Boiada Valente (2025) - Vitor Lyra Biagioni

simply drowning

Acousmatic Sketch No.1 [2025-02-26]
在城市日常生活的喧囂與繁忙中，我透過電聲速寫表達模糊的喧囂場景與焦慮感。作品試圖捕捉內外壓力與對比下的情緒，呈現一種持續擠壓與放鬆之間的感受。


Acousmatic Sketch No.1 (2025.02.26)
Amid the noise and busyness of daily urban life, I use electroacoustic sketches to express the blurred scenes of chaos and anxiety. The piece attempts to capture the emotions within the contrasts of internal and external pressures, presenting a sense of continuous compression and relaxation.


Music & Photo by Shih-Lin Hung


#electronic music #electroacoustic music
#experimental music

Acousmatic Sketch No.1 [2025-02-26]

On a desolate night, amidst the vast wilderness, life grows untamed.
As silence settles, the wind carries dust and whispers through the shifting leaves.
Above, a sky brimming with stars. On the horizon — a distant mirage,
disrupting the balance of the natural order.

A god who shelters the earth breathes color into this barren land.
Buds burst forth. Branches reach skyward.
This is a story told by the oldest grove of oak trees —
a tale from a time before civilization carved its path through nature.

If such a land still existed,
how vivid, how radiant its colors would be —
or perhaps how fleeting, like a mirage.

The Story Told by Oak Trees

Anima Dei Per Machina: I. Aqua (2024)

Please use headphones.

Originally composed for an 8- loudspeaker installation in Acousmatic Music Composition and Theory Course concert, Helsinki Musiikkitalo Black Box 2025

Deterrence ASMR

Thanos Tsavouselis - Lands (2025)

“Lands” is a electroacoustic composition exploring
the environment as a living system. Across four chapters—Substrate,
Signals, Contingency, and Intelligence—the work reflects on the
physical and informational flows that define ecological and
technological existence. Through processed sound, glitch, and
texture, the piece narrates the collapse and recalibration of
reality.

Το “Lands” είναι ένα έργο ηλεκτρακουστικής σύνθεσης
που εξερευνά το περιβάλλον ως ζωντανό σύστημα. Μέσα από τέσσερα
κεφάλαια—Υπόστρωμα, Σήματα, Ενδεχομενικότητα και Νοημοσύνη—το έργο
αναστοχάζεται τις ροές ύλης και πληροφορίας που συγκροτούν την
οικολογική και τεχνολογική ύπαρξη. Μέσα από επεξεργασμένο ήχο,
glitch και υφές, αφηγείται την κατάρρευση και την επαναρρύθμιση
της πραγματικότητας.


Text:

Welcome to the System
Interface engaged
Variables syncing
External is internal
Calibration begins

Chapter I: Substrate
No world without relation
No form without feedback
Environment is not background
It is conditional logic

Soil is not inert
It is a processing field
Air: a transport protocol
Water: a temporal archive

Boundaries are not fixed
They are negotiated
By chemical gradients
By thermal drift
By pressure exchange

Chapter II: Signals
Light patterns inform structure
Infrared regulates metabolism
Magnetic flow guides migration
All motion is data

Ecology is a recursive system
Organisms as subroutines
Terrain as memory

No separation between system and subject
Every action is a modulation
Every presence a frequency

Chapter III: Contingency
Sustainability is not choice
It is a threshold
Crossed slowly
Until it isn't

Collapse is not dramatic
It is silent
Incremental
Buffered by prediction lag

Carbon records input
Plastic encodes delay
Toxicity accumulates silently
As instruction

Chapter IV: Intelligence
Adaptation is not foresight
It is iterative rebalancing
Evolution is brute calculation
Survival is not merit

No organism chooses its pattern
It unfolds
Along vectors of viability

Ethics is a product
Of mutual exposure
Risk shared
Across systemic time

System Status: Monitoring
Environment is not separate
It is recursive infrastructure
Invisible scaffolding
Of the visible illusion

Reality adjusts
To maintain coherence
Until coherence breaks

End of environment loop
Awaiting recalibration

Lands (Stereo)

Soliloquio (gritar y no ser escuchado)

Desolación (no siempre el que calla otorga)

Paciencia / Impaciencia (hierven las entrañas)

Daniel Álvarez Acero
Compositor, guitarrista clásico, docente.

Doctor en Música de la Pontificia Universidad Católica (Argentina) bajo la dirección de Jorge Sad Levi y Pablo Cetta. Magíster en Música de la Universidad Simón Bolívar (Venezuela) estudiando música electroacústica con Adina Izarra y composición y orquestación con Diana Arismendi. Paralelamente estudió guitarra clásica con Rubén Riera. Licenciado en Música de la Universidad Pedagógica Nacional (Colombia) estudiando guitarra clásica con Jaime Arias Obregón.

Como compositor sus intereses se enfocan en la realización de música electroacústica y mixta, y en la programación a través de software como Supercollider, Max, Open Music y Ableton live. Como guitarrista sus intereses se enfocan en la difusión e investigación del repertorio contemporáneo.

Varias de sus obras han sido estrenadas en Colombia, Venezuela, Ecuador, México, Argentina, Estados Unidos y Mónaco. 

Ha sido invitado a participar en la Red Andina de  Video Cursos en Música por Computadora (Perú), Festival Internacional  de Música y Nuevas Tecnologías Visiones Sonoras (México), Rencontres Internationales de Musique Electroacoustique (Mónaco) y Festival Internacional de guitarra clásica Amigos de la Guitarra Académica (Venezuela).

I’m Shih-Lin Hung, a composer and sound artist from Taiwan. I explore memory, space, and disappearance through acousmatic and electroacoustic sound.

Open to interdisciplinary, cross-border, and remote collaborations — especially in film and experimental sound work.
Contact: alfredpierrot@gmail.com

If you enjoy my sonic landscapes, you can support my practice here: buymeacoffee.com/shihlinhung
—
我是洪世霖，來自台灣的作曲家與聲音藝術創作者。透過 acousmatic 與電聲創作探索記憶、空間與消逝。

歡迎跨領域、跨國與遠端合作，特別是在影像與實驗聲音創作中。
聯絡信箱：alfredpierrot@gmail.com

如果你喜歡我的聲音風景，歡迎透過 Buy Me a Coffee 支持我持續創作：buymeacoffee.com/shihlinhung

Welcome to my SoundCloud profile! I am a passionate producer of electronic alternative music, leveraging cutting-edge digital audio workstations and programming techniques to craft my unique sound. As a lover of authentic instrumentation and soundscapes, I also incorporate real instruments sound design into my productions to create a more dynamic and engaging listening experience.

While I take great pride in my work, I am always seeking to improve and refine my skills. I approach each new project with an open mind and an unwavering commitment to achieving the best possible results. If you are a fan of experimental, thought-provoking music that pushes the boundaries of what is possible in the electronic genre, then you have come to the right place.

Thank you for taking the time to visit my profile, and please don't hesitate to reach out with any questions or feedback. Let's make some incredible music together!

Composer & Music designer from Taiwan 🇹🇼
Big fan of Ryuichi Sakamoto

Composer, Musicproducer and Sound-Artist
currently based in Graz, Austria 
Student of computermusic and soundart at the Institute of Electronic Music, University of Arts in Graz, Austria

https://www.instagram.com/__b.a.k.__

New tracks tagged #Acousmatic music