Ukraine, as well as global neurofunk performers like Opsen or Billain (mentioned in Neurofunk 2025 playlists). Position: a fresh player that emphasizes cultural identity, with potential for growth in post-2025 fusion genre trends.

Recent releases include tracks published in August 2025 on SoundCloud, such as "In the labyrinths of code I will find freedom" (August 26, 2025), "Hey, brothers, keep in line!" (August 25, 2025), and a series of "Unbreakable Motherland" mixes (August 21, 2025). The project is also presented as a remix of the Ukrainian folk song "Kozak was going to the war". Significant announcements or deals are currently limited due to the project's novelty, but expansion of presence is expected in 2025.

I am a devoted admirer of medieval music, and for over two decades I have lived inside its echoes, its modes, drones, courtly dances, and sacred resonances, translating them into a modern voice that still feels as old as stone. My work is rooted in the Castle Core aesthetic: evocative, atmospheric, and architectural. I build music like one builds a fortress, by layering arches of melody over foundations of rhythm, by carving timbres that feel weather worn and timeless, and by letting silence act as shadow. The result is a sound world that is both cinematic and intimate, at once austere and richly ornamented.

I am a multi instrumentalist by craft and temperament, with the violin as my lifelong compass. Trained as a professional violinist, I treat the instrument not only as a melodic narrator but also as an engine for texture, bowed whispers, harmonics like candlelight, and double stops that carry the weight of stone walls. Yet the violin is only one voice in a broader choir. I play and record a range of instruments, strings, plucked and bowed, hand percussion and frame drums, drones and keyboards, sculpting each layer with a producer’s ear and a historian’s curiosity.

I handle the entire production process myself. Composition, performance, recording, editing, mixing, and mastering all live under one roof, which gives my music a coherent atmosphere, nothing feels imported; everything is grown from the same soil. Over the years, this self contained approach has evolved into a signature workflow: I begin with a pulse or a drone, something elemental that sets the scale of the room, and then I weave in motifs that move like lantern light through corridors. The violin often enters last, not as a flourish, but as a storyteller stepping into view.

My musical language draws on medieval modalities and rhythms, Dorian, Phrygian, and Mixolydian colors; isorhythmic hints; the grounded insistence of bourdon, as well as on the rough hewn beauty of folk traditions. I am less interested in historical reenactment than in living memory, the feeling that a melody might have been sung in a great hall, or hummed by a traveler at dusk, or carried by wind across a battlement. That is the soul of Castle Core to me, a sense of place made audible. The music does not describe the castle; it inhabits it.

After more than twenty years, I have learned to trust slowness. Some pieces emerge quickly, as if I had only to open a window and let them in. Others require patience, days of adjusting mic positions, repainting the sonic palette, moving from gut strings to steel, swapping a frame drum pattern for a subtler heartbeat. I welcome that process. It is how the music gathers depth. I tend to record in low light, with minimal screens, letting my ears guide decisions before my eyes do. When I mix, I aim for a breathing dynamic, peaks that feel like torch flares, valleys that feel like cloisters.

My influences are varied, but they all share a devotion to mood and materiality, early music ensembles, folk fiddlers, cathedral acoustics, and contemporary ambient composers who understand that a single sustained note can hold a landscape. I often imagine architecture while composing, gatehouses, keeps, chapels, stairwells, and I build arrangements to match them, narrow passages opening into vast chambers, concealed alcoves revealed by a modulation, a hidden door suggested by a counter melody.

As a performer, I value restraint. Virtuosity is a tool, not a destination. The violin can dazzle, yes, but it can also console, bless, and haunt. I am happiest when a line feels inevitable, simple, shaped by breath, aligned with the grain of the piece. When recording multiple instruments myself, I think in terms of ensemble etiquette, each voice knows when to step forward and when to recede. That is how the music keeps its dignity.

MAXIM BLACK ▪️ 
DJ | Producer | Sound Architect
Techno / Progressive / Atmospheric Breaks
“Music that awakens....”

My mission is to return humanity to truth, emotion, purpose, and connection — not through language, but through music. 
“Music that awakens — a reflection of life’s essential truths: love, rebirth.” — Maxim Black

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